The specifically Korean tradition that is reclaimed in Sopyonje is the type of folk-song known as pansori, described as a musical sublimation of South-West Korea's collective grief and suffering - in other words, a kind of blues. The film's three central characters are itinerant pansori singers in the 1950s, a time when many aspects of Korean culture came under siege from Japanese and western influences. The story unfolds through flashbacks. A man named Dong-ho is roaming the rural hinterlands, ostensibly to find rare herbal medicines for his sick son back in Seoul, but actually in search of Song-hwa, the woman he grew up with. Orphans, they were both apprenticed to the pansori master Yu-bong (played by the film's writer, Kim Myung-gon) who pressured them to sacrifice everything for the art.

In the comedy "Lady Daddy," a young child from a divorced family searches for his father. What he doesn't know is that his father is now a woman after having sex reassignment surgery. His father Ji-hyeon (Lee Na-Young) was a medical student but is now a photographer ...

Successful debt collector Chiu takes pity on a group of wannabe pop starlets when he goes to collect from the agency they are signed with. Naively thinking that he can do a better job in launching their careers, Chiu takes over the company in lieu of the debt but starts to realize he may have bitten off more than he can chew. Hoping that things might change with a strategic approach, he hires experienced talent manager Suen but with money running low and the company on the brink of bankruptcy, a dejected Chiu is soon ready to admit that his Midas touch has run out until a Korean showbiz entity expresses interest in the girls. Now Chiu has to decide whether he is willing to say goodbye to his investment and, more importantly, to a dream he has come close to achieving.

A movie about real bullies.

Yoon Hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyung Jun is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough. Yoon Hee goes looking for Hyung Jun, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyung Jun's side is heartbreaking and frightening. Hyung Jun, used to his life of loneliness and despair, loves Yoon Hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

Masashi is a photographer. He has his parents and an older brother Yukihiro. For Masashi’s photography school graduation project, he replicates a funny family moment from his childhood as adults. The photo is a huge success, and sparks a series of humorous, staged family photos, starting with his father’s dream of being a firefighter. This success continues into cumulating into a photobook that eventually wins a huge award. Afterwards, Masashi begins to travel throughout Japan taking family portraits, leading him to the prefecture of Iwate. It's after taking several more family portraits that the Great Tohoku Earthquake strikes, and Masashi is compelled to return to Iwate in search of the first family he photographed outside of his own. During his search he encounters Ono Yosuke, who is recovering photographs found in hopes of returning these memories to their families, and Masashi joins him.

Inspired by photographer Masashi Asada’s photography books “Asadake” and “Album no Chikara”.

1983: Ji Hwan, a high school music teacher, is soon to wed his colleague and girlfriend, Yoon Jeong. Yoon Jeong becomes involved in a case and Ji Hwan attempts to protect her. Moments later, he is fighting for his life after he is stabbed by a mugger.

2015: Police detective Geon Woo is shot by a suspect. The two men who live 30 years apart, fight for their lives on the same day, at the same hospital. As they come back from the brink of death, the two men begin to see through each other’s eyes in their dreams. Gun Woo learns about a case that took place in the past from Ji Hwan. Gun Woo also meets So Eun and, together, they go after the case that took place in the past.

After growing up under miserable circumstances, Da Hye (Song Hye Kyo) finally finds happiness with her fiancé Sang Woo (Ki Tae Young). One rainy night, Sang Woo is run over and killed by a teenager. A year passes by and Da Hye has chosen to forgive her fiancé's killer, believing that to be the way of faith. She is even producing a documentary about forgiveness for the church and interviewing others who are still struggling to move on. As she talks to other families of victims, she begins to have doubts about forgiving her fiancé's killer so quickly.