Fortune has been very poor and do anything very bad palace M because they heard swindling, lip do not fly fortune teller Satsuma Aliyev guidance, and is therefore now a dream for a Oral marriage lover and brains, pressing for the fiscal Qin trick sister to form the "stay Meng look for her," the two groups, accidentally came to Singapore and would like to try their luck abroad, began their dream of getting rich. Got on a plane from the start, the two "funny than" all the way jokes abound, the storm continued, and even to make money playing the idea of ​​tunneling to the antique shop robbery, ironic.

Mermaid And Swordsman

At the Metropolitan Police Department (MPD) Headquarters, the core of the Japanese Police, an unprecedented hostage situation in the history of MPD breaks out. The hostages are 12 top executives of the MPD: Superintendent-General Tamaru, Deputy Supt-Gen Hasegawa and bureau chiefs. The conference room, where the perpetrator and the executives are held hostage, is completely surrounded by Riot Police Squad and Special Investigation Team (SIT). The perpetrator’s motives are unknown and he makes no demands.

Meanwhile, two gunshots echo from the conference room. Ignoring Sugishita’s strong opposition, Nakazono orders Riot Squad and SIT to storm the conference room. What they find there is Yaegashi, shot and dead. Gunpowder residue is found on all the hostages, but who fired the gun? This cannot be determined. While released from captivity, all 12 hostages become suspects.

In response to Supervisor Okouchi’s questioning, all the hostages give ambivalent testimonies that the gun went off while they struggled to neutralize the perpetrator, and that they do not know who pulled the trigger. Concerning Yaegashi’s demands, all remain silent. Becoming strongly suspicious of this, Sugishita and Kanbe gains cooperation of Chief Kakuta and others, and undertake their own question of the executives, who were taken hostage.

On the other hand, receiving the report of the hostage case, National Police Agency Director Onoda, along with National Police Agency Commissioner Kaneko, begins to make disturbing moves.

A story of an entrepreneurial miner racked by guilt over the death of his lover's husband. Set in the fictional community of Tianquan, somewhere in bleak northern China, coal miner Li Guangsheng lives and works with the older Zhongmin, a father figure. Guangsheng, who is secretly having a hotsyhotsy affair with Zhongmin's wife, is mortified when Zhongmin dies in a mine explosion and blames himself for not saving his friend. Suffering an attack of impotence, he sends Zhongmin's widow away. After buying the mine under a new government policy designed to encourage private initiative, Guangsheng works like a Trojan to clear and re-open the site. He's joined in this by Zhongmin's son, A-fu, and gradually makes a success of the mine.

An aphasic young boy living in South Korea meets, on one of his regular paths, a “Koguryo Beauty” who shows him how to trace his heritage

Debt collector Bruce has unusual collection methods, including torture by rock music. Having a bad day, he comes home to find his wife having sex with another man and is then confronted by triad boss Bill who gives him just three days to collect all outstanding debts. Then caught up in a heist by robbers Lung and Keung, he is kidnapped and forced to dig his own grave... By chance, Pui Lau finds Bruce's haunted mobile phone. They enter into an arrangement: Bruce will help Pui seduce pretty Maggie away from her rich boyfriend Royie if Pui helps Bruce punish Bill, Lung and Keung.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars...

Mu Zi's parents' old apartment is still there. A bed, an abandoned chair, a window falling off its hinges – the remnants of a relationship that has moved on. Her father has started a new family, her mother has friends abroad; it seems like only Mu Zi cares about this place. In The Cloud in Her Room, she wanders several times through this static past.

In her palpably personal debut film, Chinese filmmaker Zheng Lu Xinyuan follows her 22-year-old protagonist as she returns to Hangzhou, where she was born, for the New Year's celebration. She arranges to meet old friends, makes some new ones and visits her parents, with whom she is mostly on friendly terms. It's like she doesn't really fit in anywhere. Mu Zi is living in limbo: like the apartment, she has stopped, caught between past and future.

Zheng Lu, who shot her film in black-and-white, underlines Mu Zi's alienation through directorial decisions that are at times daring. She combines handheld documentary footage, in which Mu Zi interviews people around her, with more distant camerawork. As a child of separated parents, born at the time of the one child policy and having grown up in a China where everything is changing at breakneck speed, Zheng Lu has made a melancholy, topical film about her generation and the society in which they are growing up. At the same time, it is a universal story about love, relationships, the impossibility of keeping these going and the loneliness this causes.