No struggle, no youth. They are young prosecutors in the new era. They have excellent skills, work hard, and guard against fairness and justice with the help of legal supervision. No cross-border, no future. They discover, seek, explore, challenge, and empower the prosecution and propaganda. Love, concentration, and hard work are their inner voices; curiosity, imagination, and creativity are their magic weapon for success; seeking correct solutions, perseverance, and consistency are their spiritual coordinates. Follow their footsteps and experience the show time of prosecutors in the new era together!

Do Hyun, a college student and his friends have lost their childhood memories and they are living their lives in their own way. One day, Do Hyun is introduced to Jin Ho who lost his parents in an accident as a child. Do Hyun’s friends also heard Jin Ho's story and they decided to become Jin-ho’s friends. In the meantime, Do Hyun gets interested in hypnosis that Jin Ho receives to treat his trauma due to an accident and he tries to do it. Since that day, Do Hyun and his friends keep experiencing strange things and they all feel to have been hypnotized as recollecting memories of Seung Min, who was with them at a nursing home when they were young but already dead. Who hypnotized them and why did the memories of Seung Min come back?

When the homely 18-year-old Kyomi (Aimi Satsukawa) loses both of her parents to a car wreck, tragedy sets the stage for a seriocomic and occasionally poignant battle-of-wills between the young woman and two of her siblings. So begins Japanese director Daihachi Yoshida's slice-of-life seriocomedy Funukedomo, Kanashimi No Ai Wo Misero (AKA Funuke, Show Some Love You Losers!, 2007). Upon learning of her parents' death, Kyomi's older sister, the financially-strapped and emotionally-troubled actress Sumika (Eriko Sato), hearkens back to the family's bucolic home to collect on a healthy inheritance - but the girls' brother, the woodcutter Shinji (Masatoshi Nagase), informs her of standing legal delays. Thus, Sumika moves into the house (occupying her childhood room) and waits out an indeterminate period of time, unable to foot the cost of a return to Tokyo. Yoshida then flashes back to detail the family's colorful and occasionally violent past - involving Sumika's prostitution, death threats directed at her father, and exploitation of her conflict with her father by dramatizing and publishing the events in a bestselling manga. Back in the present-day, Sumika receives an offer to write a screenplay and once again turns to family strife as dramatic fodder for her fictions - rapidly coming to the conclusion that perhaps her eccentric family isn't so terrible after all. ~ Nathan Southern, All Movie Guide

Izumi Noda, a librarian who prefers being surrounded by books rather than being in contact with people, meets Latin Yoneya Nell, who aims to become an architect with a joint party taken by Kumiko. I'm puzzled by Nell who visits the library every day from the next day, but I was timid for love for some reason. I'm attracted, but I know that Nell approached the fountain was a game among friends.

Yeon-Hee waits for Min-Woo. They have been separated the past 60 years after the division of Korea into north and south.

Jin Gyu, who has a crush on his schoolmate, will have glasses with a vision function one day. And he tries to test the secrets of glasses that I want to know alone. Can Jin Gyu's unrequited love continue?

The film centers on a dedicated student teacher named Choi Hong (Kang Hye Jeong, from Old Boy) who finds herself being propositioned by English teacher Lee Yu Rim (Park Hae Il, from My Mother, the Mermaid), a man who just so happens to be the person in charge of her class! But this is no innocent flirtation. Not one to mince words, Yu Rim simply asks the unsuspecting Choi Hong to have sex! To make matters even stranger, Yu Rim already has a long-time girlfriend. His wandering eye relates to his beliefs about true love: for him, there is no such thing. In his view, dating is meant solely for sexual gratification. Choi Hong has a boyfriend of her own, a man she one day hopes to marry. But like Yu Rim, she harbors doubts about relationships, a feeling directly connected to some unpleasant experiences in her past. Surprisingly, Yu Rim's methods actually seem to charm her. But as this unconventional romance takes off, will the two cynics realize what the real purpose of dating is? And what about their significant others? Or the whispers in the teachers' lounge about their behavior? Filled with bawdy humor and fun performances, Rules of Dating is one romantic comedy that's not afraid to break all the rules! (from YesAsia)