A sequel to the entertaining "Operation Pink Squad" (1988) that throws a heavy dose of comedy and horror into the mix. The Pink Squad (Sandra Ng, Anne Bridgewater, and some other Asian beauty) get assigned to go undercover as Japanese hostesses in order to break up a counterfeiting ring led by Shing Fui On. They are also aided by the Captain's niece, played with exuberance by a very young and extremely cute Cheung Man, who ends up stealing the show (at least for me). Sandra and Billy Lau are now married, and Billy is convinced that his wife is having an affair with the police Captain (typecast Wu Fong) as the result of some silly miscommunication. He spends the first half of the film devising fiendishly amusing ways to punish the adulterers, and even fantasizes that he's Chow Yun-Fat from "The Killer" (1989) at one point. During the sting operation, the girls' new headquarters are in a haunted apartment that Buddhist monk Yuen Chueng Yan is in the process of exorcising. One of the ghosts manages to get away and wreaks all sorts of havoc on all the main characters. After numerous mishaps, our heroes finally manage to cut off the ghost's head, which just makes her mad. Now the good guys are being chased around by a headless body and a flying head! As luck would have it, the head falls into the villain's (Shing Fui On) bag, and he runs off with it thinking it's the counterfeit printing plates. More silliness ensues. Finally, in the last twenty minutes, all of the heroes band together and banish all of the evil spirits back to hell.

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Jin Tian, a young woman who recently got dumped by her fiance and lost her grandmother, Chen Lanxin. Feeling heartbroken, she travels to Prague, the place where her grandmother once spent years of her life. In her grandmother's belongings she finds a letter from 1970. In Prague, Jin Tian meets Peng Zeyang, a young single father who lives with his daughter and mother. The two develop a mutual attraction during their journey on searching Josef Novak, her grandmother's past lover.

A month later. Genji Takiya has graduated. New fights begin to see who will climb to the top at Suzuran High School. Meanwhile, a battle against nearby Kurosaki Industrial High School begins.

A quiet, professional killer, Hyun-jun, arrives at a house to kill a man in his sleep, only to discover a woman alone under the sheets. She shouts at the dazed Hyun-jun, "What's the matter with you. I paid for you, so just kill me." Jin-young has decided to kill herself after a traumatic break up with her lover of seven years, but she wants to go out with a bang, not with a miserable and lonely dose of commonplace sleeping pills. Hyun-jun is furious at the woman and abandons the mission despite the fact that he has a contract to fulfill. "You should kill yourself; I'm not your suicide assistant." This is how Hyun-jun and Jin-young first meet. The most extraordinary love story begins.

South Korea, 1979. Han Kiju is an alcoholic novelist who has never recovered from his year long tour as a volunteer soldier in Vietnam. When he's asked to write a book about the Korean soldiers who fought in Vietnam he's battered by flashbacks that remind him of the brutality and lies that destroyed his innocence. The serialized novel brings him back in contact with a former soldier who served under him, PFC Pyon Chinsu, the one-time company clown driven mad by the violence of the war and who now looks to Han for some sort of emotional rescue.

This is a film about a Naval Air Corps Director who hates the war. Director Honda uses this film to ask the question "What is war?", showing the human bonds between Japan and America, Japanese military tactics which had little regard for life, and the attitude of Japanese military personnel who treated their actions as if they were just doing a job. This film contains few battle scenes, concentrating instead on the love stories of young officers and female members of the community in this lonely air base. The setting for this film is Rabaul, an island in Papua New Guinea where the Japanese maintain a military air, the loss of which dealt a decisive blow to the Japanese in the South Pacific Theater. Unlike The Eagle of the Pacific, this movie contains many more dramatic elements. Lt. Wakabayashi, reputed as a daredevil-like leader with his strict way of life...his war friends...the teenage boy pilots in Wakabayashi's squadron...a reporter...the women at the local bar...through all these characters, Director Honda shows a quiet anger towards the spirit of a war which destroys society and shows little regard for human life. Whereas The Eagle of the Pacific utilized a lot of footage from The War at Sea From Hawaii to Malay, this film has many scenes which are well coordinated between the drama and special effects crews. Good examples are the aerial dogfight with the enemy pilot nicknamed 'Yellow Snake', Lt. Wakabayashi attempting a forced landing at the seashore in order to save his friend, and where Lt.Wakabayashi flies into a thunderhead to escape the pursuit of enemy planes. This well-planned combination paved the way for the success of Godzilla later the same year.

"The young and debonair Hu is a skilled swordsman without a care in the world. Feng is a master of swords who uses his skill for power money and lust. They are destined to cross swords when Hu becomes romantically involved with Feng's illegitimate daughter." - Tai Seng Catalogue Based on the same Jin Yong story that yielded LEGEND OF THE FOX and NEW TALES OF THE FLYING FOX from Shaw Brothers. Hu Fei (Flying Fox) gets involved in the rivalries and intrigues of the Poison Clan, and much madness (and weird poisoning) ensues.