Yu-Jung (Lee Na-Young) has now attempted her third suicide attempt. Her disdain for her mother and indifference to the rest of the world, isolates her from any chance for happiness. Yu-Jung also has an aunt named Sister Monica. Her aunt often goes to prison to meet with death row inmates. Sister Monica meets a new death row inmate, who asks Sister Monica if he could meet her niece Yu-Jung. Sister Monica asks Yu-Jung if she would counsel this death row inmate and Yu-Jung reluctantly agrees to do so.

Yu-Jung and the death row inmate do not open up to each other immediately. Yu-Jung comes from a family of wealth and is now a professor at a university. Yet, she has never known happiness since the age of 15. The inmate that she meets, named Yun-Soo (Gang Dong-Won), has had an even more traumatic childhood experience. He was abandoned by his parents at an early age and has had to live on the streets while caring for a younger brother. Eventually Yun-Soo ends up involved in the criminal world and gets convicted for murder. With their disparate backgrounds, Yu-Jung and Yun-Soo are still able to connect with each other, because both people know grief like few others could possibly know. As they both regain the will to live through their weekly meetings, they must now deal with their feelings for each other and come to grips with the short amount of time they have together.

Wah and Kinki both working at the same department of a computer company. Both of them are not getting on very well initially, but friendship develops when they get to know each other after a while. When Wah starts to realize his emergent fondness for Kinki, his ex-girlfriend reappears and plans to gain back his affection. In addition, he notices that his ex-girlfriend arranges a guy to pair up with Kinki. At the same time, his supervisor would like to lay him off at work.

Yokai are major figures of Japanese folklore, spirits that occupy virtually everything in the world around us. Some, such as the turtle-like Kappa, are relatively well known, but there are hundreds of others, maybe even thousands. They are the spiritual element of everything in the world around us, and as such they deserve to be treated with respect. But humanity isn't much good at respect. We consume, destroy, wear out and discard with no thought to anything but ourselves, a situation very distressing to the yokai, so distressing that the villainous Kato - accompanied by his deadly assistant Agi, played by Battle Royale and Kill Bill's Chiaki Kuriyama - has concocted an extreme response. Kato is gathering up yokai of all sorts, preying upon the harmless and the weak, and forcibly fusing them with discarded metallic junk to create vicious killing machines that he plans to unleash on humanity. And who must stop Kato's evil plot? Young Tadashi, a pre-teen boy gone to live in the country following his parents' divorce. Tadashi is crowned the Kirin Rider at a local festival, a title everyone assumes is honourary until it turns out no, it falls to Tadashi to travel to find the Great Goblin and retrieve the magical sword that is the only hope of defeating Kato.

A man quits work to care for dying grandmother, motivated by her fortune. He schemes to win her favor before she passes.

Lung Ka Chun is a business tycoon in charge of the Lung's Enterprise who is forced into marriage by his mother. During one time when he was going out to the sea on his yacht, his younger cousin Diana Kung pushed him down the sea and was mistaken to be an illegal immigrant from mainland China by Lantau Island police officer Uncle Prawn and chases him. While Lung was running away, he goes up on a roof and falls down and meets Moon, who was taking a bath at that time. Moon's mother Aunt Eleven also mistakes Lung as an illegal immigrant and takes him under wing to work as a cheap labor.

Summoned by an unexpected phone call, an elderly woman visits a cottage she used to live in as a child. She begins to recall her memories of a boy she knew 60 years ago.

The young Suni and her family move to a small rural village in Korea. There, they encounter a strange ‘wolf boy’ hiding under a bush and take him in out of pity. Bothered by his wild eyes and feral behavior, Suni teaches the boy to wait patiently before a meal, put on clothes, and read and write the alphabet so that he can one day live like other human beings. Slowly, the boy begins to develop feelings for Suni, the first person to ever show him affection. Then one day an unexpected threat exposes the boy’s deadly bestial instincts, and in an instant, he becomes the subject of the villagers’ fears. Desperate to save the life of the boy who risked his own to be by her side, Suni leaves him with a promise: ‘Wait for me. I’ll come back for you.’

A former smuggler attempts to start his life anew and repair his relationship with his estranged brother after his release from prison.

Surgeon Daimon Michiko is sent to Totei University Hospital this time. Although it reigns as the top university hospital in the country, the hospital’s reputation has suffered greatly from various cover-ups, medical malpractice and fighting factions. Furthermore, the person who has snatched the seat of the new hospital director with the plan of reestablishing the hospital’s brand and gaining great power, is none other than the strategist Hiruma Shigekatsu, who has a longstanding grudge against Michiko. At Totei University Hospital, the medical departments have weakened as the administrative department increases control. Only doctors who have powerful brands are kept to run the hospital, which has transformed into a mere business organisation. What will Michiko stand up against in a power game rife in the healthcare setting?