Several years after the conclusion of Iryu 2, Team Medical Dragon is once again reassembled to revive a faltering Meishin University Hospital.

The King of Yesterday and Tomorrow tells the tale of how Emperor Yung Cheng and Lui Sei Leong are accidentally transported 200 years into the future into modern day Hong Kong. Now, you can just imagine the reactions of these two Ching period characters when they wake up to find themselves in a totally unfamiliar environment. But that’s when we also get to see the differences between Yung Cheng and Lui Sei Leong. Being emperor, Yung Cheng chooses to observe his surroundings and is calm and composed albeit a little apprehensive. Lui Sei Leong, on the other hand, having been brought up with only one thing in mind, is bent on assassinating the emperor and reviving the Ming. She doesn’t care where or what time period she’s in! This, of course, results in a series of hilarious incidents involving the both of them. Yung Cheng assumes the identity of a Lee Tai Ha and is taken in by his uncle and family, while Lui Sei Leong joins a martial arts performing troupe.

The beautiful female boss Zhang XiaoNa who has birth mark tries her best to achieve success and becomes the president of the content department, but she hasn’t been a relationship because her birthmark. Finally, she met her lover Chang Qing, a technical director at her company. They undergone some difficulties and finally got married.

"Yat Gor" Chak Koon-yat, "Win Jeh" Ho Ching-fa, and "Yee Jai" Hugo Ng have followed their master Szeto Sing to learn con tricks and illusions since childhood. Yat and Fa grow fond of each other over the years, but a competition estranges them and they lose contact. In order to flush out the mole, a casino tycoon named Fok Chun-sing colludes with Szeto to induce Yat and Hugo into taking up a secret mission, resulting in their reunion with Fa. With each of them possessing a unique talent, they gradually uncover that the mole might be Fok's right-hand man Lam Lui, confidant Yau Yuet-wah, or one of their rivals. But nothing is as it seems. To come into terms to why Fok killed his father Chiang Tin-lung twenty years ago, Yat infiltrates the Chun Sing Group, dealing a crushing blow to the crisis-ridden casino. That leads to an enmity between siblings, total severance of the master-disciple relationship, and irreconcilable differences between father and son.

The biography of Lin Mo Niang [Ma Zu] (Goddess Of The Sea).

This drama reflects the lifetime achievements of Ma Zu through the incorporation of over 30 folk legends with the goal of restoring a venerable, kind and lovely image to a legendary goddess.

According to legend, Lin Moniang was born on March 23, 960 (during the early Northern Song Dynasty) as the seventh daughter of Lin Yuan (林愿) on Meizhou Island, Fujian. She did not cry when she was born, and thus her given name means "Silent Girl."

There are many legends about her and the sea.

Although she started swimming relatively late at the age of 15, she soon became an excellent swimmer. She wore red garments while standing on the shore to guide fishing boats home, even in the most dangerous and harsh weather.

According to legend, Lin Moniang's father and brothers were fishermen. One day, a terrible typhoon arose while they were out at sea, and the rest of her family feared that those at sea had perished. In the midst of this storm, depending on the version of the legend, she fell into a trance while praying for the lives of her father and brothers or dreamed of her father and brothers while she was sleeping or sitting at a loom weaving. In both versions of the story, her father and brother were drowning but Moniang's mother discovered her sleeping and tried to wake her. This diverted Moniang's attention and caused her to drop her brother who drowned as a result. Consequently, Moniang's father returned alive and told the other villagers that a miracle had happened. Other versions of the story relate to four drowning brothers, with three returning and the fourth lost to her being revived (with no mention of a father).

Mazu is usually depicted together with two guardian generals known as "Thousand Miles Eye" (千里眼, Qianli Yan) and "With-the-Wind Ear" (順風耳 Shunfeng Er). Though their iconography can vary, both are usually represented as demons; "Thousand Miles Eye" is often red with two horns, while "With-the-Wind Ear" is green with one horn. They are said to have been two demons whom Mazu conquered. The both of them were in love with her, but she said she would marry the one who defeated her. Using her Martial arts skills, Mazu defeated them both and they became her friends.

Mazu herself is usually depicted wearing a red robe in paintings or murals, but in sculpture is always clothed in the jewel-festooned robes of an empress holding either a ceremonial tablet or a jewelled staff whilst wearing the easily recognized flat-topped imperial cap with hanging beads at the front and back.

This is a drama about the everyday ups and downs of life and the complex network of relationships within a family. The story begins with Ou Da Liang's marriage to psychiatrist Wu Rui. Da Liang's mother strongly disapproves of her new daughter-in-law and always laments about how great Da Liang's ex-girlfriend was.

Story of Shen Nian, a girl with face blindness, who one day runs into campus rebel and cool guy Song Yu, only to realize that she can clearly see his face. Song Yu takes the blame for her being late and in return she becomes his fake girlfriend...only it doesn't take long for their feelings to not be so fake anymore. Will their young love survive in the face of parent opposition, jealous suitors, and even cancer?