In the first life, they are twins. The older one was called Kasalong who was raised by her mother who taught her to be sweet and gentle. She is also good at north dancing and household tasks. Since, she is of good values and nature, everyone compared her to be of godlike. The younger was called Songpeep who raised by her father is cruel and selfish just like him, she was always jealous of Kasalong because she thought that her mother loved Kasalong more than her. She played the victim in all situations and would go around seducing guys who fought for her. She was the complete opposite of her sister even when it came down simple things like their clothing. Since she was of these values, people always thought ill of her. Both of them tragically die. Songpeep is engulfed in fire due to her anger while Kasalong gets trapped and dies from malnutrition.

In the second life, Songpeep was reborn as Pimpisa, daughter of a wealthy doctor, she is a confident woman who is self-willed. She is in a different mood all the time, when she is in a good or a bad mood, people called her Prompee. She loves her fiancé Krit, but she is insecure about her relationship since she doesn’t understand why her fiancé keeps making excuses as to why he won’t marry her. Kasalong is a vengeful spirit now, and she helps Pimpisa remember her past life. She brings Pimpisa's spirit to Kasalong’s body in the past life, to let her know about everything and, how Kasalong was treated and harmed until she died, and to also let Pimpisa know that her mother loves her.

In the third life, Kasalong was reborn as Pimmada, the daughter of Pimpisa, who just graduated and is clever, cheeky, and casual. She will be bad to people who are bad to her, never accepts love from anyone, like she is waiting for someone.

Monster parents-a neologism that denotes parents who repeatedly make unreasonable demands to their children's school and prevent it from functioning normally. Takamura Itsuki is the ace lawyer of a major law firm. One day, she is assigned on a case requested by a school board, and learns of the existence of "monster parents." She meets a parent who wants the school to fire a teacher with a dialect for fear that he may exert bad influence on her child, a parent who insists that her son get a regular position on the soccer team, a parent who refuses to pay the lunch fee because it doesn't taste good and so on. She is, at first, reluctant about this case, but gradually becomes determined to solve the problems.

Mitazono Kaoru is a superb housekeeper who belongs to Musubi Housekeeping Agency. Although he is a male in an industry dominated by females, he handles housework such as cleaning, laundry, cooking and babysitting perfectly. However, it is not just the dirt in the house that Mitazono cleans. He learns the family secrets and exposes the family for who they really are. Then he gives the last push that breaks up relationships. However, this becomes the catalyst for the family to start again and solve the problems they have. This time Mitazaono is in the service of a family that drills for oil in Arabia. He is summoned back to Japan by Musubi Yoriko and is tasked with teaching her newphew Murata Hikaru to stand on his own two feet. And so Mitazono takes Hikaru and the young housekeeper Onda Moe and act as a trio.

One day, Adachi-san is approached by the editor-in-chief of a female magazine with a proposal to run a series about throwing away a personal belonging in each issue, based on the theme of parting with possessions and living more comfortably. That night, Adachi-san falls asleep like always. But a mysterious girl and the personification of the items that she has held onto appear one after another in her dream, asking to be thrown away.

Depicts a forbidden romance between an older woman and a younger man.

Kiranan is married to Leryot, but he's cheating on her. He also starts to get physically abusive towards her. One day, she meets Tawan, a young artist who loves art. She felt a strange warmth when talking and being beside him. Their relationship develops into love. But it will not be easy for Kiranan to get a divorce - she needs to gather evidence of her husband's infidelity first. Meanwhile, Tawan has a dark secret - he's selling his body in exchange for money to pay for his sick mother's treatment.

Shinsei Hospital stands towering over its surroundings in the suburbs. At one time, this hospital which has been deeply entrenched in the local community, was one loved by the people. Everything seemed to be going well for it until a wrench was thrown one winter night in 2015. An unidentified woman with no personal belongings and in the final weeks of pregnancy was rushed to the hospital. Furthermore, there was evidence that she had attempted suicide. As a result, an indescribable mood of disquiet began to hang in the air at the hospital. One winter night some 20 years, a pregnant woman who tried to commit suicide was rushed to Shinsei Hospital in the same way. Although she did not survive, the foetus was saved through a C-section. However, the hospital forged the medical records to make it seem as if the foetus was stillborn, and the newborn baby was given the name Eiko. Were these two incidents a pure coincidence? Or intentional? The doctor Komoto Hideaki, who is the son-in-law of Shinsei Hospital director Komoto Junichiro, entered the emergency room. But the moment he saw the unidentified woman’s face, his expression hardened. Imaizumi Nao, a nurse at the hospital, took care of her. However, the woman never said a word. Junichiro’s only daughter Mie, who is also Hideaki’s wife and the hospital’s head nurse, reacted adversely to the woman’s occasionally sinister smiles and tried to get her out. As the dots between the two incidents connect, the dark side of Shinsei Hospital is gradually revealed. Status, prestige, desire, jealousy and vengeance. The complex web of human relationships around the hospital along with crime to cover up crime sets the hospital on course to collapse. Back in 2015, Nao was suffering from a curse because that unidentified woman entrusted her with something. What is Nao’s fate now?

It was the year 1993, a couple of years after Japan's economy bubble burst. Life was tough for Fuyuki Aki, as she tried to prove herself in a society where men were still favored over women for promotions and even in simple things like regular permanent jobs, the women were often passed over for men. Amidst all her struggles and frustrations in her job, her ex-boyfriend Sato Yasushi, who happened to be her colleague, announced his upcoming marriage to the girl from the admin department. Aki had broken up with Yasushi two years ago, as she had despaired over her career in the male-dominated company, feeling helpless thinking about her futile efforts to progress her career. Her anger at her situation transformed into anger at all men, which in turn caused her to disregard Yasushi's feelings. Unexpectedly, Yasushi's announcement made her felt out of sorts.

On the day of the wedding, at the entrance welcoming the guests was Yasushi's mother, Sachiko. Aki had gotten on very well with Sachiko back when she was dating Yasushi, but since their break-up 2 years ago, she had lost all contact with her. On that day, Sachiko had pressed a letter into her hands while they were greeting each other. In it Sachiko wrote, "I had believed that you and I were bound by fate. Aki-san, why did you make the wrong move?"

For women, love, marriage, children, and death... in a time of upheavals, Aki had turned her back on all these things. Be it a beautiful or harsh fate, she chose to create her own destiny.

Based on the novel "Watashi to Iu Unmei ni Tsuite" by Kazufumi Shiraishi.