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A crime syndicate places a hit on a billionaire's daughter, making her the target of an elite assassin squad. A small band of down-and-out mercenaries protects her, fighting tooth and nail to stop the assassins from reaching their target.

In a row of wooden municipal houses in the countryside, Hidenori Yamane (Tadanobu Asano) & Nanase Ogawa (Minami) lives together under the same roof. The roommates co-exist in a tense & awkward state. Every night Hidenori hides in the attic and peeks through a hole into Nanase's room, while thinking of the cruelest ways to inflict revenge. Meanwhile, Nanase, who wears outdated sweaters and glasses, refers to Hidenori as her "brother" (even though they are not related) and is aware he is peeking at her at night. They sleep on the same bunk bed but do not have sex. There was a case that happened 10 years ago and since that time Nanase awaits for the worst form of punishment. One day, a couple moves into their neighborhood and a delicate crack starts to emerge between their closed off relationship.

For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell...

Jang Choon-dong is a traffic officer who aspires to become a homicide detective. He is assigned to go undercover to infiltrate a gangster network. Meanwhile, Lee Joong-dae, a member of Kwang-seob's gang, goes undercover himself by joining the police force....

Two bored housewives have affairs with two different men they meet in online chat rooms. As their relationships developed into offline relationships they often pass each other unwittingly in the hallways of the motels where they meet their lovers. One day, the lady known as "Dew" is in a room with her aged college lover. Suddenly, her husband bursts through their door, along with police officers that he brought. The other lady known as "Small Bird" is in a adjacent room listening to what's going on in the other room. Small Bird whispers to her lover to be quiet, because the police officer in the other room is her husband.

After dark comedy Hospitalite, writer-director Fukada Koji tells the gentle story of two young people on the cusp of adulthood searching for themselves in Au revoir l'ete. Rising star Nikaido Fumi (Himizu) plays Sakuko, a young woman who has arrived in a seaside town for summer vacation with her aunt. There, she meets Takashi (Taiga), a "nuclear refugee" who has moved to the town from Fukushima Prefecture to work at his uncle's love hotel. Over the course of two weeks, the pair develops a close bond as those around them fall into various personal crises. A dryly amusing story about love, youth and the loss of innocence, Au revoir l’ete has earned critical acclaim from audiences at film festivals around the world, including the Tokyo International Film Festival, the Rotterdam Film Festival and the Festival des 3 Continents in France. Tidbit - Director Fukada's liking for French rather than English titles is a deliberate nod towards the Gallic walking-and-talking cinema he admires, and there are strong echoes throughout of the late Eric Rohmer's films, especially Pauline at the Beach (Pauline à la plage, 1983), with its teenage central character who observes elders' foibles as well as going through a small learning experience of her own.

Chen Cheng’s Taoist Master: Kylin is the quick fire sequel to Wu Yingxiang’s Taoist Master (released just a few months ago, already online), with Fan Siu Wong returning in the role of Zhang Taoling, the founder of the first organized form of Taoism, flanked by his disciple (Li Lubing, also returning). This time, Master Zhang arrives in a village near Mount Yun Jing, where Kylin, the legendary God of the Mountain, is rumored to prey on hunters and those foolhardy enough to venture into the mountain. While Taoist Master was on the higher end of Chinese direct-to-VOD films, this sequel is disappointingly average: it lacks the refreshing presence of Zhang Dong (who played a feisty huntress in the first film), it’s criminally low on fight scenes (one of the original’s strong suits), and the plot is the usual thudding supernatural set-up resolved with the censorship-placating hallucination card.