The story is set in a fictional Japan where people are discriminated according to their birthplace and residence. Saitama Prefecture is particularly criticized by the people in Tokyo. One day, a mysterious male student named Rei Asami transfers to Hakuhoudou Academy, a prestigious high school in Tokyo, from America. Momomi Hakuhoudou, the male president of the school's student council and the grandson of the director of the school, is gradually attracted by him.

However, Rei's secret origin that he was born in Saitama is accidentally revealed. He returns to Saitama to join resistance movement to eliminate discrimination against Saitama citizens. When Momomi learns that a powerful politician tries to destroy Rei's resistance group, he decides to go to Saitama to inform Rei of the danger.

A man (Ichihara Hayato) works in a publishing company’s planning department. Considered a capable person by the people around him, he had been going strong at work. But the hectic pace and stress took a toll and made it hard...

At the end of 1614 (19th year of Keityo), Toyotomi entrenches himself in the impenetrable Osaka Castle, while Tokugawa Ieyasu extends his sphere of influence. The Toyotomi side is overwhelmed by the Tokugawa forces, so Toyotomi finally accept his fate....

Synopsis from Midnight Eye: A sumptuous and at times super-charged swordplay fantasy, Gojoe puts the spin on one of Japan's most popular feudal legends: the battle at Kyoto's Gojoe Bridge. Though its multitude of characters and warring factions might make Gojoe somewhat confusing to Western eyes, the basic storyline is simple: warriors of the Heike clan get their heads chopped off by an invisible force at Gojoe bridge. Benkei, a former Buddhist monk plagued by the demons of his own past, sets out to destroy the evil force that lurks at Gojoe, aided by his graverobbing sidekick Tetsukichi. They soon discover that the perpetrator is in fact a young warrior, a former lord named Shanao, out for revenge against the clan that ordered the death of his family. The fact that Sogo Ishii, the creator of such contemporary punk masterpieces as Burst City (Bakuretsu Toshi, 1982) and Crazy Thunder Road (Kuruizaki Sandaa Rodo, 1980) is at the helm should be an indication that this is not your average swords-and-kimonos adventure. Gojoe plays less like a jidai geki than a true Ishii film in period garb. Elements and themes from his films from the 1990s - spiritualism, the metaphysical, man being a small but essential part of the greater cosmic scheme - are combined with a resurgence of the boundless energy of his work from the 80s.

Ofuku Shokan

In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Kyoko, Shigeru and Yuki. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money finishes, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rental.

DMZ, the tomb where underserving deaths lay.

An education officer who was dispatched died after a gunshot went off in the dead of night. At the same time, deserters flee to the DMZ in the access control zone, and the 3rd platoon is urgently deployed to the DMZ search operation. There, the crew sees an unidentified soldier, not a deserter or a search crew.

And the unknown death relay begins...

It all started that day!

The story about a novelist, Joon Hee, who goes a long way to the bookstore of her junior who disappeared, climbs the tower by herself, meets the movie director couple, and Gil Soo while walking in the park, persuading to make a movie with her.