Life Must Go On (2022)

Wellson Chin Sing-wai spins this ghost yarn about a spirit who haunts the unsuspecting customers of a 24-hour convenience mart. When clerk Mo tai-ho (Francis Ng Chun-yu) starts hearing Peking opera coming out of the telephones, the freezers and from the backroom, he's sure he's going nuts. The fact that he is daily troubled by dreams dominated by a hideous ghoul isn't helping much. The sole person who believes him is a lonely cop named Charles Chan (Dayo Wong Chi-wah) whose mother is an expert on such poltergeists and who recommends the urine of a child or the tail of a black dog to stop such visitations. Both options fail when the ghost forces Mo to drink the kid's pee and neither have the heart to mutilate a puppy. Desperate, they call on the help of a Taoist master, who proves to be no match for the spirit. Will this lowly convenience store clerk manage to overcome his supernatural foe?

A prominent up-and-coming author Min-woo readies his new much anticipated follow-up novel while suffering from writer's block, as well as frequent nightmares and hallucinations. This unexplainable condition affects both his personal and professional life. Soon he can't differentiate reality from fantasy and continues to have feelings of being chased. His own paranoia leads him to a café in a dark, unassuming alley and encounters a charming young woman named Mimi. Min-woo starts to wonder how he and this girl in front of him are connected and traces long-forgotten memories of his first love.

Tsuji Kazumichi is a "good man" who has a good reputation for his work. He has casual relations with two women in his workplace; however, he feels kind of bored for dull days without excitement. He has never fallen in love with someone from the bottom of his heart.

One day, he meets a mysterious woman named Ukiyo (means "transitory world") and saves her life, after she was about to die in a railroad crossing because of her car's engine problem. Ukiyo is beautiful, but her off-guard attitude causes lots of problems for other people, including Tsuji. Though he notices her troublesome nature, he unconsciously gets involved with her. Gradually, Tsuji comes to have a dangerous relationship with underworld figures. Even if he loses his usual life style, he is willing to save Ukiyo, but that leads him to an even worse situation.

Originally shown as a 10-episode series on TV in Japan, it was edited into one movie which was released theatrically in Japan and played at some festivals. It will be released as two movies theatrically in French-speaking Europe.

An Army private fails to expose abuses he suffered from his senior. When every member of his platoon gets passes, the senior starts searching for the culprit who tried to report him.

an integral part of their daily lives. In the program, Japanese filmmakers, Hollywood producers and scholars talk about the traditions of horror in Japanese writing from the past, which often featured demons, hell, vengeful spirits and other supernatural entities. (From the US, in English and Japanese, English subtitles) The ubiquitous ‘Japanese Horror’ boom is a film world phenomenon. What is this fascination with J-horror? The origin of J-Horror can be traced to the ghost story classics popularized during the Edo period known as Kwaidan. Indigenous to Japan, “Kwaidan culture” has a history of over 1000 years. Belief in ghosts and demons has been deep-rooted in Japanese folklore throughout history. SKELETONS IN THE CLOSET will demystify the extraordinary thousand year history of the supernatural as experienced by the Japanese and celebrate this “culture of horror” that has always been an unrelenting part of Japanese life. Coproduced by NHK/Plug-In2 This 90 minute English-language documentary was a co-production of NHK Television in Japan and a Canadian production company--I actually appear in this film, as myself, along with film producer Roy Lee (THE RING) and other scholars and J-Horror luminaries. It is a weird film… The thesis put forward by the producers (which I totally agree with) is that the J-Horror boom of the 1990s and early 2000s was a modern iteration of the collections of ghost stories that were compiled by the likes of Lafcadio Hearn--a contemporary folk mythology. So, to explore that idea, they have an actor playing Lafcadio Hearn in a sort of mini-biopic--and then that leads into an Amicus-like horror anthology film that turns some of Hearn's stories into short ghost movies, which are then woven into a more traditional documentary about J-Horror films that has talking heads (like me) and behind-the-scenes footage of the making of some of the films… and faked "behind the scenes" footage of a made-up film used as a generic example.

The film depicts the story of a legendary physician named Li Yaoshi (Qian Xiaohao), being forced by his senior to cure a general, who is being "infected" as a zombie.

Three Thai teens in New York City are planning the New Year's Party of their lives. They called Jesus, a drug dealer, to drop off some stuff at their apartment so they can celebrate and countdown the end of the year in style. Little did they know that Jesus' visit that night will change their lives forever.