Li Yang, a boy from a family with only one parent, has been the victim of bullying on campus for a long time, and the upright and kind boy Feng Xiao Ao stepped forward and spoke. The two became good friends who talked about everything. Li Yang fell in love secretly with Yin Ze, the leader of the class who is also a boy. Unexpectedly, the secret was revealed. Li Yang has come under public criticism. The ridicule of his classmates and the teacher's disdain made Li Yang fall into an endless chasm. The appearance of Feng Xiao Ao rescued this boy from the abyss, taking him to the light...

Some people's youth is like broken glass under a clear sky. Although it refracts warm sunlight everywhere, it is always hand-pierced glass. Nobody cares, just stay away!

Pierre Andre's romance drama tells the story of Mia, a girl who loses her fiancee Ilhan in a car accident. To cope with her loss, Mia writes a song especially for him, but when she becomes involved in a car...

"We've worked so hard on this land," says Sav Samourn. "And now they've come to destroy it all. Sooner or later it will all be gone." In her directorial debut, award-winning filmmaker Kalyanee Mam travels to her native homeland to capture the stories of three young Cambodians struggling to maintain their traditional way of life while the modern world closes in around them. Deep in the jungle, Sav Samourn struggles as large companies encroach and "progress" claims the life-giving forests. She discovers there's little room for wild animals, ghosts - and the home she has always known. In a fishing hamlet, Sari Math must quit school to help support his family. But as the fish catch dwindles, Sari and his family find their livelihood threatened. In a village, Khieu Mok must leave to seek work in a Phnom Penh factory to help pay her family's debts. But city life proves no better, and Khieu struggles between her need to send money home and her duty to be with her loved ones. From Cambodia's forests to its rivers, from its idyllic rice fields to the capital's pulsing heart, forces of radical change are transforming the landscape of the country - and the dreams of its people.

Kalyanee Mam

Japan is in trouble. Serious trouble, to the tune of 800 trillion yen. At the current rate of national debt accumulation, the country will effectively collapse in a few years' time. The Ministry of Finance traces the beginning of the end to 1990 when a real estate cap set in motion a series of events that caused the bubble economy to burst, plunging the nation into hard economic times. But the Ministry has a crack plan to reverse all this. Into the picture comes flighty indebted bar hostess Mayumi (Hirosue Ryoko) whose mother has just passed away - or so she thinks until grave-faced civil servant Shimokawaji (Abe Hiroshi) shows up on her doorstep. It turns out her mother Mariko (Yakushimaru Hiroko) invented a time machine and traveled back in time to prevent the Finance Minister from making his disastrous policy move. Mariko has since gone missing, however, and now it's up to Mayumi to go back to 1990 to find her mom and, oh yes, save Japan. Directed by Baba Yasuo, Bubble Fiction: Boom or Bust is a delightfully over-the-top comedy that colorfully and good-naturedly pokes fun at Japan's contemporary concerns and past bubble economy. Heads would burst if one tried to analyze the time travel logic or economic reasoning presented in the film, but the goal here is laughter, and Bubble Fiction: Boom or Bust delivers it in large, sidesplitting portions. Director Baba contrasts the somber present with a hilariously excessive neon-lit 1990, a time when dresses were tight, eyebrows were thick, and money was everywhere for the taking. Abe Hiroshi (Trick) transforms seamlessly from a humorless, gray-haired salaryman to a goofy and irresponsible womanizer, while petite pop idol Hirosue Ryoko (Collage of Our Life) and former 80s idol Yakushimaru Hiroko (Always - Sunset on Third Street) make a formidable time-travelling mother-daughter duo. Packed with broad humor, pop culture references, and bubbly nostalgic fun, Bubble Fiction: Boom or Bust is easily one of the most enjoyable and entertaining films of 2007.

Hey Jude celebrates the innate beautiful things in human beings and life as a whole. For the world, Jude (Nivin Pauly) and his thought processes seem like a puzzle. However, certain unforeseen incidents take him to places he has never...

A story that depicts a number of trials, new encounters, and farewells awaiting children who have acquired a book, a ghost book that will fulfill any wish.

The film takes place at a firmly established crossroads in modern Chinese history. The year is 1913, and General Yuan Shi-Kai has taken power in the wake of the Qing Dynasty's fall. Yuan requires a large sum of money from European governments to stay in power, and General Tsao is helping Yuan secure the loan. However, his daughter Tsao Wan is secretly working for the revolutionaries, and plots to steal the loan documents from her father.

However, things aren't that easy. In the process of trying to steal the documents, she gets involved with two very different women. Bai Niu is the daughter of Wu Ma, who runs a Chinese Opera troupe that — as was the custom at the time — features an all-male cast. Bai wishes to be an actress onstage, but tradition forbids it. Meanwhile, golddigging musician Hong arrives at the opera house while chasing a wayward box of jewelry. The two become involved in the intrigue when Tsao Wan attempts to meet revolutionary spy Ling at the opera house while her father is taking in a performance. However, the local law enforcement is on to them, which leads to complicated circumstances and exhiliarting happenstance.

Blind masseur and master swordsman, Zatoichi, is tired of killing. He journeys to his old village looking for peace, but is pursued by the brother of Boss Kanbei, a man he's killed. Back home, Ichi connects with Banno, his teacher, who seeks prestige and has arranged for his younger sister, Yayoi, to marry into a wealthy samurai family. Ichi and Yayoi realize they are in love, but Ichi's request for her hand meets with Banno's derision. Ichi is also drawn into Banno's plot to kidnap the son of a wealthy man, ostensibly to aid the Mito Goblins, a gang of thieves on the run; but Banno wants to keep the ransom. Ichi wants harmony and love, but can he escape a destiny of violence?