Beautiful girls are in danger.Terror haunts Sunny Beach, the fabulous resort destination of college students Miki and Mai, who get lost while searching for their hotel. They are rescued by a handsome man who offers them shelter, but the blood on his hands warns them of danger. The girls should be afraid of the water, too, for a ravenous great white shark is stalking the area and has savored several bikini-clad swimmers. Can Miki and Mai escape the serial killer and the shark?

Dako, Boku-chan and Richard commit their next con on Malta Island.

Set in New York City's Chinatown, an ornery, chain-smoking Chinese grandma goes all in at the casino, landing herself on the wrong side of luck - and in the middle of a gang war.

Cyd (Bea Alonzo) is a hopeless romantic who dreams of meeting her "Mr. Dreamboy". She works as a salesgirl at a supermarket and spends her spare time reading romantic novels. One day she meets Philip (Piolo), the arrogant and handsome person who owns the store that she works in. Cyd thought that he was her true love but was confronted by not belonging in his glamorous world. From out of nowhere Cyd meets Eboy (Piolo) who saved her from a snatch-thief and has an uncanny resemblance to Philip. Cyd starts falling for him but felt betrayed upon learning his past. While trying to erase Philip and Eboy from her memory, Cyd meets Jaime (Piolo), who also looks like Philip. Again Cyd starts to fall in love with her dreamboy. Cyd thinks that she's finally found her one true love, but one day she finds out everything was just a set-up. He explains everything to her and tells her that he really loved her the whole time. She forgives him, and the movie ends on that note.

A 19th-century samurai tries to protect a battered wife. Seibei Iguchi, a low-ranking samurai, leads a life without glory as a bureaucrat in the mid-XIX century Japan. A widower, he has charge of two daughters (whom he adores) and a senile mother; he must therefore work in the fields and accept piecework to make ends meet. New prospects seem to open up when Tomoe, his long-time love, divorces a brutal husband. However, even as the Japanese feudal system is unraveling, Seibei remains bound by the code of honour of the samurai and by his own sense of social precedences. The consequences are cruel. Written by Eduardo Casais . In the Nineteenth Century, in Unasaka, Province of Yamagata, in the Feudal Japan, the widow samurai Seibei Iguchi works in the warehouse of the local Commissioner during the day and handicraftsman building cages in the night to have an income of 50 koku (meaning "a quantity of rice, historically defined as enough rice to feed one person for one year"wink.gif. Seibei raises alone his two daughters, the five year-old Ito and the ten year-old Kayano and his senile mother in a simple property, and has a debt of 20 koku due to the expensive funeral of his wife, who died of tuberculosis, imposed by her family and can not afford to have another wife. His colleagues in the warehouse pejoratively call him "The Twilight Samurai" to express his life without glory. When Seibei meets Michinojo Iinuma, his childhood friend tells him that his sister Tomoe Iinuma has just divorced from he brutal husband Toyotarou Kouda. Seibei reencounters Tomoe, for whom he has been in love since he was a child, but Tamoe is member of a family of 400 koku and Seibei believes their difference of classes makes their marriage impossible. When Kouda challenges Iinuma to a duel, Seibei accepts to replace his old friend and needs to use his skills of swordsman again.

Takahata Isao’s animated artistry in Only Yesterday (1991) comes to life in Hakota Yuko’s delicate story of a woman’s mnemonic journey. Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.

Captain Liu Chang Jian carried out the mission of Chongqing Flying Lhasa early in the morning. He flew no less than 200 times on this route, but he still dared not take it lightly. 40 minutes after the flight took off, when the captain and the first officer chatted, the first officer suddenly heard some abnormal noises. Looking back at the glass, there were some cracks on it.

Kasahara Sachiko’s (Kitagawa Keiko) parents died young and she lives in a Tokyo apartment with her only sister Nobuko (Koike Eiko), a journalist for a newspaper’s cultural department. She has not found a job and has been interviewing at a number of companies. On this day, Sachiko bids farewell to Nobuko who is leaving for a holiday at Lake Towada in Tohoku, and sets off for another company interview. This should have been the usual scene of the two sisters who share a close relationship. But that night, Sachiko gets news that Nobuko was killed in an accident, and for some reason, Nobuko lost her life in Nagano which is a different place from what she had told her. Nobuko’s colleague and fellow journalist Yoshii Ryoichi (Mukai Osamu) suddenly shows up before a grieving Sachiko. He sets out to investigate the mystery of Nobuko’s death together with Sachiko, but she does not know his true intentions. Meanwhile, Sachiko starts to work at the newspaper as her sister’s replacement and goes to meet the cultural figures that Nobuko had been in charge of when she was alive. Among these people with habits which are unimaginable from their glamorous appearances, is the pediatrician Nishiwaki Mitsutaro (Sawamura Ikki) who writes a column for the newspaper. He seems to be the greatest philanderer in celebrity circles even though he has a wife (Nishida Naomi), and calls Sachiko out many times. But right after that, Machida Tomoe (Sakai Wakana), who had been her sister’s colleague in the same department, commits suicide. She leaves behind cryptic words for Sachiko regarding Nobuko’s death. “There is someone who should take responsibility”, “All the more if it is a famous person”. Sachiko’s hunch is that her sister’s death is connected to someone prominent that she had been dating while alive. However, the more she attempts to learn the truth, the more “suspects” meet suspicious deaths one after another until she no longer knows who is her friend or foe. Sachiko has unwittingly been sucked into a deep darkness as if she is wandering about in a dark, dense sea of trees with no exit.