After Jae-Hyun is discharged from the military, he begins to sell roasted sweet potatoes to pay for his university tuition fees. Hye-Ri works at a room salon. She often buys roasted sweet potatoes from Jae-Hyun. One day, drunken Hye-Ri goes to Jae-Hyun and asks him to be her friend. Jae-Hyun says yes. Later, at the corner of an alley, Hye-Ri is bitten by an employee at the room salon. Jae-Hyun helps her and they become closer. Through chance, they spend a night together. The next morning, Hye-Ri finds money apparently left behind on purpose by Jae-Hyun. She is hurt by his actions and never sees Jae-Hyun again. Jae-Hyun now works at an insurance company. Hye-Ri then reappears in Jae-Hyun's life and they fall in love. They even begin to live together. Suddenly, Hye-Ri tells Jae-Hyun that she wants to become an actress. Jae-Hyun supports her, but he eventually tires of supporting her. Around this time, Jae-Hyun begins a relationship with a beautiful client. The relationship between Jae-Hyun and Hye-Ri is now shattered. To make matters worse, goons from the room salon where Hye-Ri formerly worked, begin to look for her and pressures Jae-Hyun.

Ichiro Numata is the chief editor of a publishing company. He suddenly falls unconscious and is hospitalized, but various cases takes place at the hospital.

Hospital Director Kenichiro Asashima and Chief Nurse Junko Amemiya goes missing. There are rumors that they were in a close relationship. Head of Drug Management, Yasuharu Horimura is found dead. Rumors were that he stalked Junko Amemiya. The investigation into his dead is carried out as a suicide case, but Detective Eiji Kirishima suspects foul play.

Ichiro Numata follows with his sharp eyes what transpires at the hospital and he also holds a secret.

From director Yang Qing (One Night at the Supermarket) comes Chongqing Hot Pot, the official opening night film at the Hong Kong Film Festival. When three friends open a hot pot restaurant in a former bomb shelter, they discover it’s...

Although director Kuei Chih-hung is noted for horror flicks that best many of Hollywood's "slashers," he began with martial arts films under legendary Chang Cheh. In Godfather From Canton, Kuei returns to his roots starring the Yul Brynner of Shaolin movies Gordon Liu Chia-hui as policeman on the take who ends up becoming a powerful mob boss.

Ostensibly inspired by a documentary on a German terrorist group, Edward Yang’s austere third feature discovers, hidden within the stillness of human emotion, a terror far more brutal than any moment of physical violence. Bookended by images of guns and corpses, the film’s true focus is on the violence enacted in everyday relationships, whether between lovers, coworkers, or strangers. The narrative weaves intricately among three scattered groups of characters: a doctor and his novelist wife, a mopey female hoodlum, and a love-struck photographer, all threaded together by one prank phone call and a sense of deceit and lingering entropy. Yang said the film was “built rather like a puzzle; the spectator can rearrange it in his head when he gets home.” It is the inescapable feeling, not the telling, of the story that matters. Indeed, the gunshots at the beginning and end seem interchangeable, almost anticlimactic, rendered quaintly obsolete by the film’s painstakingly traumatic layering of human relations and their emotional violence.

Park Tae-ho (Jung Wung-in) is running an underground organization, which specializes in the smuggling of jewellery. In order to bust the crime ring, the police assigns an undercover agent to join the group who discovers evidence for the alleged illegal proceedings of the gang. Tae-ho who does not want to get caught, hides the jewellery, which is worth 3 billion won in display objects and plans to transport everything out of Korea. Therefore, the police launches a mission called 2424 (which means movement in Korean) under the supervision of Choi Doo-chil (Jeon Kwan-ryul) to solve the case. However, both the police and the mob lose track of the precious jewels during the course of transport; thus a dramatic search on both sides ensues ??

Ryu Hae-Kuk (Park Hae-Il) enters a reclusive country village to attend his father's funeral. During his stay he investigates the death of his father and uncovers what appears to be a conspiracy. Why do the villagers act so strange? Why do they keep asking him when he will return to Seoul? The man then confronts the village leader Cheon Yong-Deok (Jeong Jae-Yeong). The secrets of the village then start to unravel ...

Angelica Lee (aka: Sinjie) stars as Mun, a twenty-something HK resident who's been blind since her youth. She becomes the recipient of a cornea transplant, which will finally give her sight and presumably a new lease on life. However, Mun needs to adjust to her new eyes so she's sent to handsome psychotherapist Wah (Lawrence Chou). He's charged with acquainting Mun with her newfound sight. It seems her body may know how the world works, but her vision can't connect the dots. The physical appearance of others surprises her, and she becomes alienated from her still-blind friends. And there's an even bigger problem. Yep, Mun sees dead people.  Â