The Fuccons began as a series of comic sketches on the Japanese TV program Vermillion Pleasure Night: A family of Americans, James and Barbara and their son Mikey, move to Japan "to live as Japanese." The brief skits consist of still photographs of window store dummies in Kennedy-era outfits juxtaposed with over-the-top vocal performances and lots of forced laughter. The humor is labored and inane; the dummies--obviously a Japanese take on Caucasians--recall the American cartoons of the 1930s that trafficked in ethnic stereotypes. Graduate students in sociology may someday write theses about what The Fuccons reveals about Japanese attitudes towards Americans; connoisseurs of outré cultural phenomena may revel in the series' we're-so-dumb-we're-hip charms. Episodes run the gamut from the silly to the surreal, sometimes ending with a joke and sometimes not. Episodes invariably end with the characters laughing hysterically, even if the episode ends on a serious note. Occasionally the series diverts from following the Fuccons and instead focuses on a destitute Japanese family, the Kawakitas.

A mystery hidden by Georgekutty from the past comes to trouble him and his family.

Together with her neighbor, a woman accused of murder tries to prove her innocence.

Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir to a chain of pharmacies. They agree to a suicide pact. Jump ahead 50 years to modern Hong Kong: Fleur's ghost appears in Yuen's newspaper office, wanting to place an ad to find Chan, who never arrived in the afterlife. Yuen, and his equally bewildered girl friend, An Chor, are captivated by Fleur and her story

When a family loses their 14 year old son in a kidnapping affected by an anti-Japan government agent, they must fight Japan's societal tendency to victim-shame all the while they mourn their loss.

Co-production with the U.S.A.

Different generations look at love, romance and commitment, all from a uniquely Beijing perspective; a pregnant woman must choose between her husband and an ex-love who comes back into her life, a couple looks toward a trip to Greece to confront their own infidelity, and a young couple must decide whether to listen to their parents' reason or their emotional heart.

A romantic comedy about an obscure screenwriter nearing her thirties and a frustrated musician who accidentally end up in a situation where they have to live together.

Xiao Yu who works as a screenwriter has achieved nothing despite being in her late 20's. Not only is she fired from her job, her good friend and roommate suddenly tells her that she's leaving to move in with her boyfriend. Xiao Yu has no choice but to move to a small place. In fact, it's her 9th time moving in the big city.

In order to make a living, Xiao Yu decides to look for work opportunities with the crew on set. Wanting to save money while she's away, she temporarily leases out her place to Ji Ye, a singer whose in dire straits just like her since his talent has found no outlet for expression. Alas, Xiao Yu is fired from her job again which means that she has to return to Beijing earlier than expected. However, Ji Ye's lease has not yet ended. As such, two people in distress become each other's companions with the belief that tomorrow will be better!

Oh Dae Su, was locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae Su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef.