The vengeful spirits of Kayako and Toshio return to continue their deadly curse against any living person that cross their path. Four women’s lives become intertwined and ultimately affected when they come into contact with Kayako and Toshio. Driving home one night, an actress and her husband hit what they think is a cat. It soon becomes clear they have picked up an extra passenger - the vengeful child, Toshio, who purposely caused them to crash. The husband is put in intensive care and the wife loses their unborn child, but it gets even worse...

The craziness of our times, depicted through old television shows. Haruko is a girl who prefers to cuddle up to her old-fashioned TV set. In this wondrous story, a television can transform into a man: and this is by no means the end of the strange cheerfulness. A masterpiece of the imagination. Angry girl Haruko is in the habit of bitching at her television. It’s an old, analogue set, which one day breaks down - then starts talking back. The television set becomes a man and Haruko falls in love with him. Absurd situations stack up in colourful images in a startling mix of pop absurdism, drawing on cult TV shows and romantic children’s television. Beneath all the craziness, however, a love story unfolds. Haruko can’t believe her TV man is real. She thinks he must be a Yokai (a Japanese poltergeist) and that she must have paranormal talents. Haruko would prefer to keep her lover at home, but one fine day he goes out in search of work. It turns out he has a striking talent: he speaks twelve different languages. His manliness also proves to be more than satisfactory. He gets a role in a TV show and is then tricked into becoming a curiosity in a circus. Haruko loses him, but finally gets him back. Then there is even a wedding, which culminates in a hilarious martial arts scene.

In 1976 on a remote island, school teacher Eun-young wants to take her students on a field trip to a cookie factory in Seoul. Even though the parents don't like the idea, Eun-young succeeds in convicing them. But once they arrive in the complicated city, some students become fascinated with high-tech bicycles and get lost.

After losing control of his car and crashing into a local restaurant, a man loses consciousness on the street. Later, while working on a case, the police's anti-drug division captain, Zhang Lei (Honglei Sun), realizes that the man in the crash is drug lord Tian Ming (Louis Koo). In order to avoid the death penalty, Tian Ming helps the police put a stop to the entire drug trafficking circuit, but just as soon as the police are ready to make a large bust, Tian Ming makes a decision that shocks everyone involved.

Ali and Fatimah are frustrated with their younger brother, Mat Arip, when he fails to come home with the grant of their inherited land. Ali will have to find Mat Arip, who has fallen in with the wrong crowd and takes part in illegal gambling and racing, and bring him home to their father, Pak Nayan.

How do you put together the puzzle if the image is missing? You start from individual pieces and see how they fit together. There are the four young actors on a trip to Kanchanaburi, “a city so meaningful, I’d rather die if I don’t get to be with you”, as the song goes. They stay in a hut in the forest by the river, drink on the terrace, talk and watch the fireworks at night, the same scene they later re-enact on the stage set back in Bangkok. The harried young woman is lost in the same forest, or maybe in the young actress’ dream; when the screen splits into two distinct parts, it’s also not clear how they fit together. The foursome came to Kanchanaburi to see the museum, but it’s closed for refurbishment, although they still manage to walk along Hellfire Pass. You can hear the sounds of construction as the scenery rushes past on the train; you can see the rails rush towards you from the window of the theatre set. If you follow the Death Railway back from the west, you reach Bangkok too, which was once home to the Dusit Zoo; the actors also cluck, howl and bark, in city and country alike. What if the missing image isn’t one place or moment in time, but many?

Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu's (Kiyohiko Shibukawa) coin locker to steal gold....