Bua is a successful business woman, who lives the perfect life. When diagnosed with incurable cancer she turns her back on her husband and daughter in order to ease their pain and hide her destiny. In her self-imposed isolation, the only person that Bua lets into her life is June, an undemanding and encouraging freelance photographer. At the end of her life journey, Bua is granted one last chance to discover the profound meaning of passionate love. Da, a hardheaded columnist, has her reputation ruined when her "perfect" boyfriend emails raunchy video clips of her to all her work contacts. In order to escape the embarrassment she immerses herself in work and accepts to write a "trendy" feature about the love life of lesbians in Bangkok. She convinces Be (Kitchya Kaesuwan), a charming tomboy, to be her research subject. During the course of the assignment their relationship turns sexual and Da starts to asks herself if her feelings towards Be could be real love. Bee, who owns a coffeeshop, is a tom living alone. Spurned by her father, she feels guilty. She doesn't ever expect success at love, thinking that the only thing tom can do is making other women happy. Da lives next door to Bee. Though also unloved, she's straight and considers tom abnormal, and she'd never dream of dating one - until something changes her mind.

An unlikely bond forms between a dejected guitarist and a neglected young woman, after the two of them cross paths with each other in Kuala Lumpur.

Ah Yeong who graduated with child studies major becomes the babysitter for Yeong Chae who is raising a six-month-old child by herself.

According to the introductory note, "Ju-On" is a curse left behind by someone who dies in a powerful rage -- a part haunting, part supernatural virus that infects anyone who comes into contact with it. More than just the premise, that's the plot in a nutshell.

Volunteer social worker Rika (Megumi Okina) stumbles across the curse when she finds an almost catatonic old woman in a shambles of a home, a spooky little boy with a froggy voice and a veritable black hole of a phantom that seems to be sucking the life from the old lady. The story then jumps back and forth along the timeline in a series of chapters named for the characters haunted and hunted by the unsettled souls.

Ho-Tae (Joo Won) is a hot shot criminal profiler. He's currently working on a serial murder case. With his help, detectives are staked out to catch the murderer, but the suspect becomes involved in a hit-and-run accident. Ho-Tae assures everyone he will catch the driver of the hit-and-run accident. Ho-Tae works on the case and figures out the driver of the car is Yoon Jin-Sook (Kim A-Joong). Ho-Tae enters her unlocked apartment and comes face to face with the driver. He's stunned to see that the woman is Lee Sook-Ja .. his first love from his college days. Soon, Ho-Tae also learns that the woman is a cunning cat burglar. 

Set at the end of the Taisho era (1920s) at Ishiuchi Jinjo Higher Elementary School in the mountains of Hiroshima prefecture, there was a fervent teacher called Mr. Ichikawa (Akira Emoto). He always placed his pupils first and took any issues to heart. His warm personality is forever remembered by his former pupils. For Yoshito (Etsushi Toyokawa), who skipped town after his family went bankrupt, Mr. Ichikawa's memory remains especially precious. 30 years later, a reunion is organized to celebrate Mr. Ichikawa's retirement. Yoshito, who has gone to Tokyo but remains a struggling screenwriter, musters courage to attend the gathering where he has a tearful reunion with the teacher. Thereafter, Yoshito visits Mr. Ichikawa whenever possible, however, his advancing age means he is getting closer to the end of his life. "Teacher and Three Children" - 44th Kaneto Shindo film.

When I first read the synopsis I wasn't too sure about this film, but once I'd watched it, I was glad I had.  At first glance, I thought it would be a typically goofy Japanese comedy. But I was pleasantly surprised.Of course, I would always watch a Shindo film and know I would find much to like. In this case, it was the humanity and depth of feeling that Shindo captures throughout the film that impressed me. It is light hearted in general and has many humourous scenes, but it always comes back to the emotional needs of the characters and the goodness of character and concern for others that helps them pull through the different trials life brings.It's definitely not sugar coated. There's lots of hardship and things don't work out the way the characters might hope. I don't know if you'd call this a 'feel good' movie, but it certainly leaves you with a sense of the goodness in people however imperfect we might be.

Kum (Sandra Ng) is a long time Hong-Kong prostitute, when she gets locked in a cash machine vestibule with a would be thief (Eric Tsang) she tells him some stories of her life as a prostitute and how she come to be where she is today.

A low level gangster in Hong Kong gains new respect after saving a boss's life in a gang fight. Despite his wife's death in this attack, he appears to be moving up in the Triad family until he discovers the other bosses are not looking out for him when he is double crossed and the gangster he previously hospitalized in the gang fight comes back for revenge.