Boulangerie Kurebayashi, a bakery at Sangenjaya is open from 11 p.m. to 5 a.m. It is a small, queer shop that is run by owner Kurebayashi Yosuke and baker Yanagi Hiroki. Six months ago, Yosuke suddenly went from high-flying salaryman to owner and apprentice of this newly started bakery. He seems unskilled but looks happy learning to make bread. It is not just that. He looks happy being a baker. One night a female high school student called Nozomi suddenly turns up at Boulangerie Kurebayashi. Then she makes a declaration that sounds like a lie. “I’m the younger sister of Kurebayashi Miwako. I would like your hospitality from today.” Kurebayashi’s wife Miwako died six months earlier. Nozomi is shocked. However, Kurebayashi lets her stay in the shop without question... ~ jdramas.wordpress

A story about the lives of people between the night PM to morning AM.

N/A

In order to air her grievances towards her elder sister Lady YUE YUET (Sheren Tang), Lady SUN YUEN-SAU (Christine Ng) spreads rumors of YUE YUET in the palace. The ambitious nursing mother SEUNG-LING (Ada Choi) tries to collect evidence against the rumors in exchange for money from others. She naturally becomes a trusted follower and a close friend of Lady YUE very soon. Meanwhile, the arrival of famous actors KO LAU-FEI (Moses Chan) and WAN TSAU-YIN (Kwan Lai Kit) captures the heart of every woman in the palace including the lonely YUEN-SAU. YUE YUET tries to stop YUEN-SAU from committing adultery by playing tricks but this put her into an intricate polygonal relationship with SEUNG-LING and LAU-FEI accidentally. YUEN-SAU tries to fight back by getting help from the fortune-teller TUNG KAT-HOI (Wong Tak Bun). Others think that KAT-HOI is a crazy guy but they never realize that the palace is origin of all the craziness… (credit: Asianuniverse.net)

N/A

The play tells the story of progressive youths who, in order to resist the imperialist plundering of China's railroad sovereignty, enthusiastically joined the Sichuan Comrades' Association for the Protection of Roads and resolutely fought against the dark forces.

N/A

Love does not easily cross class lines. As children, Carding, the son of an affluent family with political ambitions, is forbidden from playing with Luisa, the daughter of a laundrywoman, because of their obvious social differences. Carding’s mother, Menang, believes Mimi, the daughter of a wealthy friend, is a much better match for her son. But as the kids grow up, Carding and Luisa fall in love leaving Mimi as the third wheel who pines for Carding. But Carding and Luisa's love life is no bed of roses. Luisa suffers greatly at the hands of Menang, who wants to break up the couple but not have it jeopardize her ambition to become mayor of the town. Can Luisa and Carding’s love overcome the efforts for their love to be derailed by all those around them?