About three women in their thirties who face the pressure of getting married.

What happens when a marriage planner, Fei Luo Luo (Rainie Yang) and online love specialist, Lu Zhe Xi (Zheng Kai) encounter where the former provides marriage planning service and the latter, tries to break up the same couple? Since young, Luo Luo has hoped to have an unforgettable and perfect wedding planned by her. She sees love and marriage as the world's most romantic thing. Because of this, she always strives to overcome all difficulties faced in order to provide her customers the most perfect wedding program. On the other hand, Zhe Xi who has experienced the ups and downs of her mother's marriage believes that love is about being rational, logical and practical and all relationships need to go through the test of reality and time. As a result, he is also known as a "break up" specialist, setting up various obstacles to couples.

Moga Shiratori, like all the girls who are chosen to attend the White Witch Academy, harbored deep emotional scars from their pasts. But through their grueling training, they were able to harness their pain to discover their true powers as White Witches. But the new witches are suddenly faced with an evil group known as the Black Witches, who have taken one of their girls. As Moga and her friends infiltrate their Black Witch Academy, they try to rescue their friend and protect the world from the evil powers of these enemies.

Starring Raymond Lam and Damian Lau After his father’s death, Hoi Sing “Hanson” (Raymond Lam) inherits the family business, which is coveted by his greedy uncle Hoi Leung “Albert” (Damian Lau). Driven by the lure of untold riches, Albert plants a spy — Fong Lai King (Zhao Ziqi) — in the factory to sabotage operations, despite his wife and daughter’s plea for family unity. Realizing he can’t fight Albert alone, Hanson enlists the help of his best friend Chung Lam Tau “Linus” (Bosco Wong) — naively believing he can still trust anyone.

A mysterious suicide occurs in an old villa located in the center of Seoul, soon to be demolished. A huge legacy is left to Bok Gyu, a man who is completely unaware of his inheritance. The appearance of such a large sum of money sets in motion a chain of events involving the residents, who are all connected in a web of deceit motivated by their secret desire to take the money for themselves through any means possible

Childhood friends Kota (Sano Hayato) and Mei (Iitoyo Marie) were third-year students in high school when Kota suddenly died. Seven years later, Mei returns to her hometown and visits a place with mid-winter cherry blossom trees that was special to her and Kota. To her surprise, Kota, who is supposed to be dead, appears. He is still 17 in mind and body while she is now 24. Kota can only be here while the cherry blossom blooms. Will he be able to tell Mei his feelings with the time he has left?

Jo Kang Hee was once a legendary badass in her teenage days—and as a Busan girl, she would have been extra rough-and-tumble. Daughter to a sashimi-restaurant-owner mother who loves to swear and a father with a rap sheet for fighting, Kang Hee inherits her parents’ penchant for cursing, quick temper, and sashimi knife skills.

As a young mother, she is the kind of person who prefers dramas to news or current events. But when she finds out that her daughter, Oh Ah Ran, is being victimized by bullies at school, she decides to do something about it directly, and what ensues is a positive, upbeat, and poignant” story that seeks to highlight trouble spots in South Korea’s educational system.

Hao Yun, a vet at a private clinic, leads a mundane life until he accidentally discovers the world is inhabited by monsters. Worried about the secret of their existence leaking, monsters capture Hao Yun and attempt to erase his memories. When their attempts fail, Hao Yun is forced to join Monsters Bureau, where he solves cases involving monsters with the help of his new partner, Wu Aiai. As Hao Yun dives deeper into this new world, he learns that even monsters must deal with the mundane struggles of everyday life and the entanglements created by human emotion.