As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao's ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view -- from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.

David and Goliath (1910) is a French silent short film starring Berthe Bovy and directed by Henri Andréani. It was made in the 9.5 mm film format as part of the Pathé Baby amateur film system introduced by Pathé Frères in 1922.

Masako, a five-year-old girl living in the suburbs of Chiba, gets a tiny scratch on her finger while playing with mud in a marsh. After that, she suffered all kinds of horrible spasms including biting her tongue. The doctor checks...

Nicknamed after a human-devouring spirit, the ruthless leader of an overseas black ops team takes up a dangerous mission in a city riddled with spies.

Kang In leads a secret NIS operation team in Shenyang, China. His nickname is Yacha, which refers to a fierce ghost who harasses or kills people. Kang In is cold-blooded man. He achieves his objectives by using any means necessary.

Meanwhile, Ji Hoon is a prosecutor in the Seoul Central District Prosecutor's Office. He follows the law no matter what. He gets demoted to Shenyang, China. There, Ji Hoon comes up against Kang In.

Dong Chan is a prickly broadcasting director at MBS who meets and immediately clashes with Nam Hee, a reporter he meets at a wedding reception. Through their constant bickering, they end up falling in love despite their initial dislike of each other. His passiveness in love results in a comedic struggle as the two tries to deal with their physical attraction.

The Saitama rappers are Ikku, Mighty and Tom, who together with three other local layabouts try to form a rap act called Sho-Gung. "We need to decide our style: east coast or west coast," proposes Ikku, to which Mighty replies "What do you mean? We don't have any oceans in Saitama." They dally around in a deserted warehouse, where they record their freestyle raps, all the while hoping to curry favor with a sickly former record producer. When they finally land a gig - their first - the other three chicken out, leaving Ikku the NEET, Mighty the farmboy (to whom 'bro' stands for broccoli) and Tom the titty bar footstool to pick up the pieces. In the film's centerpiece and its funniest scene, it turns out that the 'show' is actually an afternoon PTA meeting about the problems with local youth, and the trio have to come up with some serious freestyling when they are put forward as spokesmen for the young.

Wang Xilin, 86, is one of China’s most important modern classical composers. During the Cultural Revolution he was the target of severe persecution, enduring beatings, imprisonment and torture. With excerpts from his Symphonies, he revisits for this film some of the horrifying events that still live on in his memory as testimony to an era that saw the dehumanization of the entire Chinese nation.

The most powerful student at a school is hospitalized after drinking pesticide from a drink container. Yang Hoon then takes over his #1 position at school. Yang Hoon harasses Jae Young and it gets worse. One day, Yang Hoon, who has a crush on Bo Young, gets Jae Young to follow her.