A story between a bright and sunny public relations officer who meets a ski instructor and the complications that arise in relation to finding long-lost family and revenge. Han Dong Shan is a new instructor at the resort. He is cold and hard to get close to as he never makes any mention of his past. Yet he finds himself opening up to Zhao Xiao Qing, a public relationship officer catering to VIP clients who also works at the resort. Dong Shan discovers that she has a psychological problem that she refuses to admit. Xiao Qing also has another suitor, a tall, rich and handsome doctor who is the nephew of a large conglomerate.

The story takes place during the reign of the Ryukyu Kingdom (19th Century). Nakama plays Mazuru, a young woman who wants to complete her studies despite her gender restrictions, so she takes advantage of the disappearance of her step brother and disguises herself as an Eunuch named Son Neion, and passes the exam to be a royal govenrment's official. This is her first time having to play both a male and female character. Her supporting cast includes Tanihara Shosuke as her lover and Takaoka Saki as her enemy.

Time travel has always been a popular topic among fiction, and recently it has been successful in creating hits. The storyline has heavy influences from the American movie Frequency, perhaps some Butterfly Effect, and reminds me of the countless movies using this idea such as the Korean hits, Ditto and Il Mare. Here it freshens it up an overused concept by combining crime/detective stories with time travel. Despite the lack of style seen in other works of this genre, To Get Unstuck in Time has an amazing script carried out by a chemistry-packed cast. Even if you can't make sense of some parts of the story, this series is a must see. Ho Tin-kwong or Morning Sir (Roger Kwok) is a capable policeman, but takes everything too seriously and is hot-tempered. Although already in his 30s, he has never dated and spends whatever free time he has with his mother, who raised him up in a single parent household. Morning Sir's father, also a policeman, died in infamy 20 years ago, of drug overdose and in the bed of a prostitute. This has left this to be a sensitive spot in both their lives. When his father was still living, they were a close-knit family and this shameful death came as a shock to both mother and son. Neither could comprehend exactly what kind of person was this man they loved--faithful husband and loving father--or scumbag. Through a freak of nature, Morning Sir discovers that he can transcend time with his father's old cell phone (first generation, water bottle-style) from the present year 2004 to talk to his father in the year 1984! Despite his father's wrongs, Morning Sir is overjoyed at being able to communicate with someone so close he'd lost and the two hit it off. His father becomes Morning Sir's "secret informant" and helps him with cases. His father is also able to "send" him things, such as clues and evidence by burying them under a designated spot, which Morning Sir is able to unearth in the present. At first Morning Sir distances from his father, only identifying himself as "future person," but as they get to make up for lost time through talking and solving cases, Morning Sir gets to know him and discovers the mystery behind his father's death. Ko Shan (Flora Chan) is an eyewitness in the opening case and clashes with Morning Sir because of different personalities, creating a bad start. A car accident when Ko Shan was 7 years old left the bottom half of her body paralyzed, but she has lived a carefree and happy life. It was this accident which strengthened her parents' rocky relationship during a crisis that would have separated her parents. Ko Shan is a crime/detective novelist. She strongly believes in her intuition and often uses this to make assumptions, which Morning Sir thinks is irrational. Although physically handicapped, her brilliance is equal to that of Morning Sir. Through coincidental involvement in more cases, Ko Shan and Morning Sir prove to be a compatible pair in working together to solve cases and become good friends. He is changed by her optimism, kindness, and perseverance in life; and she also has fond feelings for him. But shortly after they become a couple--Ko Shan suffers under a sense of inadequacy. She is unable to go on normal dates with him, with many places being inaccessible to the handicapped. She faces mocking from others for being a cripple trying to dating a normal person. Although Ko Shan tries to overcome all of this, she feels that she has never felt so helpless until she started going out with him, and it's nobody's fault, but painfully decides she would feel more comfortable being just friends. Morning Sir decides he would change destiny by telling his father to stop the vehicle which hit Ko Shan in 1984, thus prevent the accident from happening and make everything perfect in the future. As they spend their last date together as a couple watching the rainbow, Ko Shan falls asleep on his shoulder, and he smiles thinking that when she wakes up, their problem would be solved--she would be able to walk, and they would be able to be together. But when he wakes up again, Ko Shan is gone. What has he done?! Morning Sir never imagined that changing one incident would cause a chain reaction to happen, i.e. different outcome for everything it impacted. The world as he knew it before changes altogether. Because Ko Shan never got hit while running away from home, her parents divorce, Ko Shan was kidnapped and never found. It turns out that she was brought up by triads, and now works within them. Ko Shan no longer seems to be the same person, going by Nicole. As Morning Sir and Nicole stand on opposing sides, they know that only one side can win. For a series that's in the crime/detective genre, Time, is surprising versatile. The cases are gripping and thoughtful. The strong father & son relationship is beautiful and touching. The interaction between the cast members is endearing and funny. Time leaves you unable not to have connected with the entire team and their different facts. The series play with the idea of the cause-and-effect, family, love, friendship and issues such as forgiveness, letting go & moving on in such a powerful way that it's therapeutic. To indicate time warp, a cheap-looking insertion scene came on every time that got tiresome after a while, but other than that, this was an excellent series. Ever since winning My Favorite Male Lead in TVB's Anniversary Awards for Square Pegs, it seems as if Roger Kwok has been shadowed by his character in it, a retard. In Time, he surfaces and shows off his acting ability in an emotionally-charged character. Although Roger didn't win me with Square Pegs, he sure did in Time along with Flora Chan. Ironically, Flora has won me over with her last TVB series. Even if they were technically the same person, Ko Shan basically played 2 different personalities, Ko Shan and Nicole. She was so excellent you could read her without her saying anything. But what surprised me was she finally took on a semi-villainous role and performed it well. I also have nothing but praise for the supporting cast minus Cherie Kong who played Lee Sze Ching. However she is new and I see potential. The way the series end suggest the idea of leaving things to fate. You can't put a finger on it, but probably the most satisfactory kind of ending I've seen in a very long time. The ideas are somewhat philosophical and I personally found pacifying, perhaps rooted in Buddhism, which makes me wonder whether there is a neo-Buddhist movement going on with it surfacing in other recent Hong Kong works.

Students at an agricultural university are supposed to be the future farmers or at least to do something related to agriculture, but it’s not like that in reality anymore. But still they have to get enough credits to graduate, so here they are, 6 students coming from Tokyo to Hokkaido to take a 3-month training course. Takashi (Tetsuji Tamayama) is the most reluctant student who is actually from the farm they are at. Tohei (Keisuke Koide), Ryota (Atsuhiko Nakata), Ayaka (Saki Aibu), Mihoko (Karina), and Kazumi (Erika Toda) have their own problems. As they face the severe situation of the dairy farmers and go through tough experience, they gradually start appreciating the value of life and finding themselves. This ensemble dramedy follows the course how those young rather spoiled kids become fully grown-ups eventually.

The story begins with a band of bachelors Hamza and his widowers elders includes; his grandfather, father Hatim and paternal uncle Luqman; shifting to their new home in a small, lively colony called Prem Gali. The moment Hamza steps in the neighborhood, his eyes land on the pretty Joya, and in a clichéd-turn-of-events, she becomes love at first sight for him. Meanwhile, Joya and her family too are residents of Prem Gali, but are considered infamous and notorious due to the streak of failed marriage running in the household. From her grandmother Rahat, mother Shireen to her maternal aunt Musarrat; all have been divorced yet are empowered and emotional in their ways. There is also a loud and shrewd landlord, Haseena who rents her upper floor to Hamza and the men. While she also runs a marriage bureau, she has an unmarried daughter, Fariya who runs a beauty parlor inside their home.

The fun begins when families of Hamza and Joya encountered with each other. After so many attempts of Hamza, Joya falls in love with him. Both tries to convert their love marriage into arranged one as Joya's mother strongly opposes love marriages. Joya's mother came up with condition that she will accept the proposal of Hamza only if Hamza will stay with them as Ghar Damad (A man who lives with his wife`s parents), on which dispute happened. Later on Tau Hidyat came up to Shireen with solution that make Hamza's family your paying guest, she agreed and finally Joya and Hamza got married.

After marriage, Joya and Hamza, both got irritated by their families as they had to fight with the insecurities of their families. Joya's mother, grandmother and aunt used to give her totally different advices because they didn't want Joya to get divorced as they got, on the other hand Hamza's father, grandfather and uncle couldn't even stand the sneeze of Joya because they didn't want Joya to die as their wives died. Then Joya and Hamza got irritated to face the insecurities and experiments of their families and run away from their home. However Hamza's grandfather took them back by his fake heart attack plan.

Later on, the sweet bickering started between Musarrat and Luqman. Musarat, who had started living a happy life, Luqman fell in love with her. Luqman send his marriage proposal to her but she disagreed. However Luqman reassured her that she would always be happy. In the last episode, they got married.

Suzuki is an eccentric at university hospital who has been conducting a research to come up with a miracle drug for cancer on his own. One day, Suzuki finally succeeds in developing a new type of anticancer drug that completely hinders the self-renewal of all cancer stem cells. However, his colleagues do not seem to share his excitement, and he is not even allowed to carry out clinical trial on humans. Suzuki is disheartened and completely at a loss by this but then he comes across a girl, Manami, who is suffering from terminal cancer. With help from her, he successfully carries out clinical trial. Yet, things take an unexpected turn. What will become of Suzuki, Manami and all the others around them? What is the fate of this new drug? Pandora's box released all the evils as soon as it was opened. What is it that is ultimately left inside? --Fuji TV

Nuns-to-be Tavia Yeung and Cilla Kung are desperate to find money to treat the head nun's illness. By coincidence, they meet the wealthy heir of a bank (Kenneth Ma) and are forced to become maids at his household to repay their debts. Tavia often has to save Kenneth from trouble with her superior martial arts skills. Although they disagree with each other, they still support each other during critical times and unconsciously develop a strong bond. With the help of a nobleman, Kenneth becomes a magistrate. His career goes smoothly with help from his brother Joel Chan, who is a governor, and good friend Benjamin Yuen. However, Kenneth soon discovers the corruption and abuse of power in the political world. People around him will act in perverse ways for the sake of personal gain. When he discovers the truth behind the massacre of Tavia's family when she was young, it gets them both thrown into jail...