Veteran detective In Ho receives a report from a man about an airplane terrorist attack and while investigating, he finds out that the suspect actually boarded the KI501. Despite his phobia of airplanes, Jae Hyuk decides to go to Hawaii for his daughter. At the airport, Jae Hyuk is distracted by a suspicious man with a threatening tone, walking around. The KI501 flight departs Incheon Airport and heads for Hawaii, but soon a man dies for an unknown reason, and the situation of fear and confusion spreads not only on the plane but also on the ground. Upon hearing the news, Minister of Land, Infrastructure and Transport Sook Hee formed a counter-terrorism countermeasure headquarters and convened an emergency response meeting to find a way to land the KI501 .

Locked in a fragile détente with its famine-wracked, communist neighbor to the North, South Korea lives in a state of constant national emergency. It is policed by a task force of special agents whose personal lives have withered and died as they root out infiltrators and sleeper agents, rush from crisis to calamity, pursue rumors of war and chase terrorists who vanish like ghosts. One particular phantom, a female North Korean sniper named Hee, has led agents Ryu (Han Suk-Kyu) and Lee (Song Kang-Ho) through a nightmare of burnt corpses and bloody crime scenes for ten years before suddenly vanishing. One year later she resurfaces, and with her comes a squad of North Korean commandos who have infiltrated Seoul and master-minded the theft of an experimental explosive. A whirlwind of fear and paranoia engulfs the city as civilian targets are bombed and Agents Lee and Ryu chase an enemy who is always one charred and blackened step ahead of them. As Agent Lee is pulled in two directions by his fragile fiancée, Hyun, and the dead-eyed terrorist, Hee, the personal becomes the political and in the blink of an eye affairs of the political and in the blink of an eye affairs of the heart become affairs of state.

NHK documentary about the renowned Japanese photographer Daido Moriyama, with special focus and interview of Takuma Nakahira - the founder of avant-garde magazine "Provoke" in the late 60s.

In bustling Shibya, Momose sees his high school classmate Yashiro. Yashiro is dressed as a girl. Momose continues to observe Yashiro and becomes attracted to him. Meanwhile, Yashiro becomes embarrassed that Momose knows that he dresses up like a girl.

When he was just seven-years-old, Suei's mother blew herself up with dynamite in a love-pact suicide with the neighbor's son. Suei worked at a factory in the city after graduating from high school and then quit to go to Tokyo, where he plunged into the world of adult magazines after working as an illustrator and cabaret sign painter.

In Tokyo, the reckless single mother Keiko moves to a small apartment with her twelve years old son Akira Fukushima and hidden in the luggage, his siblings Kyoko, Shigeru and Yuki. The children have different fathers and do not have schooling, but they have a happy life with their mother. When Keiko finds a new boyfriend, she leaves the children alone, giving some money to Akira and assigning him to take care of his siblings. When the money finishes, Akira manages to find means to survive with the youngsters without power supply, gas or water at home, and with the landlord asking for the rental.

In the dawn of the Meiji period, the Gokumonjou, an inescapable prison, has been established in the middle of an enormous lake to counter the soaring crime rates the new era has brought. Serving as the ferrymen are the famous Kumou brothers: the eccentric family head, Tenka; the reckless but noble second son, Soramaru; and the guileless youngest, Chuutarou. In spite of their grim work, the three lead relatively peaceful lives in the ever-cloudy town of Oumi, together with their housekeeper, Shirasu Kinjou. But buried in the long history of Oumi is the legend of the terrifying "Orochi," a serpentine beast that awakens every three hundred years in a human vessel. Unbeknownst to Soramaru and Chuutarou, the actual job of the Kumou family is to seal the Orochi away before it fully revives—or the world will be plunged into destruction. Amid the monster's next resurrection, the Kumou family must find the resolve to keep laughing under the clouds.

A story about dementia with father-daughter relationship.