After the tears are shed, a new day begins... Adapted from the same-titled novel, 1 Litre of Tears is based on the true story about a girl's long fight with an incurable disease. A collection of her diary entries, chronicling her experiences and passion and perseverance for life, were published in 1986, and the book immediately became a bestseller. Her inspiring story was adapted into both a hit TV series starring Sawajiri Erika and a moving film directed by Okamura Riki. Promising new actress Asae Onishi stars as the film's tragic heroine, while Kazuko Kato portrays her supportive mother. Keep the tissue box near, as 1 Litre of Tears promises to touch the hearts of viewers with its tragic story and universal sentiments. One day on her way to school, middle school student Aya (Asae Onishi) suddenly falls to the ground. The doctor diagnoses her with spinocerebellar degeneration, a rare and incurable neurological disease. Entering high school, Aya's condition continues to worsen as physical movements become more difficult. Forced to attend a special boarding school, she nonetheless finds hope and happiness through the support of her new friends and family. Working hard, she completes her high school education and bravely begins a new stage in her life, despite her weak health and continuous trips to the hospital. Aya never gives up, living each day of her life to the fullest until the very end.

Snow Leopard Secret War is set in 1943, when the war in the pacific was still going on, causing the Japanese army to be affected and had to switch to defense mode. However, they were carrying out another battle plan, a large-scale attack began, they also tasked agents with lying in the area and illegally transporting weapons. . At this time, the leader of the Independent Troupe Tiger Tou Son Bat Lo Luu Vien found the spies and successfully prevented an impending war.

This film follows the journey of five individuals who are in high school in the 1990's and show their romantic past through memories when then reunite at their friend's wedding in 2014. A man recounts his life growing up in Beijing during the 1980s and the beautiful woman he broke up with when he was younger.

Aspiring child actress Nanoka (Nanoka Hara) hopes to follow in her late mother's footsteps and become an actress. She is more talented and pretty than her rivals, but she finds it difficult to land parts. One day, she hears that...

"Trivial Matters" is exactly what it says on the packet. Collection of seven vignettes -- some sad, others sardonic -- have little in common other than a concern with the small things of life and a throwaway attitude very typical of its creator, Pang Ho-cheung (aka Edmond Pang). Hard on the heels of his much more formal "Exodus," pic may baffle those unfamiliar with the Hong Kong writer-director's insouciant oeuvre, and will be best appreciated at Asiaphile events. Pic did so-so biz on local release last December. Though Pang is best known internationally for "Isabella" (in many ways his least typical movie), "Trivial Matters" is closer in spirit to earlier pics like "Beyond Our Ken" and "AV," in which the audience is never sure just how seriously to take what's being shown. Based on Pang's own collection of short stories, it also has a scattergun success rate that's also very characteristic of him. Best segs are the third and fifth, both of which are constructed as mini-movies rather than casual jottings, and are nicely played by their separate casts. In "It's a Festival Today," a girl (Isabel Chan) moves in with her b.f. (Eason Chan) but doesn't want to have sex; finally, at Christmas, she agrees to service the poor guy, which leads him to desperately hunt the calendar for other holidays in order to get pleasured again. Punchline is blackly witty. Tone in "Ah Wai, the 'Big Head,' " the longest and most slickly lensed of the bunch, is more wistful, sketching a friendship between two high schoolers -- quiet Kei (Stephy Tang) and spacey Ah Wai (Gillian Chung) -- as they drift apart but meet again at a class reunion. Stretching from the late '80s to the mid-'90s, and based around their shared liking for Cantopop legend Danny Chan, yarn has a lovely period feel and subtle chemistry between the two actresses that packs quite an emotional punch at the end. Other segs range from passing gags -- thesp Edison Chen as a dirty-mouthed pick-up artist -- to self-consciously clever playing with film form. The simplest, but with a piercing moment of sadness, is the sixth episode, "Recharge," centered on a hotel-room assignation between a businessman (Chapman To) and a Mainland hooker (Zhang Zheng). At a time when Hong Kong production has become increasingly conventional and middle-class, pic is notable for its natural, undogmatic approach to nudity and drug use. Casting of names in all the segments -- including Mainland helmer Feng Xiaogang in a witty cameo as the account manager of an assassination agency -- maintains interest for auds able to recognize the faces. However, general viewers are more likely to agree with pic's opening intertitle: "Life is rather trivial in hindsight."

Set within an all boys Christian High School, a beautiful new trainee teacher quickly gains the attention of the students and faculty. Meanwhile, a school festival is set to take place and the trainee teacher is set to teach dance to three students. A rumor then spreads that the trainee teacher has had an affair with one of the students.

The delightful comedy Tropical Fish (Redai yu) was the debut of a young Taiwanese director, Chen Yu-shun, and marked his transition from television to movies. The hero of the movie is A-chiang, a junior high schoolboy facing tremendous pressure to pass the annual entrance examination for entrance to senior high school. A-chiang has been struggling with his grades, and he has suffered the many punishments meted out by his disappointed father and strict school teacher. A-chiang finds refuge in his imagination. Since he was a child, he has been fantasising about a superhero, King Saloman, and his rival, One-Thousand-Year-Old Golden Shark. A-chiang might have read or heard the story a long time ago, or perhaps he just made it up in order to amuse himself, but somewhere down the line he has come to believe in it. Throughout the movie, A-chiang's daydreams become entangled with reality, creating surreal humour. We see A-chiang (dreaming of himself as King Saloman) accidentally kidnapped by two gangsters (representing the Golden Shark) as a result of his attempt to rescue a little boy, Dao-nan, whom the gangsters meant to kidnap in the first place. Unfortunately, though, Dao-nan's stepfather does not want him back, so A-chiang becomes the kidnappers, only potential source of ransom money.