The story follows members of a fictional secret operation called Baby, a temporary task force headed by Feroz Khan (Danny Denzongpa). While attempting to rescue a fellow Indian security agent in Turkey, Ajay Singh Rajput (Akshay Kumar) captures a traitor to the Indian government, Jamal, who formerly worked under Ajay. Ajay captures Jamal and threatens to kill his family unless he gives them information about the terror attack plans on India. He discovers a terrorist plot to cause a bomb blast in a Delhi mall which he and Jai (Rana Daggubati) are able to prevent. In the process they learn that this was only the first in a series of massive attacks that have been planned. Terrorist mastermind Maulana (Naz), who is causing trouble near the Pakistan-India border, arranges for Bilal (Kay Kay Menon) to escape from prison. A team from Baby is dispatched to a local spiritual leader, who is surreptitiously an aide to a terrorist organisation and manage to get information on their local contacts after torturing him. They go to their hideout, but things go wrong and all of the squad members on the mission except Ajay are killed in an explosion. To collect further information from a terrorist logistics planner in Nepal, Ajay and officer Priya (Pannu) travel to Nepal pretending to be husband and wife. Their plan to capture the terrorist Wasim Khan (Sushant Singh) goes wrong when Wasim finds out that Priya is in fact an undercover officer. Priya manages to hold Wasim and Ajay arrives to find that Priya has rendered Khan unconscious. As per the information given by Wasim, Feroz sends Ajay, Jai and Shukla (Anupam Kher) to their deep asset Ashfaq in Saudi Al-Dera where Bilal has meetings scheduled to discuss the funding and execution of their plans. Ajay and Jai crack into Bilal's room with the help of Shukla and manage to kill Bilal. As they are about to return, they find that Maulana is also at the site. Jai knocks him out and they decide to bring Maulana back to India, sedated, under the pretext that he is a relative they need to get to India for a liver transplant. They manage to get a visa from the local authorities for Maulana (being shown as Ashfaq's ill uncle) with Ashfaq's help. Soon after, the hotel security discover the corpse of Bilal. The Arab police authorities put the police chief Hani Mohammad (Hasan Noman) in charge of investigating the crime. He attempts to track down the murderers quickly and eventually succeeds. However, he also learns that the murderers are none other than Indian military agents who are smuggling the infamous leader, Maulana under the pretext of being Ashfaq's uncle. As soon as he learns this, he smiles and lets them escape without any hindrance. For successfully bringing in Maulana, Baby is given permanent status.

The film tells a complicated love story. Carmen with Ke, Xiang Yi and Jiyuan. They start as a friend, but somehow a love triangle occur, and the outcome is very tragic.

Sang-woo knows his teacher's secret: a visit to a gay bar. Kyeong-hoon and Sang-woo embark on a journey about their sexuality and their relationship and their place in society.

Yuki (Tsubasa Honda) is a 2nd year high school student. She volunteers at a paediatrics ward for her summer vacation, because she wants to witness the moment a person dies. She got that thought after feeling envious of a transfer student's story of seeing a friend's dead body. Yuki has friend named Atsuko (Mizuki Yamamoto). She was bullied in the past and has anxiety issues. She volunteers at a nursing home for her summer vacation, hoping that she will gain courage if she sees the moment a person dies.

"Kazunari Katsuki (Gaku Sano) lied to his classmate that Tokyo stinks. Because of his comment, he goes to Tokyo alone. On his way back, he misses his flight back to Kumamoto. Kazunari only 3,400 yen in his pocket. He becomes confused about his missed flight. At that time, Masami Tanaka (Kaoru Sugita), who works at an airport souvenir shop, talks to Kazunari. On Kazunari's unusual trip back to Kumamoto, he meets many different adults and begins to think about his life."

As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Hamaguchi Ryusuke’s latest work, Guzen to sozo. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Happy Hour and Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasize rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallized into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.

A free-spirited girl gets the shock of her life when she finds herself naked in an abandoned building after a late-night party.

Set in Hokkaido, revolving around an ex-convict named Shima Yusaku (Abe) who has just been released from prison. Along with two young strangers that he meets, he sets out on a journey back to where his wife is, uncertain of...