Mu Zi's parents' old apartment is still there. A bed, an abandoned chair, a window falling off its hinges – the remnants of a relationship that has moved on. Her father has started a new family, her mother has friends abroad; it seems like only Mu Zi cares about this place. In The Cloud in Her Room, she wanders several times through this static past.

In her palpably personal debut film, Chinese filmmaker Zheng Lu Xinyuan follows her 22-year-old protagonist as she returns to Hangzhou, where she was born, for the New Year's celebration. She arranges to meet old friends, makes some new ones and visits her parents, with whom she is mostly on friendly terms. It's like she doesn't really fit in anywhere. Mu Zi is living in limbo: like the apartment, she has stopped, caught between past and future.

Zheng Lu, who shot her film in black-and-white, underlines Mu Zi's alienation through directorial decisions that are at times daring. She combines handheld documentary footage, in which Mu Zi interviews people around her, with more distant camerawork. As a child of separated parents, born at the time of the one child policy and having grown up in a China where everything is changing at breakneck speed, Zheng Lu has made a melancholy, topical film about her generation and the society in which they are growing up. At the same time, it is a universal story about love, relationships, the impossibility of keeping these going and the loneliness this causes.

'I want to eat your pancreas' Yamauchi Sakura told Shiga Haruki while shelving books at the library. 12 years have passed Haruki, now a homeroom teacher at their old school, was asked to be in charge of the organization of the library collection. As he talks to his student, it made him look back on the days he spent with Sakura. Narrating the moment he picks up a diary, and discovers that his popular classmate is suffering from a pancreatic disease. Sakura decides to spend her remaining days with Haruki. Shiga being a loner initially refuses but slowly accepts Sakura into his life.

Adapted from the novel "I Want to Eat Your Pancreas" (君の膵臓をたべたい) by Sumino Yoru (住野よる) and illustrated by loundraw.

Middle school teacher Moriguchi Yoko's life comes crashing down after the murder of her 4-year-old daughter. Eventually, Yoko suspects some of her own students to have been responsible for her daughter's death. She comes up with an elaborate plan for revenge against the students who killed her innocent daughter

Based on the short story from the best-selling collection "Poppoya" by Jiro Asada, "The Invitation from Cinema Orion" tells the story of a couple's undying love for the cinema and each other.

A miserable girl because of her irresistible beauty.. Is her beauty the Blessing? Or the Curse? There is a girl, Eun Young, who is not happy for her breathtaking beauty. She gets lonely and exhausted from the stares from men and jealousies from women. One day, she gets raped by one of her stalkers, Sung Min and hears the terrible words from him. "I did it just because you are so beautiful". She believes that she was raped because of her cruel beauty and starts to kill her beautiful looks. And there is one guy who runs after her.

In the first of a two-part film project, three short stories from acclaimed Hong Kong horror writer Lilian Lee are adapted for the big screen in this star-studded horror anthology. Results vary from the good to the tedious, however, with the various socio-political messages lost in tired genre trappings. Lilian Lee is one of Hong Kong's most successful authors, who has published hundreds of novels, many of which have been adapted for the big screen. Stanley Kwan's Rouge, Chen Kaige's Farewell My Concubine and Tsui Hark's Green Snake were all originally penned by Lee, and so the prospect of six diverse filmmakers adapting half a dozen of her short stories into an ambitious anthology project was understandably an enticing concept. Tales From The Dark 1, released in Hong Kong this weekend, presents the first three of these adaptations (with Part 2 scheduled to arrive early next month), and boasts contributions from Fruit Chan, Lee Chi Ngai and the directorial debut of actor Simon Yam. The seasoned star of more than 150 films also takes the lead in Stolen Goods, which opens the anthology. Yam plays Kwan, a curmudgeonly loner scraping together a meagre living in a "coffin apartment" no bigger than a jail cell. When he loses his job on a construction site, the obstinate Kwan refuses to go on welfare, despite owing back rent and having no relatives to turn to for help. In desperation Kwan heads to a cemetery and steals a selection of urns, intending to blackmail their relatives into paying a ransom for their return. However, Kwan soon discovers that tampering with human remains will wreak repercussions from the spirit world.

Sakamichi Onoda is a high school student. He is an otaku, who loves animation and he is also a loner. Although he isn't good in sports, he decides to enroll in the bicycle racing club. Unexpectedly, he finds that he has a talent for bicycle racing. For the first time, he has a friend. Sakamichi Onoda exceeds his limits and finds pleasure in the sport of bicycle racing.

The blind "knife-catcher" Blind Cheng, who possesses great skills, meets Ni Yan, a restaurant girl who is brutally murdered and abused. Despite not wanting to intervene initially, he was gradually involved in a huge power of the dark strife, Blind Cheng began to embark on the road to seek justice and revenge, along the way, his true identity was also revealed.