For the uninitiated, the prequel, GoW, ended with the death of Sardar Khan (Manoj Bajpayee), leaving his sons to avenge his death. While Faizal (Nawazuddin Siddiqui) is engulfed in the smoke of ganja, it’s up to Danish (Vineet Singh) to demand blood. But Ramadhir Singh (Tigmanshu Dhulia) and Sultan (Pankaj Tripathi) get back by gunning down Danish in cold blood. Finally, Faizal shakes out of his slumber and ruthlessly takes back control of Wasseypur. But our hero doesn’t forget his Bollywood-loving darling Mohsina (Huma Qureshi). Tired of the bloodshed and never-ending revenge, Ramadhir offers a hand of truce to Faizal: Faizal keeps Wasseypur and Ramadhir doesn’t kill any more of his family. By now, everyone wants a piece of the success story, including Faizal’s half-brother Definite (Zeishan Quadri) and Shamshad (Raj Kumar Yadav). But when Sultan gets a hit on Faizal’s menace-of-a-brother Perpendicular, he doesn’t let go of the chance. The bloody revenge saga plays out in the next 3 hours.

Four girls take part in illegal underground fighting event "Girl's Blood" held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.

The movie reflects the past, present and future of 32 Korean artists with behind-the-scenes footage that follows the stars as they undergo rehearsals, revealing their day-to-day lives and also features interview, video diaries and never-seen-before archive files.

This is to fill a request by kagetsuhisoka. I'm sorry it took a few days extra to fix the subs, but something in me just can't up subs like that.

The movie starts from the village Krishna Veni (Malavika Nair ) elopes from the home due as she didn't wats to marry, At the same time Raj tharun (bujiij) escapes from the home too, due to marriage proposals. Co-accidentally they both were traveling on the same train and in the same compartment.

A boy and a girl, each facing their upcoming arranged marriages, have only one choice, to run away from their homes. Escaping their undesirable destinies, their paths cross, unexpectedly. Two strangers, sharing one cabin on the train, both trying to escape an unhappy future, to marry and spend their lives with someone they do not love.

A noir fairytale revolving around three outsiders: a mysterious artist on the run from the real world, a street kid who dreams of getting rich and a girl who is allergic to the sun.

After two years in the US, Na Na returns to Beijing and looks up old friend Song Qi An, now taking a postgraduate course in psychology. Na Na asks her about others from their group at university: ambitious You Feng now works in a technology company and is due to marry the daughter of the chairman, Yu Fei is now an up-and-coming actress, and Yang Zheng is now a journalist after wanting to become a film director. Na Na especially wants to know about Hong Rui, whom she always fancied, and learns his father went bankrupt and he himself is now lame from an accident and works on a building site.

Na Na, who was rumoured to have had mental treatment in the US, tells Song Qi An that another member of the group, Xiao Ai, who committed suicide at college, is haunting her. (Her belief in ghosts goes back to her childhood in the countryside, when a school friend, Yu Han, gave her a weird doll.) When Nana visits her old friends, they all react angrily to her mentioning Xiao Ai. Na Na remembers how, back in 2010, it was she who befriended Xiao Ai, a Chinese literature student, and brought her into the group. To her annoyance, Hong Rui had fallen for Xiao Ai, and when misfortunes started to happen, Na Na had blamed Xiao Ai as an evil influence. To settle the problem, the friends had played the ouija board-like game of Bixian, which revealed the name of Yu Han. After Na Na had exposed Xiao Ai as the grown-up Yu Han, Song Qi An had walked out, appalled; that evening, Xiao Ai had thrown herself off a college building. Back in the present day, members of the group now start getting killed by a ghostly presence.

A particularly vicious and gruesome killing has taken place in a women’s washroom at a Seoul shopping mall. The victim, a bitchy and unpleasant young woman, given to verbally abusing her stepdaughter, has been stabbed countless times. Two detectives are on the case – rebellious young Jung and the stoic, understated Oh, who prays frequently and is planning to leave the force to become a Christian pastor. As more murders occur, a link between them arises – a sticker of a children’s cartoon character, Princess Aurora, is left at the scene of each crime. The police are baffled, unable to profile the killer beyond their suspicion that she’s a woman. Detective Oh, however, is quickly coming to the realization that he may know the identity of the guilty party. Intimately, in fact. As the body count rises and the horrifying, heartbreaking logic behind the bloodshed starts to fall into place in Oh’s mind, he finds himself dragged deeper into a twilight realm of moral uncertainty and quiet but powerful personal darkness.