Toda (Koji Yakusho), who has been in confinement for killing a boy servant who had an affair with his concubine 7 years ago. Akiya Toda is expected to commit hara-kiri within 3 years. In the meantime, Akiya Toda works on an order from the previous daimyo to write the daimyo's family tree into a book. Soon, Shozaburo Danno becomes touched by Akiya Toda, Akiya Toda's wife Orie (Mieko Harada) and his daughter Kaoru (Maki Horikita). Specifically, Shozaburo Danno is moved by Akiya Toda's enthusiasm for making the daimyo's family tree book and Orie's love and trust for her husband and daughter. He finds it difficult to believe that Akiya Toda killed a boy servant. Shozaburo Danno decides to investigate the case which occurred 7 years ago.

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It tells the thrilling story of Bai Xia, a master of the Central Plains, went to Fusang, and worked hand in hand with the great onmyoji Abe Haruaki to find the list of consecrated gods, and cast down demons and...

Geum Ja (Jung Ui Soon) has been living alone since her husband and sister passed away. Lately, she keeps hearing her late sister's voice around the house. To find out her sister's message, she enlists the help of a television program that investigates supernatural happenings. Once the TV crew is there, however, the ghostly sounds disappear, and conflicts develop between Geum Ja and the crew. Just when the crew is about to pack up and leave, they record a woman's voice. (YESASIA)

Another film (possibly the first) from Douglas Kung's My Way Film Production, that odd company who make HK films the way they used to be made 10-15 years ago, but which never actually get released in Hong Kong. The King Boxer shares a name with two early 70's martial arts films, but shares a lot more with some later vintage films of the genre. Most obvious is Fong Sai Yuk, from which large chunks of plot are lifted, but the not-particularly-observant will recognise elements from Fist Of Legend and Tai Chi Master and Sammo's Prodigal Son. Well, original story lines aren't exactly a strong feature of the kung fu genre I guess tongue.gif Chin Kar Lok stars as the headstrong young (!) son of a business man who is far more interested in learning Kung Fu than business wiles, and joins the Yiyin kung fu school despite the fact their master was just defeated by their rivals and it is going to close. The main reason he joins them is because he fancies one of the master's daughters (May Kwong), and due to a misunderstanding (that he can actually fight) the family place their hopes on him to rescue their school. The style is very reminiscent of early 90's kung fu comedy on a fairly low budget. If it had come out in 1993 it would have been lucky to rate a 5/10, but this sort of film has been tragically missing from screens for a long time, and even a mediocre entry is worth some attention. I could have done without a lot of the comedy, which only occasionally manages to be amusing. I could have done without the various romantic angles too, as they're entirely lacking in substance or emotion. What I couldn't have done without is the fight scenes, which are quite refreshing. Not classic work, but offers at least glimpses the kind of choreography and genuine physical talent that made HK cinema a world-wide phenomenon. We even get another fine villainous performance from Billy Chow, for the true early 90's vibe. If you've still got any early 90's kf films to get through, probably go with those first, but if you've already seen all that's available and have been itching for something new, by all means do pick up THE KING BOXER. It ain't great, but it doesn't have a lot of competition these days and it could have been worse smile1.gif

Kenshin Himura goes up against pure evil Makoto Shishio who is attempting to overthrow the Meiji government. The fate of the country hangs in the balance as Kenshin Himura takes up the sword that he vowed to never draw again.

"Grand Prix" covers the world of horse racing, centered around the romance between a male horse jockey and a female horse jockey. Seo Joo-Hee (Kim Tae-Hee) is an ambitious equestrian who loses her beloved horse in a racing accident and also injures her arm. Devastated she quits the sport and travels to Jeju Island. On Jeju Island, Seo Joo-Hee meets fellow equestrian Woo-Seok (Yang Dong-Kun), a former winner of the Japan Cup who is also experienced a similar slump as Seo Joo-Hee. With Woo-Seok's help, Seo Joo-Hee becomes inspired to compete for the Grand Prix Chamionship.

Sayaka works at a office. She's not very good at her job or with love. One night, she finds a man, Itsuki, collapsed in front of her home. She takes him inside and they begin to live together. Itsuki teaches Sayaka about cooking wild herbs and collecting wild herbs, but he has a secret.