Asian Drama

A psychiatrist, Fujishiro Shun, receives a letter from his former lover, Iyota Haru. The letter, which came from Salar de Uyuni, known for the "mirror of the sky," contains the memory of her first love from ten years ago. Uyuni, Prague, and Iceland More letters would soon arrive from all over the world, the letters of spring.

At the same time, Fujishiro was preparing to marry his fiancé, Sakamoto Yayoi. But Yayoi suddenly disappeared. "What could be the way to keep love from ending?" Why did Haru write a letter to him? Where did Yayoi disappear? These two mysterious entities would soon become connected. "Why do love and romance, which we thought would last forever, eventually fade away?"

The present and the past, Japan and the world, intersect. As "April" begins, he will search for the truth about his loved ones.

(Source: Japanese = 4gatsu-movie.toho)

Adapted from the novel "Shigatsu ni Nareba Kanojo wa" (四月になれば彼女は) by Kawamura Genki (川村元気).

A mother searches for her missing son after a devastating calamity, only to realize that she has died and is now confined to a realm of restless spirits.

(Source: Netflix)

Duration: 2 hr. 12 min.

Aoi s a young man without a dream or hope in his life. An accident led him to stop speaking completely. One day, he happens to meet Mika. She is a music student and wants to become a pianist. Due to an accident, she lost sight in her eyes. Aoi is attracted to her and tries to protect her from any dangerous situations. He conveys his feelings to her through the light touch of his index finger or the sound of a small bell. His basic, but genuine gesture changes her. With Aoi, she see is able to see hope through the despair, but something happens to them.

(Source:AsianWiki)

Duration: 1 hr. 56 min.

Content Rating: G - All Ages

In the year 1986, Ichiro Ogawa is a middle-aged man. He works as a PE teacher and the advisor of the middle school's baseball team. He is called the "Ogawa of Hell," because he is foul-mouthed and he repeats inappropriate behaviors. But at home, he is a single parent who has raised his daughter alone since his wife died due to a disease. He is an ordinary father who worries about his daughter acting out. Somehow, Ichiro Ogawa travels through time to the year 2024. There, he meets various people, including single mother Nagisa Inushima who works at broadcasting station.

Meanwhile and in the year 2024, Sakae Sakisaka works as a sociologist She is a flag bearer of feminism and frequently appears in the media to talk about gender discrimination or other gender issues. She and her son happen to time travel to the year 1986.

(Source: AsianWiki)

Episodes: 10

Duration: 54 min.

Airs On: Friday

N/A

Toshihide works as a doctor at a clinic located by the sea. One day, he meets Ako. She looks exactly like the woman he admires. Due to her, his heart flutters. Soon, Toshihide realizes that Ako is not his ideal woman. A case leads to Ako to begin living with Toshihide and his family. Living with the warm-hearted family, Ako slowly regains herself and becomes a person with a truthful and honest mind.

(Source: AsianWiki)

Duration: 1 hr. 53 min.

Content Rating: G - All Ages

Koji runs a second-hand bookstore. He likes female drummer Ikka, but, suddenly, female high school student Misaki appears in front of him and keeps confesses her feelings for him.

Rakugo has the image of a humorous story, but it is also a treasure trove of “scary stories”. Among them, this work boldly arranges a performance in which "human fear" stands out, and does it in an omnibus format.

There are four rakugo plays that will be drawn as a drama this time: "Kokoro", "Tatsumi's Tsuji Zou", "Konya Takao", and "Miyatogawa (upper / lower)".

'Anita' is a legendary story of family, love and friendship that captures Anita Mui at her brightest. The film is a tribute to her legacy, inspired by the lasting impact she had on those around her in her journey to becoming one of the most iconic figures in Cantopop.

A film based on late Hong Kong entertainer Anita Mui Yim Fong.

Movie aired first at Busan Film Festival at 15.10.2021.

Soma Ito is a high school student in Hirosaki, Aomori Prefecture. She has a talent for playing Tsugaru-shamisen. The music is native to Aomori Prefecture and involves the traditional folk instrument Tsugaru-shamisen, which is a plucked three-string instrument. Ito learned to play Tsugaru-shamisen from her now-deceased mother. Due to her strong Tsugaru dialect and her shy personality, she has a hard time playing in public and also experiences difficulty in social settings. She doesn't have any friends. To change herself, Ito begins a part-time job at a maid cafe. Her father Koichi watches anxiously over her, while she works her new job. By meeting various people, Ito begins to grow as a person.

As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Hamaguchi Ryusuke’s latest work, Guzen to sozo. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Happy Hour and Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasize rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallized into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.

Shibusawa Eiichi was born in 1840 to a farmer’s family. He grew up helping his family with work, which was to manufacture and sell indigo production and also silk farming. He left his hometown at the age of 23 and began working for the government. He later traveled to Paris and learned about banking. Upon his return to Japan, he helped build up the first modern bank in Japan. He eventually became a founder or supporter to about 500 companies and was involved with about 600 public services, including education for women.

Kento enjoys cooking with canned foods and eating them at a camp-ground. Nanako likes cooking with natural ingredients she obtains herself from nature. The only thing in common between Kento and Nanako are that they eat and sleep alone at camp. Through the people they meet at camps, they both become fascinated with the world of food.

Kenji Amo is a 2nd generation Japanese-American. He was born in America but went to school in Japan. He returned to America to study at UCLA. Now, Kenji Amo works as a reporter for a newspaper in the Little Tokyo area of Los Angeles.

Charlie Tamiya also studied at UCLA with Kenji Amo. Charlie Tamiya has feelings for Nagiko who works with Kenji Amo at the same newspaper company. Knowing that, Kenji Amo holds complicated feelings. At this time, Nagiko's friend Emi Hatanaka asks Kenji Amo to marry her. He accepts her proposal, but the Pacific War begins. Circumstances surrounding Kenji Amo changes.

Yuri Ishikawa and her team try to crack unresolved cold cases in Kanagawa Prefecture, Japan.

When he was just seven-years-old, Suei's mother blew herself up with dynamite in a love-pact suicide with the neighbor's son. Suei worked at a factory in the city after graduating from high school and then quit to go to Tokyo, where he plunged into the world of adult magazines after working as an illustrator and cabaret sign painter.

A love story shot in Fukushima where beautiful nature and rural landscape spread. Yuu Wen played by Taiwanese model/actress Yao Ai-Ning comes from Taiwan and having a difficulty of a language barrier. She met a mysterious girl who can only be seen by herself and connected by a mysterious bond.

A large real estate company’s social gathering is held on board the cruise ship ‘Poseidon’ as it goes around Tokyo Bay. Then the company president Kudo Ryoko (Nakano Yuta) is fatally stabbed. The ship never once stopped and it is impossible for someone to board from the sea. In other words, the murder scene is a “locked room aboard a ship”. The suspects are three employees Takase Minami (Takimoto Miori), Mitsumine Yoko (Nakagoshi Noriko) and Narita Koki (Tonesaku Toshihide) who were together with Kudo. They unanimously complain of being “put to sleep by sleeping pill” and “waking up after the murder occurred”. Detective Hagami Kyoko (Zaizen Naomi) of the First Investigative Division proceeds to investigate the case together with the young detective Kaburagi (Kiriyama Ren). However, a series of tragedies occur right in front of them. Mystery engenders mystery, darkness sucks in darkness. This is the “punishment” meted by Poseidon, the Greek god of the sea, to those who do wrong. Internal trouble, baffling human resources and gruesome cases that vanish in the vortex of time. Then the perfect crime of a lifetime. Will Kyoko be able to get to the criminal?

The young, genius scientist Takano Ryuzo (Saito Yusuke) has died in his home. He was a leading authority on induced pluripotent stem (iPS) cells together with his older wife Misuzu (Shimizu Misa). The cause of his sudden death is determined to be a heart attack, but insurance agent Tomonaga Masahiko (Hamano Kenta) approaches his wife Kuriko (Ueno Juri), who is also researcher in iPS cells, about Takano’s sudden death that leaves questions unanswered. He had been insured for a large sum of money. Furthermore, the crime scene is a perfect locked room. These increases Masahiko’s suspicions that it was a murder. Kuriko, the research geek, corners the “invisible criminal” with a wealth of knowledge unique to a female scientist and feminine deduction.

Following the death of their mother Kyoko (Nakamura Yuri), three sisters Chiaki (Dan Rei), Haruna (Kimura Midoriko) and Natsui (Watanabe Makiko) gather at the home where they were born and raised for an all-night vigil. Third sister Chiaki recalls memories of the time she was a girl when she sees something that was inserted into the coffin. After the end of the war, their father Hiroshi (Mashima Hidekazu) brought Toru, their youngest brother who is not related by blood, home. Then one day, Toru suddenly disappeared as if he had been spirited away. Who was responsible and where did he go? As the three sisters begin to trace back distant memories, a young man (Nakajima Ayumu) comes. He greets them with the words, “It’s been a long time since I last saw you, sisters …” The sisters piece together their memories and what starts to emerge is their father’s betrayal and mother’s secret. The 40-year-old truth that their mother had kept to herself is about to be revealed.

Born to a poor family in Yamanashi prefecture, in the year of 1903 at the age of 10, Muraoka Hanako was accepted by a Missionary school in Tokyo. It was her father's Ando Kippei, greatest wish that his daughter gets a higher education. The Missionary school was attended by daughters from noble families, and as a charity case, Hanako was reminded by her father to never be inferior to her rich schoolmates. As the classes were carried out in English, Hanako faced a culture shock when she started school. Unable to understand the teachers nor able to grasp the conversation of her peers, Hanako resolved to work really hard at her studies.This drama follows Hanako from her childhood, through her years at the missionary school, to her life as a school teacher and finally as the translator of L.M. Montgomery's "Anne of Green Gables".

Born to a poor family in Yamanashi prefecture, in the year of 1903 at the age of 10, Muraoka Hanako was accepted by a Missionary school in Tokyo. It was her father's Ando Kippei, greatest wish that his daughter gets a higher education. The Missionary school was attended by daughters from noble families, and as a charity case, Hanako was reminded by her father to never be inferior to her rich schoolmates. As the classes were carried out in English, Hanako faced a culture shock when she started school. Unable to understand the teachers nor able to grasp the conversation of her peers, Hanako resolved to work really hard at her studies.This drama follows Hanako from her childhood, through her years at the missionary school, to her life as a school teacher and finally as the translator of L.M. Montgomery's "Anne of Green Gables".