Asian Drama

Jung-yoon was approached by a random stranger named Jun-woo, who told her she'd be dead in six hours. As she follows him for answers, she begins to question whether he's her savior or the one trying to put her in danger.

On a pretty, placid little island in the Japanese countryside, Nishikita teaches physical education at the high school he himself attended. The man is hardly an agent of change. He knows his place in the order of things and is careful not to rock the boat, perhaps even a little too much. When he receives a call from a former classmate Takagi, announcing her return, a flash of emotion strikes him. Takagi was Nishikita's best friend and unrequited first love, who had suddenly moved to Paris 10 years earlier to study. At the time, Takagi was constantly teasing him to shake him out of his torpor, and he notices that her attitude hasn't changed in the slightest when they are reunited. In fact, while in France she has only improved in the art of the retort, and Nishikita is still as bad at it as ever. He'll have to get used to it, though, as the new teacher he'll have to train is none other than the beautiful Takagi.

A mysterious woman teams up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened.

Two old college pals, Asai and Jiyong, make their annual pilgrimage up a mountain in the middle of winter in honor of their friend Sayuri who disappeared there 16 years earlier. However, Jiyong seriously injures his leg in the middle of a violent blizzard. Overcome by cold and pain, he asks Asai to let him die here and save his own life. First, though, he confesses to a horrible secret that has been eating away at him. He was the one who killed Sayuri that fateful day, out of jealousy. The problem, if there is one, is that Asai finds a cabin nearby that they hadn’t seen because of the blinding storm. Once inside, the murderer's confession takes on a whole new dimension, and let's just say that the elephant in the room is more of a mammoth. To say that it's going to be a long night would be an understatement.

A thunderstorm in the evening, took place on the "get ten bend" highway car accident, BABY girl was killed, he died wearing a white dress, and her husband Wu billion after a car accident on the mysterious disappearance of. In the course of the police track down the killer, get ten curved frequent accidents, and the reasons are very strange, and even some rumors that all the scene will be a ghost wearing a white dress, which makes "get ten bend" cast a strange At the same time a mystery ...... desperate for money to escape fled to duck this "haunted" get ten bend on the road fleeing, colored troops have been playing ......

Michiru has lost her eyesight, and to make matters worse, her father dies shortly afterwards. She is now all alone and spends most of her day isolated in her home. Akihiro is a Chinese-Japanese immigrant, that has had to deal...

Radically rethinking the tired talking-heads template, Tsai Ming-liang's latest digital experiment turns the human face into a subject of dramatic intrigue. Comprised of a series of portrait shots of mostly anonymous individuals (Tsai devotees will no doubt recognize his long-time muse, Lee Kang-sheng), the film shrewdly deemphasizes language while reducing context to a bare minimum. In their place, the beauty and imperfections of each face take center stage. Accompanied by Ryuichi Sakamoto's soundtrack of dynamically modulating drone frequencies, Tsai's subjects variously speak, stare, and, at one point, sleep as the camera quietly registers the weight of personal history and accumulated experience writ beautifully across every last pore and crevasse.

Producer and star of the film Yasuaki Kurata wanted to make a film with a female protagonist which led to an idea about making a vampire film.[1] Kurata hired director Takanori Tsujimoto as it was his first horror film he worked on and Tsujimoto was known for his horror films.[1] Kurata gave Tsujimoto the elements he wanted in the film (vampires, female protagonists and opportunities for extended action fight scenes) and had him build a story around them.[1] Screenwriter Eiichi Yonekawa wrote a script involving two police detectives in Tokywo who are trying to catch the serial killer. Using it as a framework, Tsujimoto added large elements that would involve fake blood.[1] The action scenes in the film were inspired by Hong Kong action cinema. Kurata compared the Hong Kong style to the Japanese style by saying that “Hong Kong films are about over-action, or overdoing it; whereas Japanese action is often too subtle. It doesn’t satisfy the audience in the same way. I prefer Hong Kong style myself, but keep in mind that wire work was not used in Hong Kong until ‘Chinese Ghost Story’ (1987). My production company introduced wire action to Japanese films, about nine years ago, in a film called ‘Yellow Dragon’.”

A group of friends travel to a private island to spend the weekend, unaware that a shrine of evil spirits is also located on the island. A misguided prank leads the release of the spirits and the group finds themselves struggling to stay alive.

After receiving an unusual business proposal, a young woman experiences strange phenomena.

Set in the year 2019 in Japan. In order to crack down on free expression, a new law is passed, which allows for the government to create an armed force to find and destroy objectionable printed material. Meanwhile, to oppose this oppressive crackdown, the Library Force is created. The Library force, including instructor Atsushi Dojo and Iku Kasahara, work to protect the libraries. A fierce battle then ensues between these two groups.

He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.