Asian Drama

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Mizushima Satoru is a designer, who prefers traditional things like handmade items and handwritten works. One day, he happens to meet a mysterious woman, Miharu Miyuki, at the cafe named Piano. She seems to have similar values to him and he is attracted to her. Mizushima Satoru asks for her cellphone number, but she doesn’t own a cellphone. They make a promise to meet at the cafe every Thursday. Since then, Mizushima Satoru & Miharu Miyuki meet every Thursday and their relationship develops romantically. Mizushima Satoru decides to propose her, but, on the day he is going to propose her, Miharu Miyuki doesn’t show up at the cafe.

(Source: AsianWiki)

Adapted from the novel "Analog" (アナログ) by Beat Takeshi (ビートたけし).

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

Ratings: 8.2

Legend has it that after Pangu created the world, in order to stabilize the cosmos, the Grand Ancestor Hongjun took the Yin and Yang energies of heaven and earth, refining them into the Profound Heaven Divine Sword using the power of the universe. It stood at the pinnacle of the Nine Heavens, guarding all living beings below. One day, Donghuang Taiyi and Demon Emperor Di Jun engaged in a fierce battle in the heavenly realm. Unintentionally, they disturbed the Profound Heaven Divine Sword, which was in the midst of cultivation. The sword body and scabbard were knocked down to the mortal realm by the combined spiritual power of Taiyi and Di Jun. The sword body was reborn in the Xingxiang Town Zhou Mansion, becoming Zhou Qian, the young master of the Zhou Mansion, losing both memory and spiritual power. The scabbard, carrying memories and residual spiritual power, fell into the Peach Blossom Forest, and became known as the Peach Blossom Fairy due to her efforts to help the world.

In his 40s, the stuntman Woo-seok wishes to go back to the prime of his life in 1997, before a facial scar ended his acting dreams. One day, he purchases five talismans from an unknown monk, hoping to change his life. However, during a film shoot, a car accident transports him back to his high school days in 1997. Now living as the high school student, he embarks on a project to revamp his past life, which was filled with a troublesome father, son, and husband.

Shan Shan is an agent, code name Agent. But she lost her memories when she was found on a beach. Then she had a normal life as a model, till she was found again by organization. Killers were sent to kill her and get an important key which can open a secrect base during the World War 2. But they all failed. At last Shanshan recovered her memories and decided to fight back and save her boyfriend.

DRAMA Special

In the first of a two-part film project, three short stories from acclaimed Hong Kong horror writer Lilian Lee are adapted for the big screen in this star-studded horror anthology. Results vary from the good to the tedious, however, with the various socio-political messages lost in tired genre trappings. Lilian Lee is one of Hong Kong's most successful authors, who has published hundreds of novels, many of which have been adapted for the big screen. Stanley Kwan's Rouge, Chen Kaige's Farewell My Concubine and Tsui Hark's Green Snake were all originally penned by Lee, and so the prospect of six diverse filmmakers adapting half a dozen of her short stories into an ambitious anthology project was understandably an enticing concept. Tales From The Dark 1, released in Hong Kong this weekend, presents the first three of these adaptations (with Part 2 scheduled to arrive early next month), and boasts contributions from Fruit Chan, Lee Chi Ngai and the directorial debut of actor Simon Yam. The seasoned star of more than 150 films also takes the lead in Stolen Goods, which opens the anthology. Yam plays Kwan, a curmudgeonly loner scraping together a meagre living in a "coffin apartment" no bigger than a jail cell. When he loses his job on a construction site, the obstinate Kwan refuses to go on welfare, despite owing back rent and having no relatives to turn to for help. In desperation Kwan heads to a cemetery and steals a selection of urns, intending to blackmail their relatives into paying a ransom for their return. However, Kwan soon discovers that tampering with human remains will wreak repercussions from the spirit world.

When Sayaka leaps off the balcony to her death at her own housewarming party, all her friends are left in shock. Conviced that her sibling would not have committed suicide, Sayaka's elder sister, Mariko, takes it upon herself to investigate the reason behind the sinister death and soon learns the history of Apartment 1303: Where a love-hate relationship between former tenants - a mother and daughter pair - has now turned into a tale of horror.

The third installment of the Chihayafuru trilogy.

he word "eijanaika" translates roughly as "why not?" or "so what!" & represents a devil-may-care attitude & a movement which spread throughout Japan in the third year of Keio (1867). Historically the Eijanaika movement is subject to interpretation. Were the peasant riots instigated by anti-Shogunate forces to unsettle the government? Or were they spontaneous eruptions among the general population, pushed too far by the inflation prior to the Meiji Restoration? Shohei Imamura's film Eijanaika (1980) suggests a complex mixture of both. The central story deals with a farmer named Genji (Shigeru Izumiya). He was shipwrecked on his way to Yokohama & saved by a passing American ship, unable to return to Japan for six years. He returns to his village to discover his wife has been sold as a servant. By the time Genji finds Ine (Kaori Momoi), she has become a successful entertainer of the East Ryogoku district in Edo, & mistress to the district boss. The bulk of the film follows the low-life of Edo with all its whores, pimps, pickpockets, dwarves, lady wrestlers, & sideshow entertainments.

Engada Iruthinga Ivvalavu Naala is a Tamil movie by Kevin

Da Chuan, who was born in the 1980s, used to work at a train accessory factory as a repairman in Qiqihar city of Heilongjiang province, Northeast China. As majority of the average people there, his life is nothing special but...