Asian Drama

The film depicts a coming-of-age story centered on the two sugar babies, Kotone, who is unemployed, and Sakura, a college student, in the coronavirus pandemic, as they try their best to live at the mercy of frivolous men.

Adapted from the novel "Tsuyu no Ato Saki" (つゆのあとさき) by Nagai Kafu (永井荷風).

Duration: 1 hr. 45 min.

Content Rating: 15+ - Teens 15 or older

The idol group Cho Tokimeki♡Sendenbu took on the challenge of performing in a non-stop drama.

On Sado Island, Kii works as a cleaner at a gold mine. One day, she finds a collapsed woman in the facility and takes the woman to her home. The woman doesn't remember her past or even her name. The woman is named Midori by the two other girls living with Kii. Kii gets permission from the director for Midori to work as a cleaner at the mine. One day, Midori is attracted by the presence of cats and this leads her to meet Ao, who works as a night guard at the gold mine. Ao tells her that he also doesn't remember his past. Midori and Ao get attracted to each other and spend time together. One day, Midori meets Murasaki who seems to have a close relationship with Ao. This disturbs Midori.

Su-an, a performing arts high school student, becomes close with Seol, an actress and celebrity. During a trip, they realize that they have feelings for each other. However, misunderstandings pile up too much, and Seol leaves Su-an. Su-an later becomes an actress and returns to the winter sea, longing for Seol.

Set against the background of Petaling Street in 1908, Petaling Street Warriors tells the story of a pair of married couple, Shi Duyao (Mark Lee) and Zhung Lichun (Yeo Yann Yann), who operate a Hokkien mee stall in Petaling Street, where they suffer from the inefficiency of the colonial government and suppression by the Chinese gangsters. While trying to impress his wife, Duyao encounters a mysterious yet strikingly beautiful kungfu expert, Xiaoju (Chris Tong), who claims that Duyao is a descendant of the missing Emperor Jianwen of the Ming Dynasty. To stop a group of Qing warriors and Japanese ninjas from robbing a treasure map that Duyao doesn't even know he has, Lichun and her cousin, Liu Kun (Namewee), finally reveal their kungfu, turning Petaling Street into the ultimate battleground. Facing enemies of unthinkable powers, could Duyao unravel the mystery of his real identity and come to his wife's rescue just in time?

Set in Edo period, Japan, a women risks her life to keep her true love. Ito (Keiko Kitagawa), daughter of a clan official, encounters Magoshiro Eguchi (Shuntaro Miyao). Magoshiro is a low ranking samurai sparks an attraction with Ito. Ito challenges Magoshiro to a sword match using bamboo sticks. Mahoshiro accepts. The pair's duel causes sparks to fly an attraction from both sides. Meanwhile, Ito faces an arranged marriage with Saisuke Katagiri (Masahiro Komoto) and Magoshiro is with Kayo (Ayumi Ito) .

As with the rest of his oeuvre, duplication and mirroring of female characters once again informs Hamaguchi Ryusuke’s latest work, Guzen to sozo. It would not be out of place to make a literary analogy and, if one were to regard his two previous films (Happy Hour and Asako I & II) as novels, this new work could be described as a collection of short stories. The film’s recurring rhythm amplifies this effect. The three episodes, which each revolve around a woman, are in turn divided into three movements, like a piece of music. They tell stories of an unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding. The fragmentation serves to emphasize rather than undermine the exquisitely organic storytelling and mise en scène. Although most of the action takes place in a single space and involves just two actors, not once does it feel like filmed theatre. The secret lies not only in the writing, but also in the notion of a more complex temporality in each episode that flirts with science fiction in the final instalment. The moments we witness are crystallized into touching universal destinies marked by choices, regrets, deception and coincidences. They are the film’s true protagonists.

Legend has it that after people hang themselves, the grievances are the heaviest, and the grievances will accumulate on the knots. The effect is to appease evil spirits and appease the people. The coastal area of ​​Taiwan will hold a ceremony to send the knots to the estuary. "Send a sputum", and later changed to "send a meat sputum" in order to respect the dead.

Seeing that the danger is approaching, Jiawei decided to ask the Master for help, but found that the source of everything came from the secret of the book that was deeply buried in the heart for ten years....what can Weiwei unlock the knot of the book and protect himself? And the life of a loved one?

This classic Japanese horror movie directed by Nobuo Nakagawa is based on an 18th-century kabuki masterpiece written by Tsuruya Nanboku. It is about a woman who haunts her husband after she dies a miserable death. The story has terrified the Japanese people for ages, and is probably the most famous ghost story of the Edo period. This particular version is the 1959 Eastman color edition, and likely the most popular and well known film version of this story.

Four girls become roommates at a boarding school after failing their college entrance exams. The girls are to spend a year at the school, studying under grueling conditions to pass their exam next year. The girls find the harsh conditions at the school suffocating and attempt to adapt in different ways. Meanwhile, the girls begin to have visions of a past incident that occurred at the school. Fear soon engulfs the girls.

Sang Woo survived a car explosion. He lost his memory but he was able to return to a normal life thanks to his wife Yoon Hee who takes care of him with devotion. However, Sang Woo starts to feel alienated from himself in the past and the 'him' his wife talks about. He starts getting suspicious. He also finds out his wife was having an affair and becomes obsessed with finding out about his past. A man starts to follow his steps and Sang Woo is even more confused. 'What kind of a person was I in the memories lost?' The shocking truth is revealed.

Shohei is now retired from his job as a middle school principal. On his 70th birthday, he tells his wife Yoko, first daughter Mari and second daughter Fumi that he has Alzheimer's disease. First daughter Mari is a housewife with a husband and a child. Second daughter Fum is still single and she agonizes over her life. The three women are embarrassed for Shohei who is losing his memory. One day, Fumi, Mari and Yoko realize that Shohei still holds onto fond memories which they have already forgotten.