Asian Drama

Jung-yoon was approached by a random stranger named Jun-woo, who told her she'd be dead in six hours. As she follows him for answers, she begins to question whether he's her savior or the one trying to put her in danger.

On a pretty, placid little island in the Japanese countryside, Nishikita teaches physical education at the high school he himself attended. The man is hardly an agent of change. He knows his place in the order of things and is careful not to rock the boat, perhaps even a little too much. When he receives a call from a former classmate Takagi, announcing her return, a flash of emotion strikes him. Takagi was Nishikita's best friend and unrequited first love, who had suddenly moved to Paris 10 years earlier to study. At the time, Takagi was constantly teasing him to shake him out of his torpor, and he notices that her attitude hasn't changed in the slightest when they are reunited. In fact, while in France she has only improved in the art of the retort, and Nishikita is still as bad at it as ever. He'll have to get used to it, though, as the new teacher he'll have to train is none other than the beautiful Takagi.

A mysterious woman teams up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened.

When the Daiei studio closed its doors in 1971, their biggest chanbara star Shintaro Katsu already had his own production company Katsu Production set up, and a distribution deal signed with Toho. With most directors and actors now liberated from their long-term contracts with the ailing major studios, and film work harder to come by, Katsu was able to pick and choose from a teeming pool of talent and lined up a series of high-profile projects. He cast Toshiro Mifune and Ayako Wakao to co-star with him in Zatoichi Meets Yojimbo, paired his brother Tomisaburo Wakayama with his favourite Daiei director Kenji Misumi for the Lone Wolf and Cub series, and lured Ken Takakura and Meiko Kaji into his fold for The Homeless, a loose remake of French director Robert Enrico's Les Aventuriers (1967).

So Young, a "bacchus lady" (street-based sex worker in her 60s), is well known for 'doing it so well she can almost kill you' among elderly men. This is her way to make a living. She lives a hard but peaceful life with her neighbors like her transgender landlady Ti Na, poor figurine artist Do Hoon, the half Korean half Filipino boy who she met at a clinic and thoughtlessly brought home Min Ho and others. One day she learns that Song, one of her regular clients, had a stroke and when she visits him he begs her to kill him. Struggling between guilt and compassion, she finally decides to help him.

And this is how the story begins. While following the request of customers who want to stop living a hard life, So Young falls into deeper chaos.

A domineering two-faced senior; a gentle and tender close friend. Between the two of them, who will the sweet and cute lady fall in love with?

About the feminist revolutionary martyr Qiu Jin.

Korean short film about a schoolboy, Hye Sung Won, who struggles with his feelings of inadequacy and tries to rationalize his guilt over a betrayal to his cherished and seemingly perfect friend, Jeong Hyuk Moon.

When she was a middle school student, Futaba Yoshioka liked Kou Tanaka who was unlike the other boys and quite gentle. Kou Tanaka then moved away and they lost contact.

At the end of Futaba Yoshioka's first year as a high school student she meets Kou Tanaka again. Kou Tanaka’s name has changed to Kou Mabuchi and his personality seems different from his middle school days.

Just when Wang Wei, a private owner, is worrying about the operation of his health preserving club, his father Wang Dezhi, who joined the scientific expedition team by chance 20 years ago ...

Musical director Yoo Il-Han (Kim Rae-Won) is arrogant and has no qualms exaggerating the lengths of his talents. He was once a promising musical director, but, after the box-office failure of a big budget musical, he now works on children's musicals. Nevertheless, Yoo Il-Han dreams of one day working on Broadway in New York City. His big chance then arrives. A TV musical competition program is set out to select the main child actor for a big budget musical of King Jungjo from the Joseon Dynasty. The musical will be performed on Broadway. The setup for the TV musical competition program involves five musical directors as they each select one child actor to mentor. The directors then train their pupil and the TV musical competition eventually selects one child actor to play King Jungjo. Musical director Yoo Il-Han is one of the five music directors taking part in the television program. The first stage of the show involves each of the five musical directors turned away from the stage as they listen, but cannot see, various children auditioning for the TV program. Musical director Yoo Il-Han then selects a child named Young-Kwan (Ji Dae-Han), who turns out to be a half Filipino-Korean child. Once the first episode of the TV show program ends, Yoo Il-Han berates an assistant director of the TV program. He's furious he was allowed to pick a child, that he assumes has no chance of playing King Jungjo and blowing his chance to work on Broadway. Making matters worse for Yoo Il-Han, Young-Kwan possesses zero dancing abilities. Unable to change his selection, Yoo Il-Han half-heartedly begins to train Young-Kwan. He then begins to see something special in the child.