Asian Drama

Jung Woo goes from being a successful, popular pilot to being unemployed one morning. However, he succeeds in getting a new job after accidentally taking on a newly laundered identity.

(Source: HanCinema)

Tags: Starting Over, Pilot Male Lead, Job Seeking, Unemployed Male Lead, Popular Male Lead, Fake Identity, Mistaken Identity, Stolen Identity, Double Identity (Vote or add tags)

Episodes: 1

Duration: 1 hr. 51 min.

Country: South Korea

Aired: Jul 31, 2024

Content Rating: Not Yet Rated

In the early days of the Republic, legendary martial artist Ye Ruzhou suffers a severe injury, losing her memory and winding up in the impoverished alley of Minfu Lane. By a twist of fate, she crosses paths with the carefree Chen Awang, and the two fall for each other. When local tyrant Zheng Juehou intensifies his hold over the neighborhood, Ye Ruzhou rises to defend her new community. Her actions, however, draw unforeseen danger, and together with Chen Awang, she faces the challenge to protect Minfu Lane’s hard-won peace.

A fatigued man wakes up at a bar with a bartender who will forever change his life as he gets to know more about her. Three criminals have somewhat accomplished their task of kidnapping their target, but their overall mission seems to go nowhere in the end. In the late 1970s, a mysterious woman runs a bar where a deadly situation will affect the lives of everyone. Two killers are looking for their faceless victim, who shows up at a diner every day at 6 o'clock sharp. Four incredibly talented Korean filmmakers, four intriguing cinematic visions, four astounding stories revolving around murderers for hire. (Source: fantasiafestival.com) ~~ Adapted from the short story "The Killers" by Ernest Hemingway. ~~ Release dates: Jul 24, 2024 (Festival) || Oct 23, 2024 (Cinema)

Duration: 1 hr. 59 min.

Content Rating: 18+ Restricted (violence & profanity)

The story follows a young man who has been single for a year after his boyfriend suddenly disappeared without a formal breakup. One night, while scrolling through a dating app, he encounters someone who looks strikingly similar to his ex. After a spontaneous hookup, he discovers that this new acquaintance is actually his ex’s twin brother. As he navigates this unexpected twist, he finds himself drawn into a complicated web of emotions. Will he end up choosing between the two brothers, or will he find himself entangled with both?

Duration: 11 min.

Content Rating: Not Yet Rated

Eun Sim, at the age of eighty, has returned to her hometown after more than sixty years. She is relieved to spend some time with her old friends Geum Soon and Tae Ho, who, unlike her, are still living in their hometown. At an age when death is closer than life, there is not a single part that does not hurt in her body, but she feels that she has lived well enough.

It is a trot-like movie where friendship and love bloom only in the twilight of life.

(Source: HanCinema, BIFF)

Release Dates: Oct 5, 2023 (Festival) || Feb 7, 2024 (Cinema)

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

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A spirited comedy that pokes fun at old-style Cantonese filmmaking and Wong Kar-Wai's 1990s art-house hits, but ever so gently. Dayo Wong plays a WK-W like director who is sent back 30 years and forced to make a movie under the conditions of the time. The film contains many refernces for film buffs, from Kwan Tak-Hing's cheesy "Wong Fei-Hung" series to the hilarious antics of "La Rose Noire". Review by Paul Thompson: You'll probably laugh, but you might not have gotten the object of satire by reading the subtitles, which is why I have provided this summary. I'm pretty sure Wong Jing was involved in this -- in fact one of the characters is Wong Jing as a young man. If you are a die hard Wong Kar Wai fan, you will laugh when you watch this film. "Those Were the days" speculates on what would happen if a hot international art house director (a.k.a. WKW) were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.

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