Asian Drama

With Kie and her family facing many tragedies in life, she turns to the spiritual and goes to pray at a shrine. A priest there tells her that her family is facing karma caused by her gangster ancestor. After Kie decides to perform a ritual, she finds herself back in time in the body of a man who had been killed. She meets all the gang members including her own great grandfather, Khung. While getting to know him, Kie attempts to prevent Khung from performing the action that would lead to her family's misfortune.

Myung Deuk is a detective. While working on a case involving a criminal organization, he comes across money belonging to the crime group. Myung Deuk is soon chased by the police and the crime group.

(Source: AsianWiki)

Duration: 1 hr. 40 min.

Content Rating: 15+ - Teens 15 or older

In the Great East Japan Earthquake, a young girl named Luca loses her family and is left with a disability that prevents her from speaking properly. She can, however, make her voice heard when she sings. When she remembers that her dead sister’s boyfriend is attending a university in Osaka, she travels there only to end up in an orphanage despite the best intentions of the people who care about her. Over time, Luca becomes Kyrie, a singer who sings on the streets. Her old friend Ikko, whom she meets by chance, offers to be her manager. Will Kyrie succeed as a singer with Ikko’s help?

(Source: biff.kr)

Set in the Heian period, Seimei Abe is a young student at Onmyoryo. The school raises students to become an onmyoji, who protect the city from curses and evil spirits. Seimei Abe is well known as a genius in the field of magic. Unlike his fellow students, who all aspire to become an onmyoji, Seimei Abe doesn't have any interest in becoming an onmyoji. One day, he is asked by Noble Hiromasa Minamoto to solve a strange phenomenon that hits royal family member Yoshiko. Seimei Abe and Hiromasa Minamoto work together to unravel the strange phenomenon.

(Source: AsianWiki)

Adapted from the novel series "Onmyouji" (陰陽師) by Yumemakura Baku (夢枕獏).

Duration: 1 hr. 52 min.

Content Rating: G - All Ages

Kim Hye-Kyung works at bar. She waits for her boyfriend who killed another person and then fled. Jung Jae-Gon is a detective. He approaches Hye-Kyung to catch her boyfriend.

Wine, a young man with an angelic physique, meets by chance a boy of his age who turns out to be totally amnesiac. A special bond is formed between them when Wine realizes the nature of the unknown: the latter is a creature of the night , thirsty for blood and put to the torture by lack. Wine ends up letting him quench his thirst on him, crossing the point of no return at the same time. Around them gravitate to Tee, Wine's ex-boyfriend who is struggling to accept his homosexuality, and Boy, a long-time Wine-loving businessman who still hopes to conquer him.

Between the three men, Wine is soon the target of many desires, the most disturbing of which do not necessarily come from the vampire.

Julie and Tristan are lovers who are about to get married. Hoping to get a beautiful card reading, they end up receiving an awful reading from a Tarot card reader. According to the opened ...

Fa leaves behind her unsatisfactory life working at her parent‘s shop to enter a university. Fa‘s true calling is to dance and she joins the school‘s hip-hop club. Soon, Fa falls into the heated world of dance competitions and becomes involved in a complicated romance. 

Based on classical Thai literature, Kunpan is a magical, tragic love story based on the life and times of a strong warrior, Kun Pan. During a time of rebellion, Pan's arch enemy and rival for Pimpilalai's love, convinces the king to send Pan off to battle. He must go off and fight, and leave his love behind. Time goes by, and Pan's rival tries to console Pimpilalai while telling her Pan must have died in battle. Eventually she believes him, and mourns. But Kun Pan is not dead, and he comes back from battle with his second wife, only to find that Pimpilalai is now with his rival. Pan wants... no needs, his revenge. But when the king finds out about the rivalry, he banishes Pan from the kingdom. With nowhere else to go, he ends up in the forest, and with a third wife. There, he gets magical powers both spiritual and material. Again back in the Kingdom, Pan takes Pimpilalai away to live with him in the forest. From there, events continue to happen to complicate his life, that of his wives, and everyone around them in a swirl of fate and retribution, and tragedy.

Bo-Kyung (Hyo-ju Han) is approached by two young men from the countryside, who are both convinced she is Myeong-eun, a girl who left the village years ago and whose father is now dying. When they realise she is isn't who they think she is, the more outspoken of the pair, Gi-yeong, asks her to be the "stand-in" for a night, so that the old man can die after seeing his estranged daughter one last time.

After a sting operation goes bad, gunfire erupts on the streets of Hong Kong as police chase a group of suspects across town. Unfortunately, the melee is caught on camera by the media and when the criminals humiliate a police officer live on national television and escape, the public outrage towards the police department is mutinous. The leader of the sting operation, Inspector Cheung (Nick Cheung, Election), furious from losing the criminals, disobeys orders from his commanding officer and stays hot on the heels of the bandits. Chased into a residential apartment block, the villains take a family hostage and bunker down to plan their next move. Cheung tries to roust the criminals out from within, but is unable to single-handedly defuse the situation. Meanwhile, the police swarm around the building and set up a command center outside, led by ambitious and media-savvy Commissioner Rebecca Fong (Kelly Chen, Infernal Affairs), who seems more concerned about the swarm of video cameras and photographers than the criminals inside the building. Embarrassed by their earlier defeat, the police begin fighting a public relations war, anxious to repair their tattered image in the public eye. In order to portray the department in a favorable, decisive light, they begin feeding "punched-up" video clips to the media, carefully edited to show the police coming out on top in the conflict with the criminals, as they keep the press updated on every move they make. Unfortunately for the police, the bad guys need only to turn on their television and are immediately brought up to speed on every detail about the police activity, keeping one step ahead of the police at all times…