Asian Drama

Jung Woo goes from being a successful, popular pilot to being unemployed one morning. However, he succeeds in getting a new job after accidentally taking on a newly laundered identity.

(Source: HanCinema)

Tags: Starting Over, Pilot Male Lead, Job Seeking, Unemployed Male Lead, Popular Male Lead, Fake Identity, Mistaken Identity, Stolen Identity, Double Identity (Vote or add tags)

Episodes: 1

Duration: 1 hr. 51 min.

Country: South Korea

Aired: Jul 31, 2024

Content Rating: Not Yet Rated

In the early days of the Republic, legendary martial artist Ye Ruzhou suffers a severe injury, losing her memory and winding up in the impoverished alley of Minfu Lane. By a twist of fate, she crosses paths with the carefree Chen Awang, and the two fall for each other. When local tyrant Zheng Juehou intensifies his hold over the neighborhood, Ye Ruzhou rises to defend her new community. Her actions, however, draw unforeseen danger, and together with Chen Awang, she faces the challenge to protect Minfu Lane’s hard-won peace.

A fatigued man wakes up at a bar with a bartender who will forever change his life as he gets to know more about her. Three criminals have somewhat accomplished their task of kidnapping their target, but their overall mission seems to go nowhere in the end. In the late 1970s, a mysterious woman runs a bar where a deadly situation will affect the lives of everyone. Two killers are looking for their faceless victim, who shows up at a diner every day at 6 o'clock sharp. Four incredibly talented Korean filmmakers, four intriguing cinematic visions, four astounding stories revolving around murderers for hire. (Source: fantasiafestival.com) ~~ Adapted from the short story "The Killers" by Ernest Hemingway. ~~ Release dates: Jul 24, 2024 (Festival) || Oct 23, 2024 (Cinema)

Duration: 1 hr. 59 min.

Content Rating: 18+ Restricted (violence & profanity)

The story follows a young man who has been single for a year after his boyfriend suddenly disappeared without a formal breakup. One night, while scrolling through a dating app, he encounters someone who looks strikingly similar to his ex. After a spontaneous hookup, he discovers that this new acquaintance is actually his ex’s twin brother. As he navigates this unexpected twist, he finds himself drawn into a complicated web of emotions. Will he end up choosing between the two brothers, or will he find himself entangled with both?

Duration: 11 min.

Content Rating: Not Yet Rated

High school student Juri (Tao Tsuchiya) leaps to her death. Afterwards, Juri wanders to her house, school and street. She feels loneliness as nobody else is able to see her. She talks to those that she comes across including her mother & classmates, but nobody responds to her comments. Juri then sees a horrifying monster, which she never saw prior to her suicide. She calls the scary monster "Bug Man". When the mind of humans become weak, the Bug Man tempts those to commit suicide. One day, Juri walks along the street as usual. She then meets a girl that is able to see Juri. Juri names the girl Ringo-chan and plays at the park with her. Their happy moments does not last long. When they come back from the park, Juri sees Ringo-chan's mother with a grim face. The Bug Man is standing behind her mother.

One a bright spring day before a school trip, Se Mi, falls asleep on one side of the classroom, and suddenly awakens in tears over an ominous dream. She runs to Ha Eun, who is in the hospital after injuring her leg in a bicycle accident. Se Mi and Ha Eun are best friends. The film depicts a special day between the two.

(Source: Jung Han Seok at biff.kr)

Release dates: October 9, 2022 (Festival) | October 25, 2023 (Cinema)

Duration: 1 hr. 58 min.

Content Rating: 13+ - Teens 13 or older

Rang and Peng, Two of the most ruthless criminals break out of a high-security jail to recover the “September’s Diamond” which was lost to them when they were caught. They also tried to avenge the people who secretly stole the diamond from them.

The bumpy little van was snowing outside, letting passenger Zhang Zhongqing remember the day when he first came to Yanshou Village 30 years ago. That day was the beginning of love and sin in his life... Thirty years ago, he...

"Trivial Matters" is exactly what it says on the packet. Collection of seven vignettes -- some sad, others sardonic -- have little in common other than a concern with the small things of life and a throwaway attitude very typical of its creator, Pang Ho-cheung (aka Edmond Pang). Hard on the heels of his much more formal "Exodus," pic may baffle those unfamiliar with the Hong Kong writer-director's insouciant oeuvre, and will be best appreciated at Asiaphile events. Pic did so-so biz on local release last December. Though Pang is best known internationally for "Isabella" (in many ways his least typical movie), "Trivial Matters" is closer in spirit to earlier pics like "Beyond Our Ken" and "AV," in which the audience is never sure just how seriously to take what's being shown. Based on Pang's own collection of short stories, it also has a scattergun success rate that's also very characteristic of him. Best segs are the third and fifth, both of which are constructed as mini-movies rather than casual jottings, and are nicely played by their separate casts. In "It's a Festival Today," a girl (Isabel Chan) moves in with her b.f. (Eason Chan) but doesn't want to have sex; finally, at Christmas, she agrees to service the poor guy, which leads him to desperately hunt the calendar for other holidays in order to get pleasured again. Punchline is blackly witty. Tone in "Ah Wai, the 'Big Head,' " the longest and most slickly lensed of the bunch, is more wistful, sketching a friendship between two high schoolers -- quiet Kei (Stephy Tang) and spacey Ah Wai (Gillian Chung) -- as they drift apart but meet again at a class reunion. Stretching from the late '80s to the mid-'90s, and based around their shared liking for Cantopop legend Danny Chan, yarn has a lovely period feel and subtle chemistry between the two actresses that packs quite an emotional punch at the end. Other segs range from passing gags -- thesp Edison Chen as a dirty-mouthed pick-up artist -- to self-consciously clever playing with film form. The simplest, but with a piercing moment of sadness, is the sixth episode, "Recharge," centered on a hotel-room assignation between a businessman (Chapman To) and a Mainland hooker (Zhang Zheng). At a time when Hong Kong production has become increasingly conventional and middle-class, pic is notable for its natural, undogmatic approach to nudity and drug use. Casting of names in all the segments -- including Mainland helmer Feng Xiaogang in a witty cameo as the account manager of an assassination agency -- maintains interest for auds able to recognize the faces. However, general viewers are more likely to agree with pic's opening intertitle: "Life is rather trivial in hindsight."

When the Go-Busters are defeated by a new threat sent by Messiah, Nick and J make a wish for God to to make it so Messiah existed which lands them in an alternate timeline where the Go-Busters go through a series of battles much different from the ones in the original timeline, but are still somehow very familiar. However, the two quickly realize the enemy that defeated their team mates in the original timeline will still exist here and it falls to them to figure out a way to stop him.

Cha Woo Sol, a victim of school violence who was imprisoned in a boys' prison due to an unexpected incident, meets mixed martial arts champion Jeong Do Hyeon and breaks his limit one by one.

Adapted from the webtoon of the same name.

Meet the creative forces behind Studio Ghibli, the award-winning Japanese animation studio that is the focus of this absorbing documentary. Hayao Miyazaki, the director of such cinematic wonders as Princess Monokoke, Spirited Away and Howl’s Moving Castle is the centre point. He’s working on his latest, and perhaps his last film, The Wind Rises. The studio where he storyboards the entire film, and his dedicated team painstakingly draw each frame by hand, is cluttered, homely and apparently lacking any new technologies. On the other side of Tokyo, his colleague Isao Takahata is working on his latest opus. Producer and co-founder Toshio Suzuki shuffles between the two, expertly managing their distinct approaches and longtime rivalry. Director Mami Sunada, winner of SFF’s 2012 Audience Award for Best Documentary with Death of a Japanese Salesman, has captured the timelessness of the process, the brilliance and skill, and Miyazaki’s perverse, playful humour. Prepare to be enchanted by the genius of Studio Ghibli.