Asian TV » drama » Natsuyasumi Nanka Iranai
Name:

Natsuyasumi Nanka Iranai (2020)

Other name: 夏休みなんかいらない , I Don't Need Summer Vacation
Genre: Drama, Romance, Youth
Country: Japanese
Release year: 2020
Status: Completed
 
Drama was originally released on the official YT channel (1 episode per week) and simultaneously on DVD, with all episodes and bonus footages, which together made 87 minutes.
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  • Ep 10 SUB

    Tonbi (2013) (2013)

    Tonbi (2013)
    Genre:
    Drama, Family, life, Novel, Tearjerker
    Country:
    Japanese

    The drama is based on the best-selling same-titled novel by Shigematsu Kiyoshi. It tells the story of how a widower brought up his only son, after the death of his beloved wife. Ichikawa Yasuo, or Yasu as he is known, is a baka, with no paper qualifications to his name. However, like all normal parents, he dotes on his only son, Akira. Having grown up without his parents around, Yasu himself knows next to nothing of what parenting is about. With his wife, Misako, by his side, he had spent many happy days together with his little family.

    However, when Akira was 3 years old, Misako passed away suddenly from an accident. Heart-broken, and filled with regrets, Yasu pulled himself together, in order to care for his little son. Together with the help of his friends, Yasu overcame it all, and Akira grew up to be a bright and successful young man.

    "With nothing but love for his son... that's all there is"

  • Ep 104 SUB

    The Immortal Lee Soon-shin (2004)

    The Immortal Lee Soon-shin
    Genre:
    Historical
    Country:
    Korean
    1) Fixed ideas about a national hero are brought up for a secrutiny. No hero has ever been sent by heaven. He has emerged as one ultimately after undergoing a lifelong process. Drama "Yi Sun-shin" is designed to challenge the fixed ideas about him who has been remembered in the form of an imposing statue standing at the Gwanghwamun intersection in Seoul and the Hyeonchungsa Shrine in South Chungcheong Province, while shedding a new light upon him as a human being. 2) Drama "Yi Sun-shin" depicts Yi Sun-shin as a soldier who struggled to survive turbulent days. At the time when Yi Sun-shin lived, the Joseon Dynasty had to achieve political reforms and stabilize the livelihood of the people, while defending the country against the Yojin (Nu Zhen) Tribe and Japanese pirate raiders. Yi Sun-shin was regarded sometimes with jealousy in the process of protecting grass-roots people and sticking to the principles of reforms and lost some battles. He was removed from his duties three times and reinstated to the military service two times as a rank-and-filer. But for all this disgrace, Yi Sun-shin was reborn as a true hero who led the Joseon Navy to a myth of invincibility during the Hideyoshi Invasion (1592-1598 A.D.). Yi Sun-shin, as a soldier who struggled to protect grass-roots people, is what Drama "Yi Sun-shin" has planned to depict. 3) Drama "Yi Sun-shin" is a Korean version of "War and Peace" in the 21st century Drama "Yi Sun-shin" is not a biography of Admiral Yi Sun-shin, nor does it intend to reconstruct a part of the Joseon Dynasty that existed in the 16th century. It will merely look into many human beings, including Yi Sun-shin, who underwent an extreme situation called the Hideyoshi Invasion, in efforts to study all kinds of human nature, from the most noble down to the most crude... While dramatizing a war in which human beings turn into inhuman wretches in an extreme way, we hope that this drama will serve paradoxically as an opportunity to remind people of the importance of peace. 4) We are not going to depict characters based on a dichotomous criterion. We will cast a new light on another military leader, Won Gyun, whose evaluation has been severely distorted in the process of making a hero of Admiral Yi Sun-shin, and maintain an objective view of the military leaders of Japan and the Chinese Ming Dynasty as well. While based on a historical fact on the national hero of Japan, Hideyoshi Toyotomi, we are going to find out how his distorted ambition had led many people to be killed in the war and laid a stumbling block to the peace in East Asia. We will remain neutral in our evaluations of Ming generals, such as Chen Lin and Li Rusong. 5) We have made an attempt to shed a new light on numerous officers and soldiers under Yi Sun-shin's command by looking into the admiral not as a hero, but as a true leader. Yi Sun-shin had a staff of many talented officers under his command. Some of them include Kwon Jun, a strategist, Na Dae-yong, a scientist, and many nameless people who assisted Na in building the turtle ships and making armory. Besides, many other officers, including Chung Un, fought in the war, setting their own life at naught. The drama will describe Yi Sun-shin, a man of virtues, as the leader of these men. 6) In part, the drama will shed light on the life of the villagers at "Gonyang Pottery" in a bid to emphasize the superiority of the culture of the Joseon Dynasty. The Japanese were so enthusiastic about the Joseon culture that the Hideyoshi Invasion was called a war of porcelain bowls. Many Joseon potters were taken as prisoners of war to Japan, where they produced china and porcelain that later formed the basis of the economic power of the shogunate government of Ieyasu Tokugawa in Edo, Japan. The drama is going to lay stress on the superiority of the Joseon culture by depicting the life and conflicts of potters at the Gonyang Pottery Village. 7) We are going to make a detailed description of the life of grass-roots people, who underwent a war, in efforts to reiterate that such people are the true heroes of history. In such turbulent days, the king, senior government officials or military leaders were not the only ones that were concerned about the future of their country. There were merchants, who did not hesitate to donate their purses to the national defense despite the cold treatment they received in society based on social status; numerous army volunteers and their leaders, who tried to save their country with their own life; and monk soldiers and their leaders, who rose in arms in the belief that real redemption would come from saving the country. While depicting their resolute stance, we are going to reaffirm the stark fact that "grass-roots people are the real heroes of history." 8) We will try to shed light on the history from an objective point of view, while also taking a look at the background of a historical view that was instigated by the Japanese colonial government. Some historians, including Lee Gwang-su, who have been advocates of such a distorted historical view, have tried to attribute the outbreak of the war and the subsequent defeat to the government officials' preoccupation in political strifes. But this view is obviously a misjudgment. Political contests are not a prelude to the national ruin. The Joseon society, which was an absolute monarchy, was not ready yet to receive such a political system. 9) This drama will draw a real picture of the Joseon society, which was not well acquainted with the international situation at the time, in a bid to learn a lesson from this example. In East Asia at the time, Ming was losing his influence gradually, while Yojin was emerging as the central power in Manchuria. In Japan, Nobunaga Oda died after putting an end to a 120-year civil war, and Hideyoshi Toyotomi took power and unified the entire Japan. During the civil war, Japan accepted the Western civilization and came in contact with quite a new weapon, harquebuses. Records have it that the military capabilities of Japan at the time were stronger than those of the European countries combined. Japan had the high ambition to conquer East Asia based on such military capabilities. Regrettably, there were not many people in Joseon who had a correct understanding of the international situation. The drama will point out, first of all, these points as the primary causes of the 7-year Joseon-Japanese War and the ensuing bitter defeat. We are going to look into the life of Yi Sun-shin, Yu Seong-ryong and Won Gyun who went through such turbulent days as contemporaries. From this history, we are going to learn a lesson for today's Korea, a small and weak nation in the dynamics of the international relations.
  • Ep 10 SUB

    Rebound (2011)

    Rebound
    Genre:
    Comedy
    Country:
    Japanese
    After a failed relationship, Nobuko puts her all into dieting and finds success. She begins to work for her favorite fashion magazine, and just when her new life is falling into place she meets Taiichi, a handsome patissier. However, when Nobuko eats cakes, she can't stop - moreover, if she gains weight, she'll be fired. In the end, will Nobuko rebound...?
  • Ep 30 SUB

    Drunken Kung Fu (2012)

    Drunken Kung Fu
    Genre:
    Action, Wuxia
    Country:
    Chinese
    The origin of the legendary Drunken Fist is told in this grandiose martial arts epic. Dragon is an idealistic yound man who, by accident, was elected to be leader of the heaven And Earth Sect in its mission to assassinate the Ching Emperor. While carrying out his quest, Dragon learns the Drunken Fist from an ex-Shaolin monk, and uncovers the mystery behind the Sect and his father’s death. Filled with great fight sequences, Drunken Kung Fu is a stirring kung fu saga that will have you thirsty for more
  • Ep 7 SUB

    Boku to Kanojo no XXX (2006)

    Boku to Kanojo no XXX
    Genre:
    Comedy, Drama, Romance
    Country:
    Japanese
    For some odd reason, a somewhat dainty, effeminate young man named Uehara Akira (Shioya Shun) has taken a fancy to Nanako. In a strange twist of fate, Akira bumps into Nanako’s mad scientist of a grandfather. While the not-so-good doctor is performing an experiment on Nanako to test a person’s thoughts, an accident occurs, causing Nanako and Akira to switch bodies! Hilarity ensues as the Akira unintentionally “feminizes” Nanako while his mind is stuck in her body, earning the undue attention of his long-time friends! While fending off his classmates’ advances, Akira is eager to switch back to his old body and get everything back to normal. One problem though: Nanako is just having too much fun as a guy to change back to her old self! Also starring Suzuki Akie, Fujisawa Taigo, and Sato Masahiro, Boku to Kanojo no XXX looks to be an uproarious, gender-bending comedy!
  • Ep 47 SUB

    Pushing Hand (2019) (2019)

    Pushing Hand (2019)
    Genre:
    Business, Drama, Romance
    Country:
    Chinese

    Liu Qing Yang is a rich, spoiled playboy. Chen Yi Fan is the icy, aloof vice president of a real estate corporation. Despite their differences, they both happen to be motorcycle racing enthusiasts. They find their lives intersecting after Liu Qing Yang saves Chen Yi Fan during a race, where Yi Fan notices that he resembles her former lover, Mei Heng, who passed away. Soon, Qing Yang and his mother suffer some mishaps and fall into debt. Yi Fan helps him out by offering him a job at her company.

    When her company is pushed into a corner by its competitors, Liu Qing Yang attempts to save it by seeking guidance from its founder Mei Dao Yuan, who was a genius entrepreneur and Chen Yi Fan's former professor. Mei Dao Yuan teaches Qing Yang how to apply the principles of the Chinese Taichi known as "pushing hands (tui shou)" in the business world.

  • Ep 12 RAW

    Meshibana Keiji Tachibana (2013)

    Meshibana Keiji Tachibana
    Genre:
    Comedy, Crime, Food, police
    Country:
    Japanese
    Detective Tachibana is known as Meshibana inside the POLICE department due to his dedicated love for food, he solves every case by engaging in conversations about food with the accused and other people. Muranaka (played by AKB48 member Kasai Tomomi) talks about various sweets at the near end of the episode, along with two other cute girls. Every episode is filled with different kinds of food and delicacies. -- Written by The Simple Boy
  • Ep 12 RAW

    We Are In Love: Season 2 (2016) (2016)

    We Are In Love: Season 2 (2016)
    Genre:
    Romance
    Country:
    Chinese
    Famous people go on dates.