Asian Drama

Kuroki Kurodo was an extremely competent teacher at a prestigious cram school for the middle school entrance exam. He begins to work as the director of a cram school with poor performance. He declares that the students here will pass their middle school examinations. Kurodo states a cram school is a service business and the school is a place to sell children's future to parents.

Adapted from the manga series "Nigatsu no Shosha: Zettai Gokaku no Kyoshitsu" (二月の勝者-絶対合格の教室-) by Takase Shiho (高瀬志帆).

The novelist Shiraishi Kiyoshi (Yasuda Ken) receives a letter from a mother who has a son with a stuttering problem. She asks Shiraishi in the letter if he would encourage her son to not be daunted by his stuttering. Shiraishi thinks about his own childhood and decides to talk to his editor Nomura (Fuma Kikuchi) about writing his personal story. Muroi (Fukikoshi Mitsuru), an editor who is Shiraishi’s senior, picks up on his intentions. Shiraishi has had a stuttering problem since his youth, particularly the “ka” and “ta” columns of syllables and even stumbled over his own name. He transferred schools a number of times due to his father Kenichi’s (Mashima Hidekazu) work and was laughed at by classmates each time he introduced himself. The strain of transferring schools got to him in the first grade of elementary school. Even when Shiraishi was asked by his mother Yoko (Kanjiya Shihori) what present he would like for Christmas, he could not pronounce the name of the game he wanted because it started with the letter “gi”. Unable to convey his feelings to friends and family in words, Shiraishi wished for friends who could talk about anything. He mistook the hymn Kiyoshi Kono Yoru, better known as Silent Night in English, as Kiyoshiko no Yoru and the imaginary Kiyoshiko was his ideal friend. However, in reality, his Christmas became a day of miserable memories. He eventually wrote about the frustrations that he suffered in Kiyoshiko. Besides the title Kiyoshiko, Shiraishi also wrote about his exchanges with the lonely Occhan (Chihara Seiji) in Donguri no Kokoro, and about his decision to leave both his family and the university student (Fukuchi Momoko) who liked him, for further studies in Tokyo and his departure for the metropolis in Tokyo. Even though he still stutters as an adult, he has a pleasant life with his wife Saori (Nishida Naomi).

Yuri Ishikawa and her team try to crack unresolved cold cases in Kanagawa Prefecture, Japan.

Members of the Science Research Institute including Sakaki Mariko from the Kyoto Prefectural Police Crime Lab try to solve cases by using forensic medicine, physics and chemistry. Sakaki Mariko goes by the motto "Science never lies."

Eiichi Nishio is a young actor. He is not very popular and only receives offers to play dead bodies. One day, he wanders around Nakameguro, Tokyo and recognizes the restaurant/bar Izakaya Fuji. He saw pictures of Izakaya Fuji on a woman's Instagram account and decides to go in. There, he meets Nao Omori and other actors who are all regulars at Izakaya Fuji.

Adapted from the 2015 novel "Izakaya Fuji" by Kuriyama Keisuke.

Kahoko Nemoto is a naive 21-year-old university student. She relies on her mother, Izumi (Hitomi Kuroki), for everything in her life. Her mother wakes her up everyday, picks up her clothes, while Kahoko Nemoto has never done housework or driven a car. One day, Kahoko Nemoto meets a young man who grew up in a completely opposite environment.

When a Japanese housewife has an affair while her husband is hard at work providing for the family the phrase goes 'heijitsu hirugao tsuma.' When a Japanese woman sleeps with a married teacher she is shunned and shamed and has to change her name and residence. yet, that is not their end. There is more to come.

Surgeon Daimon Michiko is sent to Totei University Hospital this time. Although it reigns as the top university hospital in the country, the hospital’s reputation has suffered greatly from various cover-ups, medical malpractice and fighting factions. Furthermore, the person who has snatched the seat of the new hospital director with the plan of reestablishing the hospital’s brand and gaining great power, is none other than the strategist Hiruma Shigekatsu, who has a longstanding grudge against Michiko. At Totei University Hospital, the medical departments have weakened as the administrative department increases control. Only doctors who have powerful brands are kept to run the hospital, which has transformed into a mere business organisation. What will Michiko stand up against in a power game rife in the healthcare setting?

Tachibana Miyabi is 39-years-old and hasn't had a boyfriend in 5 years. This doesn't bother her though as she is pretty and confident and enjoys her life as a single woman. She is a doctor and runs her own successful dermatology clinic. But at her school reunion, she finds herself being pitied by others for still being single. Afterwards, she attends a gourmet meeting at a restaurant. There, she talks about her school reunion. Seiji, the owner of the restaurant, makes a biting remark that she isn't the type popular with men. She becomes upset by the remark, but finds herself taking his advice to heart. Eventually, she asks Seiji to mentor her on how to catch men to which Seiji agrees. What follows is a series of mishaps and triumphs and adventures as Miyabi does her best to be the 'type' of woman men want.

Michio (Kyoko Fukada) is 30-years-old. She keeps looking for a job after her previous employer went bankrupt, but she is unable to find work. Michio still supports her younger boyfriend and her savings is almost gone. Then, Michio meets her ex-boss Ayumu (Dean Fujioka). She was scared of Ayumu when they worked together. Ayumu now runs a tearoom which his grandmother ran. Michio decides to work part-time at Ayumu's tearoom.

There, she various troubles everyday. Ayumu helps Michio, which allows her to see a different side of him that she never noticed before.

Sugisaki Momoko used to be a nursery school teacher. Her difficulty smiling leads to communication problems with parents and her contract is terminated in one year. Momoko is picked up by ‘Little Snow’, a home care service for sick children, and makes a fresh start there as a caregiver. When a child has a fever, the caregiver would visit the home and care for the child in place of the parents who simply cannot take time off from work. Momoko encounters all sorts of families at the places she is sent to. With the support of her colleagues and the occasional help of her best friend, Yumika, she starts to face work, romance, family and friendship.

Episodes: 10

Tanaka Tamako had been working for a male-dominated restaurant business but was betrayed by her boyfriend who was hired as the chef. In addition, she is taken to the police as a result of an incident she caused because her friend Fujimura Satsuki was subjected to sexual harassment. Tamako resigns from her unreasonable company and starts a bistro selling homemade pot-au-feu on a rooftop in an alley in Jingumae, Tokyo. This is the story of females who are labelled “write-offs” and the restaurant they have established in order for them to get out from life’s abyss. They battle difficulties and search for ways to change their lives as they experience the joys of work. This is a problem restaurant because they are all females with problems, but it is certainly not lousy. The women who have a common enemy – men, and the restaurant unites them in a fight to the death.

Silent poor... the poor and needy whose cries for help are drowned out in today's busling society. Their existence is spreading rapidly across the nation, and as such, the government decided to set up a body to help them. Nationwide, there are now people called Community Social Workers (CSW), and their jobs are to attend to the poor and needy. One such person is Satomi Ryo, and she works at the Shitamachi area's Council of Welfare. The people that she meets in her busy working life are people afflicted with juvenile dementia, those who have shunned society and locked themselves up in their rooms, the homeless... generally people who are in despair over life and the fate dealt to them. Ryo herself had been down the lonely road before, and as a way to pull herself out of her depression, she decided to work as a CSW, in order to help others like her. She strongly believes that one can always start all over again, and it is her belief that helps her to move forward in life.

Born to a poor family in Yamanashi prefecture, in the year of 1903 at the age of 10, Muraoka Hanako was accepted by a Missionary school in Tokyo. It was her father's Ando Kippei, greatest wish that his daughter gets a higher education. The Missionary school was attended by daughters from noble families, and as a charity case, Hanako was reminded by her father to never be inferior to her rich schoolmates. As the classes were carried out in English, Hanako faced a culture shock when she started school. Unable to understand the teachers nor able to grasp the conversation of her peers, Hanako resolved to work really hard at her studies.This drama follows Hanako from her childhood, through her years at the missionary school, to her life as a school teacher and finally as the translator of L.M. Montgomery's "Anne of Green Gables".

Born to a poor family in Yamanashi prefecture, in the year of 1903 at the age of 10, Muraoka Hanako was accepted by a Missionary school in Tokyo. It was her father's Ando Kippei, greatest wish that his daughter gets a higher education. The Missionary school was attended by daughters from noble families, and as a charity case, Hanako was reminded by her father to never be inferior to her rich schoolmates. As the classes were carried out in English, Hanako faced a culture shock when she started school. Unable to understand the teachers nor able to grasp the conversation of her peers, Hanako resolved to work really hard at her studies.This drama follows Hanako from her childhood, through her years at the missionary school, to her life as a school teacher and finally as the translator of L.M. Montgomery's "Anne of Green Gables".