Asian Drama

The "God of Swords" Kwan Tin Hung is slain by his double-crossing friend Ngok Sing Fung. Nineteen years later, Hung's son Fu Hung Suet seeks to kill Fung for revenge. Suet has inherited the supreme sword-fighting skills from his father, so he can easily dispatch his challengers and Fung's assassins he encounters on his way.

It tells a story about understanding the meaning of life through long-distance running as it follows several athletes that are part of a running club.

Online media editor Ho Ka Yan is ordered to approach the athletics club to find some dirt on them. It's there that she becomes acquainted with running coach Yuen Lik. Due to past regrets, Yuen Lik avoids forming personal relationships with others but gradually grows closer to Ho Ka Yan because of their interactions. Kwok Wong Po's daughter Kwok Pui Yee has taken the initiative to join the club for her own reasons while her dad comes to sponsor the club. Yuen Lik's good friend Lai Shun Fan has entrusted his son to Yuen Lik. It is also revealed that Shun Fan and Ka Yan have a past. At a time when Shun Fan is on the verge of giving up due to his illness, Yuen Lik becomes determined to help his friend get back on his feet. At the same time, Yuen Lik reexamines his life as he decides to step onto the running track once more.

Retired principal Chung King Fai returned to Hong Kong from Canada in order to search for the soprano voice on his mind. He returns to the rebuilt Ngau Tau Kok Estate. His granddaughter, the reclusive illustrator Jacqueline Wong, promises to help him find his former students from the elementary school choir from forty years ago. The divorced Jacqueline, with the help of her investigator friend and "fake husband" Owen Cheung, and former students Hugo Ng and Mimi Kung, finally finds the other members - Ram Chiang, Joe Cheng, Sam Tsang, Willie Wai, Jimmy Au, Savio Tsand and former music teacher Lo Koon Lan - and reunites the choir. But these middle-aged men, who have experienced life's hardships have become like oily fried sticks who have lost hope in life. In the process of searching for the soprano, Jacqueline and Owen develop a subtle relationship, while the middle-aged men rediscover their passion for life and shine on the stage once again!

The rise and fall of dynasties and the changing of sovereigns are dictated by the Mandate of Heaven. Ruco Chan dominates the court, with power in his hands and wealth that rivals the nation. He is an minister that is closer to imperial power than the Emperor! Emperor Shaun Tam has the title, but no power; he falls victim to the times. He is a ruler that is further from power than ordinary citizens! Within 28 days, a battle between power and righteousness. Ultimately, will man prevail over the heavens, or is the Mandate of Heaven not to be violated?

A sudden storm causes Chung Ting Kwok , a guerrilla fighter during the Second Sino-Japanese War, to awaken after being frozen for over seventy years. He discovers that he is now in the year 2018. He searches for his family, only to see his descendants behaving badly. His son Ho Woh Ping is fraudulently on welfare, while his grandson Ho Wing Nin uses feng shui to deceive people for money, yet Chung Ting Kwok is unable to correct them. Wayne even becomes involved in the romantic entanglement between the secretly wealthy Yung Chi Kiu, Chong Ho Sun, and wealthy businessman Tong Chak Ching . From covering up the truth of a murder to getting caught up in a battle for money, Chung Ting Kwok vows to save his family at any cost...

Born into a family of lawyers, Fong Yi Yan has a top name in the legal industry, as her mentor. She is an outstanding student, but after she completes her pupillage, she turns on him and frequently opposes him in court. Fong Yi Yan conceals the fact that she has multiple personality disorder. One of her alter egos is a wild player, who is brave and ruthless. Another alter ego is timid and pessimistic, wearing a constant frown on her face. Lei Dung Kwai discovers Fong Yi Yan's secret and uses it to blackmail her into hiring him as a trainee. Fong Yi Yan reluctantly agrees in order to ensure that she can marry Gei Hui Yung, a highly eligible bachelor. Thus begins an extraordinary experience for them. Because of sudden personality switches, Fong Yi Yan often has embarrassing moments in court, which is the source of much laughter. The only person who knows about the origins of Fong Yi Yan's disorder is her mother, Fong Wah Yee Sze. Unfortunately, Fong Wah Yee Sze refuses to talk about the past. Meanwhile, Lei Dung Kwai becomes good friends with Fong Yi Yan's alter egos. In order to eliminate a future cause of trouble, Fong Yi Yan is determined to make them disappear.

The reunion of two sisters and the quarrels between them are used to examine the changing relationship between China and Hong Kong in the past 30 years. The blood relationship can not be denied. As China becomes more powerful, the drama questions how do Hong Kongers position themselves? Would you still want to be a Hong Konger in the next life? Can the current social conflicts be solved with money? With theemerging integration of China and Hong Kong, what core values can Hong Kong people still defend?

After the death of her husband, Chu Pik Ha returns to her maiden home with her son, in a deliberate attempt to take over the family jewelry business from her elder sister Chu Pik Wan. To prevent Ha from getting too out of hand, Wan needs her husband Ho Cheung Hing to create trouble for her sibling. Hing does not follow her instructions, but instead secretly helps Ha tackle her problems one by one. Wan soon comes to realize that Hing has never really got over Ha. Wan's younger sister Chu Pik Lam is still attending school and is too young to deal with such family issues. Wan feels a profound sense of helplessness and becomes even more frustrated when So Lai Sheung turns up suddenly claiming to be a mistress of her late father and pregnant with his baby. Out of respect for their father, the sisters agree to put Sheung up for the time being until the situation becomes clearer. Shortly thereafter, Ha discovers that Sheung is just a tool of Sang guy who has been plotting to wage a battle of will against the Chu's.

Multi-talented scholar Tong Bak Fu is traveling around the country with his good friend Wat Gei. Tong Bak Fu is trying to find the last beauty to complete his 'Nine Beauties Painting'. During his journey he falls in love with Chau Heung, a maid from the Wah family, and decides to paint her to complete his painting. In order to get close to her, he becomes a servant of the Wah family. In the beginning Tong Bak Fu is regarded as a talentless person by Chau Heung. Things get messier as several difficulties arise that only Tong Bak Fu can solve. With different views about life, Tong Bak Fu and Chau Heung seem to be incompatible. Spoilt Princess Tin Yuk makes things harder as she bullies Tong Bak Fu and others constantly, but falls in love with Tong Bak Fu later. To complicate things, Tong Bak Fu gets involved into a power struggle among the Emperor, Prince Ling and others.

Sophisticated banker CHEUK YAT YUEN (Ray Lui) mistakes con artist SA FU LOI (Gallen Lo) for his half brother CHEUK YAT MING, fortuitously elevating the swindler to one of the leading figures in the banking industry. The lost and found brotherhood has blinded YUEN to FU's real nature and intentions.

YUEN is kidnapped overseas by a group of rioters. He undergoes a dramatic personality change after the incident. YUEN's wife HO TSEUK NIN (Jamie Chik) has tried her best to console him but still cannot help him get over the unpleasant experience. Longing for more comfort and support, YUEN gets back with his ex-lover TUNG LING CHI (Kenix Kwok Ho Ying). NIN is heartbroken to learn about the affair and it has left the broken mirror that can't be mended.

The identity of CHEUK YAT MING gives FU not only a sense of family warmth but also a sweet taste of romance. He finds himself in love with YUEN's little sister CHEUK YAT SUM (Anita Yuen). SUM is attracted to FU too but thinking that they are true biological siblings, she decides to keep her love under wraps and stays with her long-term admirer KO TOK MAN (Joe Ma) instead. This comes as a huge blow to FU. He is not willing to lose his love, but neither can he reveal his real identity. Caught up in the dilemma between love and money, FU finally chooses the fortune road of no return.

It is all about a tough battle for money, a devious triangle of love, and a severe challenge to ethics.