Asian Drama

Despite initial misunderstandings and reservations from their families, Wichai and Anong find comfort in each other's company.

Anong is a high-society lady whom many men compete for, given her status, it's important that her family finds her a good match. Passionate lawyer Wichai finds himself randomly tasked with screening potential husbands for her. His duty is to eliminate unsuitable candidates and pave the way for his younger brother. However, Wichai redefines what it means to be worthy, leading Anong to realize that no one is more suitable than Wichai himself. He only sees her, however, as a sister-in-law. Anong attempts to win his heart, even if there's only a "one in a hundred" chance that a confident woman such as she could land a saint like him.

(Source: Thai = Ch3+)

Adapted from the novel "Nueng Nai Roi" (หนึ่งในร้อย) by Dokmai Sot (ดอกไม้สด).

Episodes: 10

Content Rating: Not Yet Rated

Aired On: Wednesday, Thursday

In her youth, Orayanee had dropped out of University to get married to the business relative of her University classmate, Whim. She obtained two daughters from that marriage. The older was Petchroi, a sweet soft-spoken girl like her mother. The younger is Ployrung whose nature is tough and enterprising. In her entire married life, she only take care of her child and husband because he didn't let her do anything else.

However, after the death of her husband, Orayanee suddenly found herself being ignored by her daughters, Petchroi who had inherited the house, and Ployrung who had taken over the company. In fact, whenever the girls need advice, they always called over their uncle Whim. Even the household servants began to overlook Orayanee. It is at this time that Phumek, an old friend of Orayanee returns to her life.

Meanwhile, Petchroi found herself disappointed with love when her boyfriend cheated on her and got some other girl pregnant. Still, she requires the company of a man, and thus Tacha appears in her life with some hidden purpose.

Adapted from the novel of the same name by Wor. Winitchaikul (ว.วินิจฉัยกุล).

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Thanat and Wasan are the sons of police officers who grew up together. Since childhood, both wanted to become a police officer with the same ideology as their fathers. After taking the position of inspector at the Crime Suppression Division of Narcotics, Thanat has the opportunity to work together with Wasan in finding drug dealers. They also meet Supika, a talented female police officer. She's close to Chalanthorn, a beautiful girl who's popular in the same social circle as Sia Sunai, who has a background in the drug dealing business. Chalanthorn starts working with the police by giving them confidential information, which puts her in danger. Thanat is always by her side to protect her and they develop feelings for each other. The same happens with Wasan and Supika, after going through many dangerous situations together.

Pitcha is confident, modern, and outgoing CEO. Unfortunately, her playboy husband does not share her integrity. For a long time, she hoped he would become a good and loyal husband. But when she realized that he was unlikely to ever change, she pursues a divorce.

This decision leads Pitcha to Ramin, a lawyer, and her childhood friend. While Ramin is helping Pitcha get a divorce, he falls in love with her. With Pitcha’s failed marriage, she is scared to even consider another love in her life. And Ramin has his own struggles from past relationships. So what will happen to Ramin and Pitcha when fear and uncertainty undermine desire?

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On the night of a full moon, two people from two different worlds that look alike switch places. From the past is Duangkaew, a conservative and quiet girl, whereas from the present is Opal, a girl who is tomboyish and outspoken. When these two switch places, what will happen to them and the people in each world?

Yoi is the mother in a Thai-Chinese family, she has four sons. Her eldest Ah-Chai comes from the army bringing a pregnant prostitute Reynu as his wife even though he already has a fiancee Pilai. Yoi can't accept this and tries every possible way to to make him leave Reynu but fails, unknown to her that Reynu has performed black magic to tie her son's heart. She decided to marry her second son Ah-Tong to Pilai to avoid shame even though he likes a worker named Jantra and decides to also give Ah-Tong the house and store she was supposed to give to her eldest.

Her third son Ah-Sa is the kindest. He is handsome, smart and charming. When Yoi finds out he has feelings for Jantra she worries he will do like his eldest brother and decides to marry him off into a rich family, unknown to her that the family is tricking him into marrying their already pregnant daughter to avoid shame.

The fourth son Ah-See is still a student. He is spoiled, playful and doesn't assume responsibility for his actions. He becomes charmed by Reynu's sister when he meets her and tries desperately to court her.

Adapted from a novel of the same title by author Chulamani.

In the midst of war, four young men fall in love.

In 1765, as the invading Angwa (Burmese) army marched towards the capitol of Ayutthaya Kingdom (Siam), they encountered little resistance from the Ayutthaya army, who retreated to defend from behind the capitol's walls.

Three childhood friends, in the Ayutthaya army, are constantly at odds. Thap wants to fight bravely, as Sang and Khap follow orders and retreat. Unhappy with the army, Thap defects and joins a group of patriotic rebels who eventually all gather at the village of Bang Rajan to defend against the Angwa.

Thap is patient, brave and righteous. Sang is hotheaded, stubborn, and overbearing. He is also ambitious and knows how to talk his way to a promotion. Khap is gentle, follows Sang's lead, but is also smart and wise to Sang's bravado. Sang is competitive and wants to win over Thap, but their personalities are not the only thing driving the rift. Sang loves Juang, Thap's sister, while Khap is madly in love with Feung, Thap's fiancee.

Thap does not want his, or Feung's family, to retreat to the capitol, although he has to be in hiding as a deserter. Sang takes this opportunity to be the protector of Juang and Feung. He convinces Khap that they must kidnap the girls and take them to the capitol for safety, while Thap is in pursuit to retrieve them. Also for the girls' protection, Sang and Khap declare that Juang and Feung are their wives. Along the way, they meet the mysterious Jai, who has fallen for the brave and patriotic Sapai.

The village of Bang Rajan, according to Thai tradition, is where a group of brave villagers, gathered from various regions, put up a brave fight and fought eight battles against the well organised invaders and became legendary heroes. The battle for Bang Rajan is a symbol of determination and heroism against overwhelming odds.

Ken Phupoom plays Mom Luang, the son of Aum & Janie in Dao Kaew Duen, who is a man of few words yet handsome and perfect. Namtarn plays Darika, the hotheaded grand-daughter of an 'Undertaker' who is mischievous and doesn't believe in love.

Sequel of the sixth sense. About 5 girls with supernatural power.

The story revolves around 5 girls. They all were born on the same day and they all were given a gift. It was an extra sense. They have sixth sense. Yanin ( Jie) is the girl with the knowledge. She can read magic cards and she also can talk to spirits. She can close her eyes and her soul would leave her body and communicate with other spirits in their world. Sukhontaros (Ros) can smell the type of spirits they are. For example she can tell if they are sad, angry or want revenge by just there smell. She also does white magic. Netr’s special sense is that she can see spirits. The fact that she can see spirits gets her scared very easily. Karn's specialty is that she can hear the spirits talk. She can’t see them but she can hear them. That’s why she is always wearing earphones, so she can’t hear them. Her ear would start to hurt after a while or if the spirit is yelling. Kaem has the special sense of touch. If she touches something with her palm then she can tell what it’s been through like a person’s past or who’s the object belongs too.