Asian Drama

After sustaining a career-ending injury, tap dancer, Shuhei Sano (Mirai Moriyama), arrives in Japan's snow-bound, northern island of Hokkaido with hopes of marrying his longtime girlfriend and figure skating instructor, Shizuka (Rosa Kato). But his plan quickly runs afoul on Shizuka's father, a local business magnate and ice rink owner, who is not ready to relinquish his daughter. Without good reason to deny the couple, however, the father reluctantly agrees to give his blessing if Shuhei can coach a local junior ice hockey team to their next victory. Despite having no prior knowledge of the game nor any skating experience, Shuhei accepts, unaware that the team has NEVER won a single game. The"Smilers", as they seem unfittingly named, are a handful of self-proclaimed"losers","misfits" and"rejects" from other teams. More than talent, they lack any semblance of teamwork, motivation and confidence. But to everybody's surprise, Shuhei proves himself ready for them, employing an odd mix of child psychology, genuine concern and a few ingenious tricks to get the team to play to their potential and win!. Flabbergasted, Shizuka's father ups the ante by making his daughter's hand conditional upon winning the regional tournament − a goal that will require nothing short of a miracle given the near invincibility of the defending champions − a slick, well-financed hockey team run by a megalomaniac. Just as Shuhei's magic and the team's hopes begin to wear thin, a beautiful young figure skater idolized by everyone at the rink becomes hospitalized with a terminal illness. With her chances of recovery as slim as the team's tournament victory, suddenly, the team has its battle cry. But will it be enough?

Eri and her family face a new crisis as they discover that the Kohaguras' life savings have been depleted by their father, Keibun. Keibun, a good-natured but often unreliable man, refuses to confess the truth on his spending and his wife Katsuko leaves him out of frustration. Meanwhile, the grandmother, Obaa, suddenly falls ill.

A story of pure love between the son of a man who runs a ship repair factory beset with financial troubles and the well-bred daughter of a national jewelry chain store owner. The backdrop of the story is Yokohama.

If you feel you have lost the purity of your soul by watching stories about womanizers seducing impudent women, or by carrying out calculated maneuvers in your own love life, here is a story for you. A boy and a girl from highly different social backgrounds meet and fall in love. Their love, of course, faces a lot of obstacles. The setting is in Yokohama, a modern port city known for its romantic atmosphere. Hiroto Kanzaki (Kazuya Kamenashi) works hard every day and night for the survival of a small ship repair factory (inherited from his father) as well as the survival of his mother and younger brother, who are suffering from health problems. Living such an underprivileged life, Hiroto has forgotten how to smile. In contrast to him, Nao (Haruka Ayase) is the daughter of a popular jewelry shop owner in a fashionable street in Yokohama. She attends a prestigious exclusive women's college and grew up cheerful and blessed with affluent love. From the moment Hiroto meets her, his closed mind slowly opens up to Nao, who is so innocent that she utters whatever she thinks. Their three close friends, who are also 20 year old's, play an important role in their developing relationship.

The scriptwriter is Eriko Kitagawa, who earned the nickname "The Goddess of Love Stories." This classic love story enables those who are in the same generation to feel empathy, or be envious of the characters' lives; and the rest, who were once 20 years old's, to reminisce about their own "Love of My Life."

Eri could not understand what Keitatsu was thinking when he disappeared before his wife Shoko gave birth. Fumiya becomes unusually harsh when talking to Eri. Mihoko who is seriously ill asks Eri if there's a good place that can look after her daughter Aiko. Eri decides to take Aiko to Ippukan. Aiko is welcomed by the folks at Ippukan and eats the food cooked by Mizue; Aiko beings to cry. Suddenly, she rushes out to see her mother.

Ever since they moved to Eri's hometown Kohamajima, Eri and Fumiya have been running a small makeshift health center from their home. Doing so has brought Fumiya and Eri a step closer to their dream of operating a certified local clinic, and fuels Fumiya's desire to pursue further training and perfect his skills in the medical field. Determined to be certified, Fumiya confesses to Eri his plan of moving back to Tokyo to gain the necessary experience. Eri, who holds Kohamajima close to her heart, hesitates with this idea at first, however, agrees to move back to Tokyo with Fumiya. Upon their return to Tokyo, Eri coincidentally discovers new ambition in life; she decides to return to the nursing field and learn about home nursing.

The 64th NHK Asadora Renzoku Drama is Churasan, a story of a young woman, Kohagura Eri, who was born in Kohamajima Island, Okinawa on May 15, 1972, the day when Okinawa was returned to Japan from the U.S. Eleven years later, Kamimura Shizuko and her two sons, Kazuya and Fumiya, come from Tokyo to stay as the guests of a small inn run by Eri’s family. Eri’s fun-loving, yet eccentric family welcomes them warmly.

However, Eri is shocked to hear one of the sons, Kazuya is terminally ill and Shizuko and her sons came to Okinawa to spend his last moment together in beautiful nature. Fumiya, Kazuya’s younger brother, and Eri promise to marry each other someday. However, after Kazuya’s death, Fumiya and his mother leave the island to go back to Tokyo. Years later, they are reunited, Eri as a nurse and Fumiya, a doctor, working at the same hospital in Tokyo.

The story's settings include Okinawa, Naha, and Tokyo.

In 30th Television Academy Awards, the Drama won awards for Best Scriptwriter, Best Actress, Best Supporting Actress.

Upon getting thrown out of his girlfriend Fujiko's apartment, Hiromi (Sorimachi) decides to head for the ocean. En route, he crosses paths with Kaito (Takenouchi), an elite employee of a large multinational trading company in Tokyo who is running away from his problems at work after losing a key client. The two stumble into a quiet B&B on the beach run by the aging surfer Masaru and his high-school-aged granddaughter Makoto. Hiromi immediately applies to work there for the summer, and Kaito is forced to join him after he loses his wallet. The two share a room, with Hiromi trying to make friends, and Kaito at first resisting, unimpressed by Hiromi's devil-may-care attitude. Slowly over the ensuing episodes, Kaito becomes more and more at home in this sleepy rural town, and begins to wonder if he should give up his pursuit of success in the big city, and try to relax, and enjoy himself more. When he returns to Tokyo to finish his work, Hiromi and Makoto come to lure him back, but when he returns to the B&B, his boss and girlfriend Sakura likewise come looking for him.

The 31st NHK Asadora Drama is Oshin. Oshin tells the story of a girl born in a very poor rural family in Japan, who through hard work and perseverance eventually triumphs over pain and adversity to achieve fame and success. Broadcast in the early 1980s when Japan had finally cast off the legacy of the post-war years and the Japanese were beginning to reap the benefits of economic development, the aim of the story was to recall the hardships the older generation had endured in order to pave the way for their children to enjoy their more affluent lifestyle. Viewers were drawn to the suffering of the main character Oshin - and then drew similarities between her story and their own home lives.

Some Japanese worried that showing Oshin abroad would give the country a bad profile - and would even be shameful because it showed the seldom glimpsed, poor, unequal side of Japan. In the event, the reverse proved true. Oshin gave viewers outside Japan - whose only image of Japan was formed by Japanese cars or electric goods, or through bitter memories of Japanese treatment during World War II - a far better understanding of the modern Japan and its people.