takahashi etsushi
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  • Ep 49 SUB

    Taiheiki (1991) (1991)

    Taiheiki (1991)
    Genre:
    Drama, Historical, Jidai Geki, Novel, political, War
    Country:
    Japanese

    The life story of Ashikaga Takauji, the founder and the first Sei-I-Tai-Shogun of Ashikaga Shogunate. He was born in the late Kamakura Period, during the time of discontentment with the Hojo clan's monopoly in the Shogunate administration. Emperor Go-Daigo took this opportunity to restore back Emperor's power. After some failed earlier attempts, he succeeded eventually with the help of a few independent Samurai Lords and Takauji's betrayal of the Hojo clan. However, it was not long before the Samurai class revolted due to unfair treatment and discontentment with the Nobles' domination in the new government. As the head of Minamoto descendants, Takauji took responsibility to confront Go-Daigo and establish Ashikaga Shogunate.

    Adapted from the novel "Shihon Taiheiki" by Yoshikawa Eiji.

  • Ep 1 SUB

    Koibitotachi no Jikoku (1987) (1987)

    Koibitotachi no Jikoku (1987)
    Genre:
    Romance
    Country:
    Japanese
    Eiji Nishie, who lives in Sapporo, is a prep school student who aims to become a medical school. He reunited at a dental clinic with a woman who saved the other day when she was about to be raped by bad guys on the beach.
  • Ep 297 SUB

    Oshin (1983) (1983)

    Oshin (1983)
    Genre:
    Drama, Family, Historical, life
    Country:
    Japanese

    The 31st NHK Asadora Drama is Oshin. Oshin tells the story of a girl born in a very poor rural family in Japan, who through hard work and perseverance eventually triumphs over pain and adversity to achieve fame and success. Broadcast in the early 1980s when Japan had finally cast off the legacy of the post-war years and the Japanese were beginning to reap the benefits of economic development, the aim of the story was to recall the hardships the older generation had endured in order to pave the way for their children to enjoy their more affluent lifestyle. Viewers were drawn to the suffering of the main character Oshin - and then drew similarities between her story and their own home lives.

    Some Japanese worried that showing Oshin abroad would give the country a bad profile - and would even be shameful because it showed the seldom glimpsed, poor, unequal side of Japan. In the event, the reverse proved true. Oshin gave viewers outside Japan - whose only image of Japan was formed by Japanese cars or electric goods, or through bitter memories of Japanese treatment during World War II - a far better understanding of the modern Japan and its people.