Asian Drama

Sayama Taku is a doctor and runs Sayama Kodomo Clinic, which specializes in child psychiatry. Even though his family owns a general hospital, he refuses to get involved in their general hospital. Instead, Sayama Taku has taken over the small clinic, located in the suburbs, which his aunt operated. His family views his behavior as an act of betrayal. Sayama Taku's personal reason for running the clinic is because he has ASD (autism spectrum disorder) and he understands the patients at his clinic more than anyone. He values the time he has to face the child patients.

Tono Shiho is a medical intern at Sayama Kodomo Clinic. When she worked as a medical intern in the pediatrics department of a university hospital, she kept getting into trouble and her preceptor finally told her to give up on becoming a pediatrician. Making things worse, she learned that she has ADHD (attention deficit hyperactivity disorder). She thought about giving up on becoming a doctor. At that time, Sayama Taku reached out to her and let her work at his clinic.

Adapted from the manga "Liaison: Kodomo no Kokoro Shinryosho" (リエゾン－こどものこころ診療所－) written by Takemura Yuusaku (竹村優作) and illustrated by Yon-chan (ヨンチャン).

"Why do we have to be age-bound?"

A humorous and bitter depiction of the real worries, impatience, and anger of a woman living in these times. Follow the love, career and sex lives of 29-year-old single women who try to survive in modern Tokyo.

Hiroto Miyama works with rookie lawyer Honoka Kono on a team that specializes with criminal cases for Madarame Law Firm. Atsuhiro Sada has become the director of the law firm. One day, the law firm receives a request about a case that took place 15 years ago. The case was about a poisonous wine incident.

Iruma Michio is a devil-may-care, unorthodox criminal judge at the Tokyo District Court’s first criminal court. He used to be a lawyer and was deeply involved in a past case that was behind his transformation into a judge. Iruma personally inspects crime scenes to prevent a miscarriage of justice and bring the truth to light. Although his demeanour is far from the image of a stuff judge, he is feared by lawyers as well as prosecutors because he is not bound by obligations, prejudices and preconceptions and has an inquiring mind that probes cases thoroughly. On the other hand, the judge Sakama Chizuru is the complete opposite of Iruma. A graduate of Tokyo University’s Faculty of Law, she is an elite among elites. She has been transferred to the first criminal court to reform it due to the unbelievably small number of cases that are closed. This is the equivalent of a company in the red to the extent of going bankrupt. As someone who takes great pride in maintaining public order by handling cases accurately and promptly, Chizuru cannot understand Iruma’s style which frustrates her to no end. However, when she realises that Iruma believes in treating a case as an individual’s life, she is faced with the question, “What can a judge do aside from issuing a ruling?”

The novelist Shiraishi Kiyoshi (Yasuda Ken) receives a letter from a mother who has a son with a stuttering problem. She asks Shiraishi in the letter if he would encourage her son to not be daunted by his stuttering. Shiraishi thinks about his own childhood and decides to talk to his editor Nomura (Fuma Kikuchi) about writing his personal story. Muroi (Fukikoshi Mitsuru), an editor who is Shiraishi’s senior, picks up on his intentions. Shiraishi has had a stuttering problem since his youth, particularly the “ka” and “ta” columns of syllables and even stumbled over his own name. He transferred schools a number of times due to his father Kenichi’s (Mashima Hidekazu) work and was laughed at by classmates each time he introduced himself. The strain of transferring schools got to him in the first grade of elementary school. Even when Shiraishi was asked by his mother Yoko (Kanjiya Shihori) what present he would like for Christmas, he could not pronounce the name of the game he wanted because it started with the letter “gi”. Unable to convey his feelings to friends and family in words, Shiraishi wished for friends who could talk about anything. He mistook the hymn Kiyoshi Kono Yoru, better known as Silent Night in English, as Kiyoshiko no Yoru and the imaginary Kiyoshiko was his ideal friend. However, in reality, his Christmas became a day of miserable memories. He eventually wrote about the frustrations that he suffered in Kiyoshiko. Besides the title Kiyoshiko, Shiraishi also wrote about his exchanges with the lonely Occhan (Chihara Seiji) in Donguri no Kokoro, and about his decision to leave both his family and the university student (Fukuchi Momoko) who liked him, for further studies in Tokyo and his departure for the metropolis in Tokyo. Even though he still stutters as an adult, he has a pleasant life with his wife Saori (Nishida Naomi).

Third season of Cold Case: Shinjitsu no Tobira.

Remake of the U.S. drama "Cold Case" (2003).