Asian Drama

Haraguchi Motoko works as a temp at a bank. To pay off debt that she inherited from her parents, she also works as a hostess at a club in Ginza. Motoko Haraguchi is finally able to repay the debt.

At this time, there's chatter that the temp employees will be laid off at the bank. Motoko Haraguchi decides to carry out a scheme she has prepared secretly. She transfers money from accounts opened illegally to her bank account. Altogether, Motoko Haraguchi embezzles 180 million yen. Using her “Kurokawa no Techo” (Black Leather Notebook) which has a list of the illegally opened accounts, she fights against bank branch managers and opens a club in Ginza.

Salaryman Fukase Kazuhisa graduated from a famous university but his life is very ordinary and unremarkable. His only hobby – if it can be called that – is drinking coffee. Coffee, in fact, leads him to Mihoko Ochi, who becomes his girlfriend. Then one day, Mihoko receives a mysterious letter which consists of a single line, “Kazuhisa Fukase is a murderer.” Fukase’s instinct tells him that the time has finally come to face “that incident” 10 years ago. One winter 10 years ago, his good friend Hirosawa Yuki died in an unfortunate accident during a snowboarding trip with his university classmates Tanihara Yasuo (Ichihara Hayato), Asami Kosuke , Murai Takaaki and Murai’s younger sister Asuka. However, there is a big secret hidden in that accident. Letters are also sent to Tanihara, Tanihara and Murai who also share in this secret, and even they are hit by a series of incidents. Fukase decides to confront the truth of the past in order to protect the people dear to him.

Based on Reverse by Minato Kanae.

Tachibana Miyabi is 39-years-old and hasn't had a boyfriend in 5 years. This doesn't bother her though as she is pretty and confident and enjoys her life as a single woman. She is a doctor and runs her own successful dermatology clinic. But at her school reunion, she finds herself being pitied by others for still being single. Afterwards, she attends a gourmet meeting at a restaurant. There, she talks about her school reunion. Seiji, the owner of the restaurant, makes a biting remark that she isn't the type popular with men. She becomes upset by the remark, but finds herself taking his advice to heart. Eventually, she asks Seiji to mentor her on how to catch men to which Seiji agrees. What follows is a series of mishaps and triumphs and adventures as Miyabi does her best to be the 'type' of woman men want.

Michio (Kyoko Fukada) is 30-years-old. She keeps looking for a job after her previous employer went bankrupt, but she is unable to find work. Michio still supports her younger boyfriend and her savings is almost gone. Then, Michio meets her ex-boss Ayumu (Dean Fujioka). She was scared of Ayumu when they worked together. Ayumu now runs a tearoom which his grandmother ran. Michio decides to work part-time at Ayumu's tearoom.

There, she various troubles everyday. Ayumu helps Michio, which allows her to see a different side of him that she never noticed before.

A large real estate company’s social gathering is held on board the cruise ship ‘Poseidon’ as it goes around Tokyo Bay. Then the company president Kudo Ryoko (Nakano Yuta) is fatally stabbed. The ship never once stopped and it is impossible for someone to board from the sea. In other words, the murder scene is a “locked room aboard a ship”. The suspects are three employees Takase Minami (Takimoto Miori), Mitsumine Yoko (Nakagoshi Noriko) and Narita Koki (Tonesaku Toshihide) who were together with Kudo. They unanimously complain of being “put to sleep by sleeping pill” and “waking up after the murder occurred”. Detective Hagami Kyoko (Zaizen Naomi) of the First Investigative Division proceeds to investigate the case together with the young detective Kaburagi (Kiriyama Ren). However, a series of tragedies occur right in front of them. Mystery engenders mystery, darkness sucks in darkness. This is the “punishment” meted by Poseidon, the Greek god of the sea, to those who do wrong. Internal trouble, baffling human resources and gruesome cases that vanish in the vortex of time. Then the perfect crime of a lifetime. Will Kyoko be able to get to the criminal?

The young, genius scientist Takano Ryuzo (Saito Yusuke) has died in his home. He was a leading authority on induced pluripotent stem (iPS) cells together with his older wife Misuzu (Shimizu Misa). The cause of his sudden death is determined to be a heart attack, but insurance agent Tomonaga Masahiko (Hamano Kenta) approaches his wife Kuriko (Ueno Juri), who is also researcher in iPS cells, about Takano’s sudden death that leaves questions unanswered. He had been insured for a large sum of money. Furthermore, the crime scene is a perfect locked room. These increases Masahiko’s suspicions that it was a murder. Kuriko, the research geek, corners the “invisible criminal” with a wealth of knowledge unique to a female scientist and feminine deduction.

Following the death of their mother Kyoko (Nakamura Yuri), three sisters Chiaki (Dan Rei), Haruna (Kimura Midoriko) and Natsui (Watanabe Makiko) gather at the home where they were born and raised for an all-night vigil. Third sister Chiaki recalls memories of the time she was a girl when she sees something that was inserted into the coffin. After the end of the war, their father Hiroshi (Mashima Hidekazu) brought Toru, their youngest brother who is not related by blood, home. Then one day, Toru suddenly disappeared as if he had been spirited away. Who was responsible and where did he go? As the three sisters begin to trace back distant memories, a young man (Nakajima Ayumu) comes. He greets them with the words, “It’s been a long time since I last saw you, sisters …” The sisters piece together their memories and what starts to emerge is their father’s betrayal and mother’s secret. The 40-year-old truth that their mother had kept to herself is about to be revealed.

Assistant Inspector Fukuie (Dan Rei) does not look like an assistant inspector but once she starts an investigation, she takes no notice of anyone as she searches for the key to find out the truth. She does not care for the hierarchical relationship of the organisation or career advancement. If she has doubts, she will not listen to her superior and will persist in investigating to the end. Fukuie’s boss Inspector Ishimatsu (Inagaki Goro) is completely different from her. He places importance on the organisation and discipline, is rigid and strait-laced. Ever since Fukuie became his subordinate, his pride has been in tatters because she loves to disregard his instructions and investigate on her own even though this eventually results in success and he gets credit for her achievements. His principle is to investigate using orthodox methods, but the results that Fukuie delivers goes against this and makes him feel ashamed.