Asian Drama

N/A

The story of the home of the poor, the rich, the ligay, the Chinese from different origins. Different beliefs, different thoughts that come together, brought about a lot of chaos. How will the challenges that we put up throughout each life path end? Watsana will bring them to love or not love, stay tuned to find out.

Yoi is the mother in a Thai-Chinese family, she has four sons. Her eldest Ah-Chai comes from the army bringing a pregnant prostitute Reynu as his wife even though he already has a fiancee Pilai. Yoi can't accept this and tries every possible way to to make him leave Reynu but fails, unknown to her that Reynu has performed black magic to tie her son's heart. She decided to marry her second son Ah-Tong to Pilai to avoid shame even though he likes a worker named Jantra and decides to also give Ah-Tong the house and store she was supposed to give to her eldest.

Her third son Ah-Sa is the kindest. He is handsome, smart and charming. When Yoi finds out he has feelings for Jantra she worries he will do like his eldest brother and decides to marry him off into a rich family, unknown to her that the family is tricking him into marrying their already pregnant daughter to avoid shame.

The fourth son Ah-See is still a student. He is spoiled, playful and doesn't assume responsibility for his actions. He becomes charmed by Reynu's sister when he meets her and tries desperately to court her.

Adapted from a novel of the same title by author Chulamani.

Narang was adopted into Thun Chai Mamthep's family but was treated like a servant because of his poor background. He fell in love with Pathawee, Thun Chai's daughter, who used him to get back at her father for not treating her mother well and marrying Prakong, a servant. Prakong and Lamoon, her daughter, were both ignored by Thun Chai, who's an alcoholic and a playboy. When Thun Chai finds out about Narangand Pathawee's relationship, Narang is forced to go study overseas.

Years later, he comes back to help Thun Chai with his hotel business that is about to go bankrupt. He suggests selling some of the hotel's shares to Sunanta, a businesswoman. He then meets Siriganya, Sunanta's secretary, but misunderstandings cause them to not like each other at first. Eventually, they fall in love, but Pathawee is still possessive of Narang and she's not willing to let him go.

Massaya's father, who is the adoptive son of the Rattanamahasarn family, is kicked out, along with his wife and child, of the Rattanamahasarn family for marrying her mother, who's believed to be a "low class" Malay woman. Both parents have passed away early she was brought up by her maternal grandfather.

Years later. Massaya grows up as a free-spirited, boyish and a little crude woman. Head of Rattanamahasarn family, Massaya's grandmother, the adoptive mother of Massaya's father, feeling sad and guilty about the past, orders her grandson Lak to bring back Massaya.

Massaya after coming back to Rattanamahasarn family feels like an outcast with overbearing rules, etiquette and a family who looks down on her. She can only feel comfortable with Lak; while she constantly faces bullying from her cousins and their mother.

Saitip, a psychologist providing counseling for kids and families, comes back home with a degree in Psychology and willingness to work. Korn, son of a school owner, is to inherit the school business from his mom. He has to do everything to make his mom and the teachers accept him. He initiates a project 'Sweet Broken Home' to help five trouble making kids who are about to get dismissed from the school. They all similarly come from broken homes. Korn must succeed in his project, or else the five kids would be dismissed. Saitip is hired as a new counseling teacher to help him solve this problem together.

Pojaman is sent to live in Ban Sai Thong upon her deceased father's wishes. There she instantly feels unwelcomed by its residence, her second cousins the Sawangwongs. Her aunt Phanarai and her youngest daughter Ying Lek hate Pojaman, while the eldest daughter Ying Yai is cold to her. However, she immediately bonds with the youngest son Chai Noi, who is crippled and his nanny. There at the Ban Sai Thong, Pojaman is not looked upon as a relative and is ordered to work like a servant. She is sad and homesick but bears the treatment because it is her father's wishes that she finishes her education.

One day while wondering around the grounds of Ban Sai Thong, Pojaman is frightened by an elderly servant, whom she thinks is a ghost. While running for her life, she trips and is caught by Chai Klang. His nick name "Chai Klang" means middle man/guy in Thai referring to the fact that he is the middle brother. Although Chai Klang is a stern person who doesn't show many emotions, he immediately empathizes for Pojaman and fights to get her the respect worthy of a relative. He makes himself her guardian and seeks to teach her qualities of perseverance and patience. Though it's not in the will, he also knows that Ban Sai Thong belongs to Pojaman's family after his grandfather dies.

Because of the care and attention Chai Klang gives to Pojaman, his mom and Ying Lek grow to hate her even more. Naturally, their guardian/child and brother/sister relationship grows into love. They get married, but Pojaman is not certain that Chai Klang married her for love because he never told her he loves her. So how will Pojaman and Chai Klang overcome their obstacle of having his mom and sister accept her as his wife and did Chai Klang marry her because of love or was it because of Ban Sai Thong?

Baan Pong Bpop is well-known about ghost, but for preparation a place for Teacher Chawaeng and other student group in project. After four of them get off a train, and change a bus for going Baan Pong Bpop, but a bus send them to Baan Pong Bpop. Because it has no street to it. Fern and Fuk a niece of grandma Faeng go through a cemetery for catching a frog. Both ofthem unexpectedly hear a plan of Ratuay a son of headman Ratuek who have power in here. He plan with Foon and Rin his subordinate that he will force Fern. So Fern pretend to be a ghost for haunting Ratuay and his subordinate, but she also meet real ghost, and run away too. Both of Ratuay and Fern are running away from ghost, and hit with Pol group. Four of them misunderstand that Fern is ghost, so they run to a cemetery, and be haunted by real ghost.

Khunchai Taratorn...the cautious archeologist dealing with love that he must choose. He is the eldest that looks after his brothers after their parents have passed away. He has the pressure of his promised fiance from another family on his shoulders. He is very focused when it comes to studying historic sites, yet not knowing that this time he will also discover his own heart too. This is a story between two people who has fond feeling for one another ever since when they were children. Love will appear in the middle of an antiques robbery in which it was when those two get a chance to prove their heart.

Krao Supagan’s (Weir Sukollawat Kanarot) life changed when he witnessed his mother committing suicide after being raped and then his father dying of grief. He was taken care by his uncle, Pa. From a young age, he studied hard and worked whenever he had free time on Pa’s grape vineyard. He excelled in school, with one thing on mind: to take revenge on the Vichawayt family. Mr. Vichawayt passed away leaving his fortunes to his three children: the eldest son Asit (Chane Nattawat Plengsiriwa), the second daughter Orn (Tuinuey Pasaraporn Chetiyanuwat) and Nuch (Mai Davika Hoorne). Asit is married to Lita (Yok Thanyanka Thanakitananon).

Lilly is a rich girl who has just returned from America. She went to study there because her stepmother did not want her in Thailand. When she returns, her father Rarm gets her a bodyguard, San without knowing that San is his wife's son. San's mother had abandoned San and his sick sister Dao. San thought that Lilly is the daughter of his mother and Lilly's father. He hates her because he thinks that she is living in luxury while his sister is sick and they are barely making their ends meet. He wants revenge.