Asian Drama

Komori Hiroto is a kind young man who works at the city hall. Since losing his parents in an accident, he has been living with his younger brother Michito, who has autism spectrum disorder. Their restful days are changed when they meet a young boy called “Lion” who they decide to take in. Before long, they get caught up in an incident that changes their lives completely.

(Source: Drama-Otaku)

Duration: 54 min.

Content Rating: Not Yet Rated

Airs On: Friday

This work stars Akafuji Yuichiro, a popular and handsome actor, and Aoyagi Hajime, a former popular child actor who has the ability but is currently unremarkable. The story begins when they are chosen to play the double lead roles in the live-action adaptation of an extremely popular BL manga.

They start living together in order to prepare for the role and get publicity, but Akafuji has a curt attitude toward Aoyagi, and Aoyagi doesn't like Akafuji either.

However, there was a reason for his curt attitude. In reality, Akafuji was deeply in love with Aoyagi.

Akafuji tries his best to hide his feelings, and Aoyagi tries to get along with the other but mistakenly thinks that he hates him. The misunderstanding between the two leads to an unexpected slapstick comedy in this "Cohabitation Romantic Comedy".

(Source: TV Asahi)

Adapted from the manga series "BL Drama no Shuen ni Narimashita" (BLドラマの主演になりました) by Suzuri Machi (すずり街).

Episodes: 3

Duration: 60 min.

Aired On: Sunday

Adapted from the novel "Jiken" (事件) by Ooka Shohei (大岡昇平).

Episodes: 4

~~ Adapted from the manga series “Ashita, Watashi wa Dareka no Kanojo”

A certain summer day, as the cicadas sing loudly. A man with no money and no place to belong tries to end his life, however is unable to take the last step. While wavering between life and death, he sees a gourmet food program on television, and realising he's never once eaten crab in his life decides that "For my last day on this Earth, I'll eat crab". Settings his sights on the wife who lives in a high-class neighbourhood that he happened across in a library, he forces his way into her home. And thus, he demands money from her, however things go in an unexpected direction.

Adapted from the manga "Yukionna to Kani wo Kuu" (雪女と蟹を食う) by Gino0808.

A certain summer day, as the cicadas sing loudly. A man with no money and no place to belong tries to end his life, however is unable to take the last step. While wavering between life and death, he sees a gourmet food program on television, and realising he's never once eaten crab in his life decides that "For my last day on this Earth, I'll eat crab". Settings his sights on the wife who lives in a high-class neighbourhood that he happened across in a library, he forces his way into her home. And thus, he demands money from her, however things go in an unexpected direction.

Adapted from the manga "Yukionna to Kani wo Kuu" (雪女と蟹を食う) by Gino0808.

A love fantasy with a unique world view that depicts the love pattern of an alien, Mitsuru Higashiyama, disguised as a university lecturer, living on Earth while hiding his identity for the past 400 years, and a popular actress, with attitude problems, Sasahara Tsubaki.

Watanuki Shinobu is a manga artist for the past 20 years. Despite being married and having a son, Shinobu lives her life unsatisfactorily. When Shinobu was about to give up her dreams and work, her past works became popular on ebooks and she decides to create a new work and recruit an assistant. A 22 year old young man named Tachibana Chiaki applied to be an assistant and Shinobu gradually finds her life moving forward again after a long time.

Adapted from a manga of the same name by Sakai Eri.

Hoshikamo yearned to become a private detective and he now works as a private detective. He is not good at communicating with women. Hoshikamo once worked at a big private detective agency, but he now he runs his own private detective office. His office is situated within his grandmother's recycle shop. Hoshikamo solves various cases with his assistant Tsugumi Karato. He first met Tsugumi Karato when she was his client. She hired him to help her with a stalker.

The story is based on the life of a japanese composer named Yuji Koseki from Fukushima in the Showa Era.

In 1909, a long-awaited baby boy was born to a family which has run a dry goods store for generations in Fukushima Prefecture. He would later become the talented composer Koyama Yuichi who wrote many famous songs. Although Yuichi was brought up as the heir of the business, he was rather dreamy and considered a child with no redeeming traits by the people around him. However, when he encountered music, it sparked joy and unleashed his gift in composing music through self-study. As a youth, Yuichi secretly put his name down for an overseas songwriting competition. This would change his destiny. He won runner-up for the song he entered for the competition. As a result, he got to know a female student who wanted to be a singer. Despite the long distance between them – Fukushima and Toyohashi – the two of them tied the knot. When they came to Tokyo, they met all sorts of people and weathered a dark period to produce a number of hit songs. However, war broke out and Yuichi had to compose wartime songs at the army’s request. It pained him that young men died in battle after singing the songs he had written. After the war, the country began to recover amid the chaos. The couple made a new era of music in an attempt to encourage the wounded through the power of music.

Yahagi plays Riko, an individualistic student of a women's college and clumsy when it comes to love. After years apart, she encounters cameraman Shuji (BOYS AND MEN's Masaru Mizuno), a past flame and her first love. Together, they're caught up in the romantic turbulence amongst three other men and women.

Yahagi plays Riko, an individualistic student of a women's college and clumsy when it comes to love. After years apart, she encounters cameraman Shuji (BOYS AND MEN's Masaru Mizuno), a past flame and her first love. Together, they're caught up in the romantic turbulence amongst three other men and women.

Yahagi plays Riko, an individualistic student of a women's college and clumsy when it comes to love. After years apart, she encounters cameraman Shuji (BOYS AND MEN's Masaru Mizuno), a past flame and her first love. Together, they're caught up in the romantic turbulence amongst three other men and women.

Mizutani Shizuku is a self-absorbed overachiever,​ concerned only with maintaining the highest grades in school.​ Yoshida Haru is an impulsive short tempered brute,​ who scares everyone with his explosive bursts of violence.​

Haru gets suspended on the first day of school when he encounters some bullies harassing a student and dispatches the bullies with great bloody violence.​ Mizutani is tasked with delivering school materials to Haru who interprets this as an act of friendship and latches on to Mizutani,​ much to her dismay.​ And so begins a strange and potentially combustible relationship!

After waking up from a month-long coma due to injuries sustained in a reckless, heated investigation, detective Yashiro Tomo quickly returns to work at the Tokyo Metropolitan Police Department. She is ordered to transfer from the First Investigative Division’s Violent Crimes Unit to the Sixth Special Investigations Unit. Located in the basement, it is in charge of deciphering documents of unsolved cases. Despite Tomo’s bewilderment, she begins work in her new postalong with a brusque senior detective Narumi Risa who is called the expert of document deciphering for her unusual ability to predict the personality and thoughts of a writer from writings. However, the reality is that this kind of work is nothing more than that of a “storekeeper” of investigation materials.

Based on novel "Keishichou Bunsho Sousakan" by Kazushi Asami.

29-year-old Iwaya Sumire has had a bad day. Make that the worst of all bad days. She has been dumped by her boyfriend of 5 years when she was anticipating a marriage proposal (although she read the situation and dumped him before he could get the words out) and has been demoted from the foreign correspondence department to a different department at the newspaper where she works because she punched her boss when he made drunken advances. Stumbling home, drunk, and emotionally wrung out, Sumire remembers that a puppy had been set out for adoption in a box near her apartment building that morning. Hoping that the puppy is still there, she opens the box flaps only to find a young man with a lithe, graceful body, large, dark eyes, and a mop of shaggy dark hair staring back at her.

In her drunken stupor, Sumire mistakes the young man, 20-year-old modern interpretive dancer Goda Takeshi as her favorite dog Momo from when she was a child. Goda Takeshi is practically homeless, and at the moment is slightly injured from having been beaten up by an assailant for reasons unknown when he climbed into the box to both hide and catch some sleep. Sumire clings to him, weeping. Compassionate to a fault, Takeshi's heart softens for this strange woman and he brings her safely to her home where she kisses him in the entryway, still crying. He was wrecked from that moment. So begins a bizarre and beautiful relationship where Sumire allows Takeshi to live with her, but solely in the capacity of a pet dog. She even calls him Momo. Every day, coming home, Sumire-chan (as Takeshi calls her) and "Momo" do life together in such a way that gradually develops into so much more.

“If you want help, but have no one to consult … At such times, make a phone call first!” Akenabe Yugo’s occupation is a “rental saviour”. He is a “saviour” who shows up to handle any kind of impossible demand for a limited time only. This is a peculiar, innovative rental service which has appeared as a result of a movement in the rental industry. But Akenabe is certainly not a fellow to be worshiped as a saviour. He is just a very good-natured middle-aged man who is forced to be one as a way to make supplementary income through this commission-based, for-profit, confidential service because he has a huge debt and a wife and child. On the other hand Aoi Denjiro, who is a “rental saviour” together with Akenabe, is a big show-off who loves attention.

Criminologist Himura Hideo gets so much pleasure out of being in crime scenes that he's even confessed to having wanted to kill someone. Constantly seeking out the ultimate crime, he is indeed a man with quite a few issues. Mystery writer Arisugawa Arisu, on the other hand, keeps a close eye on Himura's investigations and writes about them but at times completely misses the point. Not at all the type of guy you'd call dependable, Arisugawa nonetheless professes to be the protector of the clumsy Himura. Although these two men appear like they have no business being in crime scenes, they mitigate each other's shortcomings and use their compelling logic to unravel the elaborately woven tricks left behind by the criminals. It's almost as if Himura and Arisugawa use incredible magical powers to tease out unimaginable truths!

Criminologist Himura Hideo seeks the pleasure of murder scenes and announces “I’ve ever wanted to kill a person”. He appears to be a rather dangerous guy who pursues the ultimate crime. His buddy is the somewhat unreliable mystery novel writer Arisugawa Arisu who observes his investigations. His inferences keep missing the mark at times, but he regards himself as Himura’s protector. An unlikely pair for investigation scenes, the two of them make up for each other’s deficiencies as they figure out the complicated and mysterious “tricks” left behind by criminals, with exquisite logic.

A strict personnel manager at an IT company named Onizuka (Ren Osugi) finds a helpless stray kitten and caring for it changes his outlook on life.

Tanaka Tamako had been working for a male-dominated restaurant business but was betrayed by her boyfriend who was hired as the chef. In addition, she is taken to the police as a result of an incident she caused because her friend Fujimura Satsuki was subjected to sexual harassment. Tamako resigns from her unreasonable company and starts a bistro selling homemade pot-au-feu on a rooftop in an alley in Jingumae, Tokyo. This is the story of females who are labelled “write-offs” and the restaurant they have established in order for them to get out from life’s abyss. They battle difficulties and search for ways to change their lives as they experience the joys of work. This is a problem restaurant because they are all females with problems, but it is certainly not lousy. The women who have a common enemy – men, and the restaurant unites them in a fight to the death.

Kirigamine Ryo ia a high-school student who develops a great passion for baseball and mysteries; so much so that she even joins her school's Detective Club. She may be more eager than skilled, but even so, there doesn't seem to be many cases around for her to solve. So when a minor case does pop up, Ryo quickly takes it on. Dragging along her less-than-willing Biology teacher, Ishizawa, as backup, Ryo is ready to tackle even the most bizarre cases after school!

Certain circumstances have made 25-year-old Suzumiya Miki desire secure employment. So, she became a public servant. However, her job is the most detested in the world. It is that of a national tax collector who collects taxes from those who default on payments. The special national tax collectors handle the worst of these cases.

Miki is assigned to the Tokyo Regional Taxation Bureau’s Tax Office as a new tax officer under her superior, Kagami Masachika, a special national tax collector whose coldheartedness has no equal and is called “god of death” by the people around him. Miki thus runs about each day as Kagami’s assistant to collect taxes from tax defaulters.

(Source: IMDb)

Adapted from the novel “Tokkan -Special Tax Collector-” (トッカン -特別国税徴収官-) by Takadono Madoka (高殿円).

Episodes: 10

Duration: 54 min.

Content Rating: Not Yet Rated

Aired On: Wednesday

Ratings: 7.1

When Kaoru Inoue (Junichi Okada) opposes Soichiro Ogata (Shin'ichi Tsutsumi), Soichiro makes the cryptic remark "It couldn't be helped. It was for a greater cause ...".

One month later, at an event hall in Roppongi Hills, there is a charity event for landmine eradication. Kaoru does security with Security Police officers Soichiro Ogata, Eri Sasamoto (Yoko Maki), Takahumi Yamamoto (Satoru Matsuo) and Mitsuo Ishida (Yu Kamio). Kaoru Inoue senses a threatening existence and starts to suffer a severe headache and becomes dizzy. When Kaoru was young, his parents were killed by terrorists and that incident has had an traumatic effect on Kaoru since.

Inside the event hall, Kaoru Inoue replies to Ogata calls that everything is fine. The Secretary of Japan then appears on stage and Inoue again senses a threatening existence. Kaoru has a premonition of what will happen in the future. Right after, Kaoru finds a man in a suit holding an umbrella, even though the weather is clear, and starts running towards him. The man approaches the stage and Kaoru is blocked from reaching him by other spectators. Kaoru Inoue warns Eri Sasamoto about the man. As the man attempts to push a button on the umbrella, Kaoru and Eri are able to restrain him and take the umbrella away. The man slips away and runs off.

Kaoru Inoue chases the man to the center of the city and arrests him near the subway platform. The chase was covered by the media. The chief of SP, Yoshiharu Nakao (Shingo Egami), later stares down at Kaoru and tells him a pipe bomb was discovered in the umbrella which could have caused severe damage. Prime Minister Yuzou Asada (Kei Yamamoto) and other higher government officials gave Inoue favorable reviews, but Kaoru, nevertheless, crossed proper protocols and should refrain from such excessive behavior in the future.

That evening, a campaign fund raising event is held in support of of Secretary General Kunio Date (Teruyuki Kagawa). After the fund raising event, the secretary for the Ministry of Defense Takikawa (Takehiro Hira), who was a member of the same university political club that Soichiro Ogata attended at Tokyo University, chief international terror agent at the Ministiry of Foreign Affairs Anzai (Kazuki Namioka), Metropolitan Police Department member Mitsuhiko Kaziyama (Satoru Date) and Soichiro Ogata gather together in a suite room of the hotel with Kunio Date.

There Takikawa tells Soichiro Ogata that its time to perform the plan. Takikawa affirm that the soft landing way pushed by Yuji Nishijima (Kisuke Iida) will not be effective to build up the country. Anzai insists a crisis is needed to change people's values. Kunio Date promises to support them and orders Soichiro Ogata to carry out their plan.

Around that time, Ichiro Tanaka (Toru Nomaguchi) investigates the relationships between Kunio Date, Kunio Date, Kaziyama and the suicide of government official Yuji Nishijima. A few days later, Soichiro Ogata calls Kaoru Inoue at night to the meet at the park. The park was the same place where tragedy met Kaoru Inoue's parents some twenty years ago. Soichiro Ogata begins to tell a shocking truth, while Kaoru Inoue can't understand his intentions.

The next day Soichiro Ogata assigns to Security Police officer in the #4 Security Section an assignment to guard Kunio Date. After guarding Kunio Date that night, the terrorist plot finally begins attacking Kaoru Inoue and his colleagues.

Domoto Akari is a rookie attorney, so-called "Hokaben," a hot lawyer just out of the oven. Sugisaki Tadashi is her boss at the big law firm, but he has lost his passion for work, and is as cool as ice. These two meet as the only two attorneys at the Pro Bono (For Public Good) section, which the firm created to fulfill their social service obligation.

The law will protect the weak-rookie attorney Akari still believes in the idealistic dream.

The law will not protect the weak, and it can even be a weapon to kill people-experienced Sugisaki has seen the limit of the law. Clients after clients looking for saviors come to them for help, but the realities in front of them are too harsh to face. Will they give up or will they face the reality and fight?

Koyama Kazumi is a poor but optimistic college student who firmly believing that there are more important things than money. Despite his own poverty he ends up taking on other people's debts and faces various challenges to pay off those debts