Asian Drama

Adapted from the novel "Kisetsu no Nai Machi" (季節のない街) by Yamamoto Shugoro (山本 周五郎).

Episodes: 10

A comedy focusing on Kondo Asami, a 33-year-old single woman who lives with her parents and works at the local city hall, and suddenly finds herself starting her life over from scratch. It happens out of a sudden and Asami finds herself on a bed in an obstetrics and gynecology clinic, where she meets her young parents and begins her life all over again.

Defined as the spirit of hope in Greek mythology, Elpis centers around Asakawa Ena, an ace announcer who fell from her position due to a scandal; Kishimoto Takuro, a young director of a variety show; and Saito Seiichi, an ace reporter, as they work together to pursue the truth behind a serial murder case which the death penalty has been set.

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Depicts the lives of three generations of women who have close links to the English lessons on radio which began in 1925.

Depicts the lives of three generations of women who have close links to the English lessons on radio which began in 1925.

Fukaku Yusuke is a stage actor and director. He is married to Oto, who works as a playwright. They have a happy marriage, but Oto suddenly disappears and leaves behind a secret.

Two years later, Yusuke takes the director job at a theater festival. So he heads to Hiroshima, driving his car. There, he meets his exclusive chauffeur Misaki, who doesn't talk much. While spending time with her, Yusuke learns things which he has ignored.

Kanto is a fourteen-year-old boy and a descendant of Japan’s indigenous Ainu people. He lives with his mother, Emi, who runs a souvenir store in the small town in Hokkaido, where the Ainu people embrace tourism to keep the culture alive and to create jobs. When Ainu community leader, Debo, brings the community together to revive an ancient Ainu practice, Kanto feels torn between his personal beliefs and his culture. A rare narrative feature focusing on Japan’s indigenous people, AINU MOSIR showcases the interplay between community, connection, and culture through the lens of one boy’s search for meaning. The second feature from director Takeshi Fukunaga, the film is an observational yet intimate coming of age tale.

Momoko is 75-years-old and lives alone. In 1964, Momoko came by herself to Tokyo from her hometown. She met Shuzo and married him. They raised two children together, but Shuzo suddenly passes away. Momoko is dumbfounded by being alone again. She begins to go to the library and borrows books. This changes her life.

Adapted from the novel by Wakatake Chisato.

Yukisuke, a young, leggy bio-archeologist, gets to know Koyomi, a young land, selling Taiyaki on the street, similar to Korean fish-shaped bun. He is fascinated by her and visits her stall often. The two talk together and often hang out, but Koyomi gets in a car accident and is hospitalized. In a coma for days, she finally regains consciousness but suffers from temporary amnesia. Yukisuke tries to stay closest to her as before, but her past memories give him a hard time.

Adapted from the novel "Shizukana Ame" by Natsu Miyashita.

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the bonds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

After graduating from college, Hiroshi Miyamoto (Sosuke Ikematsu) begins work as a salesman for a stationary manufacturer. Hiroshi Miyamoto is inexperienced as a salesman and his work doesn't go well. He then falls in love with Misako Koda at first sight. She works as a receptionist for automobile company Toyosan. Hiroshi Miyamoto looks for his chance to talk to her. He finally gets his chance, but ...

When he was just seven-years-old, Suei's mother blew herself up with dynamite in a love-pact suicide with the neighbor's son. Suei worked at a factory in the city after graduating from high school and then quit to go to Tokyo, where he plunged into the world of adult magazines after working as an illustrator and cabaret sign painter.

When Shoutarou Tatewaki first meets Sakurako Kujou, he knows his life will never be the same. Initially believing her to be responsible for a disappearance in the neighborhood, he later learns of her true talent: analyzing bone specimens. Sakurako has quite the collection of reconstructed animal bones, but she wishes she had more of the human variety, much to the chagrin of those around her. Soon, Shoutarou begins accompanying the eccentric osteologist on the many different unsolved cases she comes across—usually in the form of decomposing bodies. But with so many incidents happening around them, could there be a larger mystery at work in their lives?

Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru is a story of two unlikely partners, each showing in their own way that bones can tell how one died, but only people can tell how they lived.

With next year's university entrance exams looming, high school senior Yoshiyama Mihane is beginning to feel the blues. She recently joined the school's photography club. As she walks by the science lab one day after school, she smells the aroma of lavender. From that moment on, she acquires the ability to leap freely through time and the days ahead are marked with bizarre occurrences...

Fukamachi is Mihane's classmate and childhood friend. Or at least that's what everyone thinks. The truth is, Fukamachi came from the future, where he is a brilliant researcher who develops a drug that enables time leaps. He uses the drug to visit the year 2016 but loses it and is unable to return for the time being.

Her romantic feelings for a boy that came from the future lasts but a few days, and those memories are now beginning to fade.