Asian Drama

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Takei Chiyo was born to a poor family in Osaka Prefecture’s Minamikawachi district at the of the Meiji era. Her mother passed away when she was still a child, and she lived with her father Teruo and younger brother. Although Chiyo could not be put through elementary school, she has the gift of the gab and quick wit. At the age of 9, she starts working as a servant in Dotonbori and comes across the theatre world which immediately captivates her. Chiyo’s desire to become an actress grows stronger by the day. She eventually runs away and heads to Kyoto where she throws herself into acting.

Takei Chiyo was born to a poor family in Osaka Prefecture’s Minamikawachi district at the of the Meiji era. Her mother passed away when she was still a child, and she lived with her father Teruo and younger brother. Although Chiyo could not be put through elementary school, she has the gift of the gab and quick wit. At the age of 9, she starts working as a servant in Dotonbori and comes across the theatre world which immediately captivates her. Chiyo’s desire to become an actress grows stronger by the day. She eventually runs away and heads to Kyoto where she throws herself into acting.

Born in Osaka in 1937, Kawahara Kimiko is the eldest of 3 sisters. At age 9, she moves with her family to Shigaraki in Shiga Prefecture. Growing up surrounded by the local Shigaraki pottry, she decides to become a ceramics artist. Even though she is passionate, she faces many setbacks as a woman in a traditionally male-dominated industry. This drama follows her life from childhood to marriage to a pioneer career in the ceramic arts.

Born in Osaka in 1937, Kawahara Kimiko is the eldest of 3 sisters. At age 9, she moves with her family to Shigaraki in Shiga Prefecture. Growing up surrounded by the local Shigaraki pottry, she decides to become a ceramics artist. Even though she is passionate, she faces many setbacks as a woman in a traditionally male-dominated industry. This drama follows her life from childhood to marriage to a pioneer career in the ceramic arts.

Inogashira Goro continues eating his way across Japan on his lunch breaks. His tour of Japan's restaurants starts this time in Osaka.

Uno Meiko is the daughter of parents who run a western style restaurant in Tokyo. She marries and moves to Osaka with her husband. Meiko experiences cultural differences between Tokyo and Osaka, as she lives as a mother and wife in Osaka.

An extreme elitist, Ueba Kamo is a Tokyo University graduate and bureaucrat at the Ministry of Finance. Due to her mother’s sudden passing, she is forced to turn herself into an okami, or proprietress at a ryokan (Japanese style hotel). Growing up she had loathed her hometown Kyoto as much as she hated her rare name. Uebaya, the ryokan, is smothered in debt and she cannot imagine letting go of her freedom and success she worked so hard to obtain. In a fever of resentment, she grudgingly takes on the family business, dead set and confident that she would be able to turn the business around in no time. But becoming an okami isn't as easy as she imagined. The ryokan’s reputation plummets and the entire crew of employees begin criticizing her... Trying to escape her critical situation, Kamo is greeted by a shrewd consultant in finance. The crafty man’s name is Kinugawa Shuhei and as they quarrel and try to deceive each other, they find themselves becoming partners. The two set their mission to rebuild the ryokan back to its normal state.

What was the relationship between Kamo and her deceased mother? Was the ryokan more important to her than Kamo? Why is Kamo the okami of a ryokan she thought she would never set foot in again?

Overcoming the obstacles set in front of her, Kamo gradually becomes attached to her position as okami. Had this been her vocation all along? Don’t miss the breathtaking heart-thumping chronicles of a born-again okami!

Sawatari Goro now works at Akado High School as a vice principal. Although the head director of the school board speficically orders him to handle the problematic class 3-D, the students are just too much for him. So Sawatari goes far away to a southern island to search for Yankumi, and convince her to work for Akado. Yankumi accepts the offer, only to find that her class (again) is full of punks, where two rival groups of students are always at each other's throats. Will Yankumi's strong belief in students and teaching work this time?