Asian Drama

Nakamura Rui is a divorced but highly successful producer in publishing. She meets Suzuki Kou, an ambitious buisiness man 17 years her junior, and finds herself getting aggressively persued by him. Eventually they begin a steaming affair. Meanwhile, a young couple moves into the house next to Nakamura's and the wife (Suzuki Marie) begins to confide in her about the frustrations of their conjugal life.

Inspector Sugishita Ukyo, head of the Special Missions Division, returns from London and goes home in the sports car of Assistant Inspector Kanbe Takeru, who has come to meet him at Narita Airport even though Ukyo did not ask him to. However, on the way home, Ukyo notices police officers from the Metropolitan Police Department conducting a crackdown outside the agency’s jurisdiction in Chiba Prefecture and gets suspicious. The police officers that Ukyo had seen were riding motorcycles. He lies in wait in a street with a dead end, but the motorcycle police have vanished into thin air. Ukyo is mystified and begins a thorough investigation. The Head of the National Police Agency’s Secretariat, Onoda Koken, appears before Ukyo, who has a bad feeling about what is going on. He tells Ukyo that Honda Atsuto, a revolutionist and senior leader of the leftist radicals “Red Canary”, has secretly returned to Japan.

Robot maker, Kronos Heaven, finally develops "Night Tenjo", the perfect male humanoid programmed to be devoted and completely loyal to his lover. The company chooses temp worker Izawa Riko to take part in a 5-day free trial. At first, Riko only sees Night as a household appliance. But when she finds out how deep Night's devotion to herself is, Riko finds herself falling in love with him. Joining the love triangle is Asamoto Soshi, a distinguished young executive at her company who has feelings for her.

Filming began on 2008-April and finished 2008-June.

Todo Maki, a rookie lawyer, joins a law office run by seven female attorneys who work to help women who have become victims of crime. Todo eagerly goes to work, but when her boss Sugimura Misako assigns her to a case, she discovers there is still much to learn about practicing law. Under the guidance of her six more experienced colleagues, she discovers what it means to be a lawyer.

This drama pits two protagonists against each other. On the one hand there's Makoto, a woman who believes that the TV program is a product and that viewer ratings are the proceeds, and who believes any method is fair in getting those ratings. On the other hand there's Hiromi, a flashy sort of guy who claims that life is to enjoy and boasts that the program is simply a tool in that process. He loves wine, women and gambling. Such a pair is bound to mix like oil and water, but following a fateful reunion, they come to understand each other in the midst of confrontation.

The 31st NHK Asadora Drama is Oshin. Oshin tells the story of a girl born in a very poor rural family in Japan, who through hard work and perseverance eventually triumphs over pain and adversity to achieve fame and success. Broadcast in the early 1980s when Japan had finally cast off the legacy of the post-war years and the Japanese were beginning to reap the benefits of economic development, the aim of the story was to recall the hardships the older generation had endured in order to pave the way for their children to enjoy their more affluent lifestyle. Viewers were drawn to the suffering of the main character Oshin - and then drew similarities between her story and their own home lives.

Some Japanese worried that showing Oshin abroad would give the country a bad profile - and would even be shameful because it showed the seldom glimpsed, poor, unequal side of Japan. In the event, the reverse proved true. Oshin gave viewers outside Japan - whose only image of Japan was formed by Japanese cars or electric goods, or through bitter memories of Japanese treatment during World War II - a far better understanding of the modern Japan and its people.