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  • Ep 1 SUB

    Soseiji (1999) (1999)

    Soseiji (1999)
    Genre:
    Drama, Fantasy, Horror, Investigation, Murder, Mystery, Psychological, Suspense, Thriller
    Country:
    Japanese
    A wealthy middle class doctor has his comfortable life turned upside down when he is attacked and imprisoned by his doppelganger . The attacker assumes the doctors own identity and, in so doing, forces the doctors wife into an identity crises of her own.
  • Ep 49 SUB

    Hideyoshi (1996) (1996)

    Hideyoshi (1996)
    Genre:
    Drama, Historical, melodrama, political
    Country:
    Japanese

    The 35th NHK Taiga Drama is Hideyoshi, the story of Hideyoshi Toyotomi, a daimyo warrior, general and politician of the Sengoku period He unified the political factions of Japan. He succeeded his former liege lord, Oda Nobunaga, and brought an end to the Sengoku period. The period of his rule is often called the Momoyama period, named after Hideyoshi's castle. He is noted for a number of cultural legacies, including the restriction that only members of the samurai class could bear arms. Hideyoshi is regarded as Japan's second "great unifier".

    The drama won 11th Television Drama Academy Awards (1996-Dec-20) for best drama.

  • Ep 297 SUB

    Oshin (1983) (1983)

    Oshin (1983)
    Genre:
    Drama, Family, Historical, life
    Country:
    Japanese

    The 31st NHK Asadora Drama is Oshin. Oshin tells the story of a girl born in a very poor rural family in Japan, who through hard work and perseverance eventually triumphs over pain and adversity to achieve fame and success. Broadcast in the early 1980s when Japan had finally cast off the legacy of the post-war years and the Japanese were beginning to reap the benefits of economic development, the aim of the story was to recall the hardships the older generation had endured in order to pave the way for their children to enjoy their more affluent lifestyle. Viewers were drawn to the suffering of the main character Oshin - and then drew similarities between her story and their own home lives.

    Some Japanese worried that showing Oshin abroad would give the country a bad profile - and would even be shameful because it showed the seldom glimpsed, poor, unequal side of Japan. In the event, the reverse proved true. Oshin gave viewers outside Japan - whose only image of Japan was formed by Japanese cars or electric goods, or through bitter memories of Japanese treatment during World War II - a far better understanding of the modern Japan and its people.