Ghost Ji Chan, who has lost all his memories, asks for help to Jung Se Ri, who can hear him.

Jung Se Ri agrees to help him to keep some distance from Ji Chan.

Jung Se Ri and Ji Chan tracks back on his memory to find Ji Chan's lost memories.

In that process, the truth about Ji Chan's death is revealed.

An emotion of love blooms amidst Ji Chan's agony and Jung Se Ri's consolation...

Somewhere between horror and romance.

A young couple is having a hard time because of their poor circumstances. They are both desperately searching for work, but that is not easy, either. Meanwhile, the husband is about to lose the camera he has lent to his acquaintance, and the wife is cornered after borrowing private loans to take care of the household.

The Tashkent Files is a thriller that revolves around the mysterious death of India's 2nd Prime Minister Shri Lal Bahadur Shastri and attempts to uncover if he had actually died a natural death, or, as alleged, was assassinated.

In the age of globalization, where mobility is often accompanied by rootlessness, many couples struggle to find a way to stay connected, both with each other and with whatever place they once called home. Such is the case with Arthur and Vivian. A Parisian immigrant, whose visa is set to expire soon, Arthur has spent the past four years with Vivian, a once-famous actress who moved to Paris to escape the hectic life of a celebrity. With his time in the city drawing to a close, Arthur would love nothing more than to have Vivian join him as he begins his round-about journey home. Committed to her own career, Vivian isn’t eager to agree to Arthur’s request; leaving them both to ponder their own desires, both as individuals and as a couple.

Just as Arthur and Vivian struggle to define the terms of their relationship, Amanda, a recently married American step-mom struggles to find her place within her new family. Trying to find a way to cope with the emotional ups and downs that come with marrying a Japanese widower, Amanda isn’t sure if she’ll ever find a way to step out of the shadow of her husband’s late wife. While Amanda tries to find ways to fit into her new life, June and Palm, contemplate starting a new life of their own. Currently living in Bangkok, the couple have an opportunity to relocate to America but June isn’t sure if leaving home is really the best idea.

Each faced with their own struggles of identity and belonging, three different couples must decide what it is they want most and where in the world they truly feel at home.

If a balls-out, no-holds-barred, raw and raunchy crime flick doesn't sound like your kind of thing, you can stop reading right here. How many of us are left? Good. So, for the rest of us, Kinji Fukasaku crafts another typical yet hugely entertaining slice of yakuza action. If you have seen any number of his films from the early 70's, you'll be treading very familiar territory with Outlaw Killers. It's another take on the typical "yakuza foot-soldier is released after doing time in prison for a hit on an enemy gang and finds it hard to adjust to the new conditions; hilarity ensues" plot. However despite the lack of originality, Fukasaku makes up for it with a breakneck pace and hard-boiled grittiness. Every other minute someone gets beaten, blackmailed, robbed, raped, stabbed, beaten some more, beaten with a crowbar and generally brutalized in all sorts of manners. Never a dull moment. What kicks things up a notch is Fukasaku's trademark style. All the hand-held shots and dutch angles might seem arbitrary to the uninitiated, but we're talking about a master director at work here; you'd be hard pressed to find anyone who can place you right in the middle of the action better than he does. The "messy", anarchic look of it all is just a different form of stylization, yet it's obvious it suits the material like a glove. Every fight has a vibrant, palpable feel to it. You can almost taste the salty blood on your lips. He has a great ally of course in a cast full of familiar faces, spearheaded by the ever reliable Bunta Sugawara. Most of the actors appearing in Japanese films are great physical actors and this ensemble is no exception. Overall, Outlaw Killers is by no means a subtle, sophisticated film. No, it's rough and gritty and personally I wouldn't have it any other way.

Kancho Hidenori Ashihara demonstrates and explains the Kata for fighting.

Jung Ho, a famous photographer, has just returned to Korea from abroad. Jung Ho still can't get rid of traumatic memories of his late girlfriend who ended her life in front of him. In the midst of this, Jung Ho becomes a temporary guardian for Soo Yeon, a little girl whose mother is in a vegetative state and father who died in a car accident. However, at the same time, gruesome killings started happening that targeted little girls. Detective Kim begins to suspect Jung Ho is involved in the events.