In February 1972, five members of the Japanese Red Army lock themselves up in a mountain lodge in Karuizawa called Asama Sanso, taking the wife of its proprietor hostage. Sassa Atsuyuki (Koji Yakusho) of the National Police Agency is put in charge by his chief (Makoto Fujita), and rushes to the scene. The case is supposed to be resolved in a few days, but the police do not get permission to use guns, and in addition, there is the severe cold and continuous antagonism between the Metropolitan Police Department and the Prefectural Police, making things extremely complicated. On the tenth day, in an attempt to force a breakthrough, they eventually use a wrecking ball that is operated with a crane truck to break down the outside wall of the lodge, then start to charge in. However, the crane breaks down halfway through, hampering the continuation of this strategy and the ranks fall into confusion. After the head of the riot police sacrifices his life, Sassa takes his place at the forefront and continues the siege. Under his command, the riot police finally raids the room where the kidnappers are. The radicals are all arrested on the spot, and the hostage is safe and unharmed.

Borrowing a similar plot device to Memento, a Maths professor suffers from current memory loss, and can only remember events up until his accident. Everything else that is current lasts only 80 minutes, which is why he relies on little notes and his blackboards to remind himself of important current information each time he comes back to square one. A housekeeper is hired to look after him, and despite the trying times and unique circumstances, both of them manage to strike a deep friendship, through the help of mathematics - one who inspires, and the other who admires. The friendship develops further as the housekeeper's 10 year old son, nicknamed by the Professor "Root" for his square head, comes into the picture, and three of their lives become intertwined. There are many touching moments in the movie, and almost everything revolved around mathematics, food, and even baseball! But you'd come to understand that the movie goes beyond that, and clearly the message is in the philosophy of maths itself, using concepts and applying it to real life, to living life. As such, it made the mathematical concepts introduced here quite accessible and easy to understand. The formation of friendships is core to the story, and the antagonist is none other than a jealous sister-in-law trying to break up what seemed to be going good for everyone involved. I sort of paralleled it to real life, in a not-too-recent episode which I and a few friends personally encountered, and the subsequent treatment we suffered. It makes you wonder how sometimes, even though with honest and sincere intentions, and out of the earnestness in valuing a friendship, you're demonized. It's quite uncanny, but all 3 characters in the professor, the housekeeper and her son are all quite lovable, both in character and in presentation. The cinematography is brilliant too, bringing out the best in the landscapes of the town that they live in, in a picturesque like fashion. I liked the simplicity of the movie, and the feel good factor that exudes from it. It's very beautiful and poetic to watch, given its even and comfortable pace, and it's definitely one of my favourite movies.

Teenage best friends Lei Wing Laam and Lei Sam Yut are both high-achieving students at a traditional Hong Kong girls' school. A relationship that doesn't know whether it is friendship or love arises when Sam Yut declares her love to Wing Laam and the two start a chaste but heated romance, but reality forces the two to pursue different futures. Years later, a cruel wedding brings the two together again when Sam Yut asks Wing Laam to be her maid of honor.

Duration: 1 hr. 35 min.

Content Rating: 13+ - Teens 13 or older

'Subete wa Kimi ni Aeta Kara' follows various different people and couples in 6 loosely connected stories. All of the stories are set at Tokyo Station and take place just before Christmas. The different characters range from a company president who distrusts human beings, to a train driver who just received the shocking diagnosis that he has only half a year left to live. # "Eve no Koibito" ('Christmas Eve Lover') - A company president (Tamaki) meets a woman (Takanashi), who just lost a beloved person, in a restaurant at Tokyo Station. He thinks that all women only like his money and enjoys being alone. She originally moved to Tokyo to become an actress, but now she is planning to go back to her hometown right after her short play at an orphanage. # "Enkyori Renai" ('Long Distance Relationship') - A love-dovey couple that is going through a long distance relationship. She (Kimura) is an aspiring fashion designer in Tokyo and he (Higashide) is a construction worker in Sendai. Will their hectic schedules allow them to at least meet each other on Christmas? # "Christmas Present" - Ichikawa plays a woman who works in an orphanage. That day she is waiting for the new mother of the 7-year-old Akane to come and pick her up. # "Nibun no Ichi Seijin Shiki" ('A Half Coming-Of-Age Ceremony') - A train driver (Tokito) who cannot bring himself to tell his son that he only has half a year left to live. The train driver's wife is played by Otsuka. # "Christmas no Yuuki" ('Christmas Courage') - A part-timer (Honda) at a cake shop has a crush on her senior at work, but she lacks the courage to approach him. # "Okurete Kita Present" ('Belated Present') - The owner of the cake shop at Tokyo Station (Baisho) gets reminded of a promise that she made with a certain someone (Kobayashi) 49 years ago.

Half-human and half-yokai, one-eyed Kitaro lives in Gegege Forest with his bickering friends Nezumi Otoko and Neko Musume and his eyeball father, and he dedicates his time to maintaining peace between humans and yokai. When a magical ball of power ends up in the wrong hands, Kitaro must recover it or both worlds could fall into grave danger.

This film is about ancient aristocrats who stored their treasures underwater, which can be inherited by future generations with the right credentials. The deposit and withdrawal of treasures are both completed underwater, which can be simply understood as an underwater bank. For generations, the underwater bank has been controlled by three prestigious families who still operate this business today. However, 20 years ago, during a routine "golden soup" operation, a huge tentacle suddenly appeared in the lake, almost wiping out the three skilled members of the families present, leaving only a young boy named Yi Sa as the sole survivor. 20 years later, Yi Sa, now the leader of the Yi family's underwater creatures, experiences physical anomalies and, in an effort to uncover the truth about the disaster from 20 years ago and to save himself, teams up with Ding Yu Die, a member of the Ding family's underwater creatures, and Zong Hang, who stumbled upon them carrying the ancestral plaque of the Jiang family, to once again dive into the lake for another "golden soup" operation.

(Source: iQIYI)

Adapted from the novel "Three-Line Reincarnation" (三线轮回) by Wei Yu (尾鱼).

Higuchi Shintaro (Sato Koichi), the Assistant Director of the Financial Services Agency’s Banks Division, has been working himself to the bone for 33 years. Even though he is despised by his bureau chief Yajima Sumihiko (Yashima Norito) and treated like a doormat by his family, he makes an honest living as he dreams of spending a happy old age with his family. But one day five years before Higuchi’s retirement, some unexpected incident happens. The blame for allegedly accepting bribes is shifted to him by Yajima. Higuchi is forced to retire with a private sector job waiting. This event causes the complete breakup of his family. His wife Yoshiko (Asano Atsuko) thrusts divorce papers at him and their two children (Daito Shunsuke, Mano Erina) also leave home. The life that he had built up with simple honesty crumbles miserably. Higuchi is also at his wits end. The place of employment that Yajima has prepared is JAMS, an organisation which supports small and medium-sized companies nationwide. JAMS will be the guarantor for small and medium-sized companies and sole proprietorships when they obtain a loan from a bank, and in the worst-case scenario, it will assume repayments with money from government coffers. The income is 10 million yen a year which is nothing to criticise. However, Higuchi can hardly believe the words of Tachibana Aoi (Ishida Yuriko), the director’s secretary and general affairs, at the Kanda annex where he has been assigned. The work at the office is only to manage the documents on bad debts to JAMS that have exceeded the five-year repayment term. In other words, he has nothing to do! Higuchi is frustrated, but starts to spend his days together with a former Self-Defence Force official Otomo Tsutomu (Ishiguro Ken) who has been parachuted into this workplace that seems like paradise on the same day. One day, Shintaro notices something about a favourite author Tsukuba Takuya (Takenaka Naoto) whose real name he knows is Kanao Tametaro. A long time ago, JAMS had taken over Kanao’s debt of 5 million yen and this document was left in the Kanda annex. Higuchi invents a reason to have Kanao validate a document stating that repayment is not necessary with his seal in order to get an autograph for his book and goes to Kanao’s residence. However, he is handed 30 million yen in cash including interest by Kanao. Learning about this, Aoi comes up with an outrageous scheme. It is to expose the high-income taxpayers who did not pay off their debts to JAMS in the past, collect the money and split it equally between Higuchi, Otomo and herself. A gloomy Otomo, who was dropped from the Self-Defence Forces to cover up a scandal caused by a superior, is keen. But Higuchi expresses reservations about this scheme which counts as embezzlement. At this point, he learns about Aoi’s past … … In fact, she used to be a bank staff and was also set up by Yajima, reassigned to JAMS and forced to become his mistress. All three of them were forced into similar misfortune and want to start their lives over again amid wearisome days where they have nothing to do. Will Higuchi participate in this high-stakes scheme?

Bong-soo (Sol Kyung-Gu) has been working as manager of a small bank in an apartment complex for three years. During his three years there, 23 years if you count his school days, Bong-soo has never been late. However, he purposely decides to skip work one day. There is only one reason. Inside a subway train that has suddenly stopped on his way to work, everyone around him reaches for their cell phones to call someone. At that moment, he realized that he does not have a single person to call. He does not know that inside the educational center across the street from the bank where he works, a 27-year-old woman Won-ju (Jeon Do-Yeon) is looking over to him, nourishing a small love. Bong-soo and Won-ju run into each other every day, at the Ramen restaurant, at the bank, at the bus station. All kinds of trivial incidents occur but Bong-soo still does not truly recognize Won-ju's presence. One day, while looking over the bank's CCTV tapes, Bong-soo discovers someone pitifully calling out his name to the small, closed-circuit camera that does not even record sound.